ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

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concerned about global warming. But withthese works the environmental message ismore subtle.NAVA: How difficult has it been to strike abalance between your “local” life in a smalltown and that which engages with the restof the world?JD: I’ve found an easy balance with mylocal and broader commitments, whichhave unfolded naturally over the years. Ibegan to represent myself from the late1990s, coinciding with the growth of theinternet and more convenient travel, soit was easier to maintain contacts from adistance. Living in a regional area has helpedme reach out to the international marketand creating an early internet presenceworked wonders in gaining internationalexposure and demand. That made it easierto decide when to work with dealers andgalleries and it had unexpected results,such as having my work become part ofthe syllabus in parts of Australia, the USand the UK. It’s also important to have a146
good balance in your life, to get plenty ofexercise, have lots of harmony with nature,meditation and a quiet place to work. I livein one of the most beautiful places on theplanet. These things all benefit me as anartist living outside a major metropolitancentre.NAVA: Ultimately, what do you hopeviewers get from the work you'reproducing?JD: I hope viewers get a sense ofoneness with everything from the workI’m producing. Making this art is a wayof sharing my messages about the needto care for our environment and aboutthe aesthetic experience of appreciatingartworks. I believe humanity is at a criticalpoint, with the planet in a fragile ecologicalstate and global warming hastening majorchanges. I hope people enjoy my work atmany levels and can identify with eachpiece in various ways. I also hope theviewing public can embrace messages inother artists’ work, particularly when they147
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ART INSIGHTSCreating Wealth as aSuc
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All Rights Reserved.Reproduction or
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Table of ContentsPart I (page 7)Alc
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Part IAlchemy: My Career in Environ
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This new medium, it occurred to me,
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My InfluencesAs a young artist, I w
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form of both patronage and exhibiti
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Shedding of IdentityMy entrée into
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Sandra Murray, the then director of
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In 2006, the United Nations Environ
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"Thong Totems"Found objects and Sta
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I toe the line betweenfulfi llment
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“Blue River”Recycled Plastic Ba
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esidence at Jefferson City, Missour
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Driftwood artMy work with driftwood
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Digital Prints and PaintingsAnother
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As well as embracing the digital an
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“Light Blue Purge Dialogue”Acry
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geometrical imagery and constructiv
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The Pass #52007Acrylic on Belgian L
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‘Contemporary Landscapes’ -his
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of Wendell Berry’s paradox that
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Central ConcernsIt amazes me to thi
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It is of utmost importanceto have a
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Let’s be clear about one fact: th
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The manager of the plant was highly
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Remember that it isyou who is placi
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62how much you’re willing to sacr
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3. FOCUS.Successful artists have th
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ends meet. This usually does not wo
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Managing your timealso means placin
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your next show, selling art and tal
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To create somethingof beauty at any
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and start again. My integrity force
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Marketing is also anattitude. Your
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her updated website that she set up
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that you feel confident about the w
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Approaching GalleriesOne of the fir
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it’s good to acknowledge it. Ther
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$ $$ $ $$$$
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opportunities, such as writing a bo
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The Parthenon PrincipleTo create an
Page 97 and 98: Responsible Financial ManagementArt
Page 99 and 100: please everyone that they say yes t
Page 102 and 103: dealings, but you might find that t
Page 104 and 105: do gauge that as both an interior q
Page 106 and 107: “6 Driftwood Totems”Found Drift
Page 108 and 109: I strive to act as areminder of our
Page 111 and 112: Reflections on Obstacles.You always
Page 116: And many people simply didn’t kno
Page 121 and 122: almost like a cross cut through the
Page 123 and 124: People would tell me to look at thi
Page 125 and 126: e squeezed out of the machine to cl
Page 127 and 128: I remember telling the media during
Page 129: Articles and Reviews“Australian E
Page 132 and 133: Art Calendar: I read that a fire de
Page 134 and 135: time appreciating highlighting a pr
Page 136 and 137: asically by a talk on my environmen
Page 138 and 139: demand, and has made the decision o
Page 140: Art Calendar: Ultimately, what do y
Page 143: Of that early time, Dahlsen says:
Page 146 and 147: the art-making process has led to s
Page 150 and 151: 148express strong environmental and
Page 152 and 153: I am with this work, apart from wis
Page 154 and 155: The one plastic bag that was blown
Page 157 and 158: Are paper bags any better?As paper
Page 159 and 160: “Environmental Art”University o
Page 161 and 162: tradition of exploring the relation
Page 163: plastics assembled into abstract fi
Page 166 and 167: projects of land reclamation.Dahlse
Page 168 and 169: ReferencesPart I1,2Murray, Sandra.
Page 171: Art/Business$34.95The Artist’s Mu
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