ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

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3. FOCUS.Successful artists have the ability to focus.If it’s not natural, they develop it, and thisis a reason they have success over thosewho never identify a specific goal. Build intoyour lifestyle an effective exercise programthat can help you focus. The idea, or shouldI say the romantic notion, that artists sitaround all night drinking copious amountsof alcohol and in some cases using otherintoxicants in order to build inspiration isvery largely outdated. We are simply in adifferent, more advanced time.In Australia we have a very popular formof sport called cricket. During the ‘70s,‘80s and early ‘90s we were constantlyhearing about our national team’sindiscretions on airplanes or while visitingoverseas countries, players goading eachother into drinking contests and settingrecords still standing at over 50 drinksin an evening! Times have changed.These days, misbehaving – even for thesmallest infraction – simply isn’t tolerated.64
Like athletes and other professionalsexcelling at their craft, artists need focusand therefore it is critically important toabandon romantic notions of impedimentsto our rigor.4. BE ACCOUNTABLE.You ALONE are responsible for your success.How you respond to the challenges you faceis entirely your responsibility. No one elseis going to obtain success on your behalf.Likewise, there is no one else to blame foryour lack of success except for you. Youwill find it a relief to embrace this fact. Youare now in a position to guide your effortstoward success.5. COMMIT TO OVERACHIEVEMENT.How committed are you to your success asan artist? You need to find the belief insideyourself that you will be fully committedto your success under all circumstances.Your commitment requires that you notspread your energies too thin by workingin a number of different jobs to try to make65
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ART INSIGHTSCreating Wealth as aSuc
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All Rights Reserved.Reproduction or
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Table of ContentsPart I (page 7)Alc
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Part IAlchemy: My Career in Environ
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This new medium, it occurred to me,
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My InfluencesAs a young artist, I w
Page 15 and 16: form of both patronage and exhibiti
Page 17 and 18: Shedding of IdentityMy entrée into
Page 19: Sandra Murray, the then director of
Page 22 and 23: In 2006, the United Nations Environ
Page 24 and 25: "Thong Totems"Found objects and Sta
Page 26 and 27: I toe the line betweenfulfi llment
Page 28 and 29: “Blue River”Recycled Plastic Ba
Page 30 and 31: esidence at Jefferson City, Missour
Page 33 and 34: Driftwood artMy work with driftwood
Page 35: Digital Prints and PaintingsAnother
Page 38 and 39: As well as embracing the digital an
Page 40 and 41: “Light Blue Purge Dialogue”Acry
Page 42 and 43: geometrical imagery and constructiv
Page 44 and 45: The Pass #52007Acrylic on Belgian L
Page 46 and 47: ‘Contemporary Landscapes’ -his
Page 48: of Wendell Berry’s paradox that
Page 51 and 52: Central ConcernsIt amazes me to thi
Page 56 and 57: It is of utmost importanceto have a
Page 58 and 59: Let’s be clear about one fact: th
Page 60 and 61: The manager of the plant was highly
Page 62 and 63: Remember that it isyou who is placi
Page 64 and 65: 62how much you’re willing to sacr
Page 68 and 69: ends meet. This usually does not wo
Page 70 and 71: Managing your timealso means placin
Page 72 and 73: your next show, selling art and tal
Page 74 and 75: To create somethingof beauty at any
Page 76 and 77: and start again. My integrity force
Page 78 and 79: Marketing is also anattitude. Your
Page 80 and 81: her updated website that she set up
Page 82 and 83: that you feel confident about the w
Page 85 and 86: Approaching GalleriesOne of the fir
Page 87: it’s good to acknowledge it. Ther
Page 90 and 91: $ $$ $ $$$$
Page 92 and 93: opportunities, such as writing a bo
Page 95 and 96: The Parthenon PrincipleTo create an
Page 97 and 98: Responsible Financial ManagementArt
Page 99 and 100: please everyone that they say yes t
Page 102 and 103: dealings, but you might find that t
Page 104 and 105: do gauge that as both an interior q
Page 106 and 107: “6 Driftwood Totems”Found Drift
Page 108 and 109: I strive to act as areminder of our
Page 111 and 112: Reflections on Obstacles.You always
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And many people simply didn’t kno
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almost like a cross cut through the
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People would tell me to look at thi
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e squeezed out of the machine to cl
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I remember telling the media during
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Articles and Reviews“Australian E
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Art Calendar: I read that a fire de
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time appreciating highlighting a pr
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asically by a talk on my environmen
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demand, and has made the decision o
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Art Calendar: Ultimately, what do y
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Of that early time, Dahlsen says:
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the art-making process has led to s
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concerned about global warming. But
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148express strong environmental and
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I am with this work, apart from wis
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The one plastic bag that was blown
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Are paper bags any better?As paper
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“Environmental Art”University o
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tradition of exploring the relation
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plastics assembled into abstract fi
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projects of land reclamation.Dahlse
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ReferencesPart I1,2Murray, Sandra.
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Art/Business$34.95The Artist’s Mu
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