ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

Recommendations

Info

demand, and has made the decision ofwhen to need to have dealers or gallerieswork for me a much easier decision tomake.Some of the challenges I experience as aself-represented artist are based aroundthe uncertainty of future projects, as Iam not committed to a set number ofexhibitions each year. But that said, I havefound it usually has a way of working itselfout, and I quite like the randomness ofit all. I could never become a productionline, which probably explains, in part, thevariety of work that I make as the yearsgo by.I maintain a strong focus on creating newwork, while balancing it with the art ofselling and booking speaking engagementsby attending to my personal life equally, withthe same amount of vigor and enthusiasmas I have for my art, so that I have theinner strength to not let the business sideof things weigh me down in my career.I think this is important, to have a good136
alance. To get plenty of exercise, havelots of harmony with nature and meditationto help with it all. I also live in one of themost beautiful places on the planet. TryGoogling ‘Byron Bay’ in Australia, and you’llsee what I mean! Although it like all placeson our planet, is facing potential unheardof climate changes, unless we change ourways immediately.Art Calendar: What’s next in your career?Dahlsen: I am open to surprises, andthey just keep coming. Teaching othersabout the importance of the environmentthrough delivering more lectures aboutmy art in public speaking engagementsdoes interest me, particularly as you cansee from my Web site that I have been ahugely prolific artist over the years, and Ihave lots to lecture about with heaps ofvisuals. I think this will go hand in handwith creating new work, as I’m also reallyenjoying the possibilities I see in my reentryinto painting. This excites me to noend at the moment.137
Page 1:
ART INSIGHTSCreating Wealth as aSuc
Page 4 and 5:
All Rights Reserved.Reproduction or
Page 6 and 7:
Table of ContentsPart I (page 7)Alc
Page 9 and 10:
Part IAlchemy: My Career in Environ
Page 11 and 12:
This new medium, it occurred to me,
Page 13 and 14:
My InfluencesAs a young artist, I w
Page 15 and 16:
form of both patronage and exhibiti
Page 17 and 18:
Shedding of IdentityMy entrée into
Page 19:
Sandra Murray, the then director of
Page 22 and 23:
In 2006, the United Nations Environ
Page 24 and 25:
"Thong Totems"Found objects and Sta
Page 26 and 27:
I toe the line betweenfulfi llment
Page 28 and 29:
“Blue River”Recycled Plastic Ba
Page 30 and 31:
esidence at Jefferson City, Missour
Page 33 and 34:
Driftwood artMy work with driftwood
Page 35:
Digital Prints and PaintingsAnother
Page 38 and 39:
As well as embracing the digital an
Page 40 and 41:
“Light Blue Purge Dialogue”Acry
Page 42 and 43:
geometrical imagery and constructiv
Page 44 and 45:
The Pass #52007Acrylic on Belgian L
Page 46 and 47:
‘Contemporary Landscapes’ -his
Page 48:
of Wendell Berry’s paradox that
Page 51 and 52:
Central ConcernsIt amazes me to thi
Page 56 and 57:
It is of utmost importanceto have a
Page 58 and 59:
Let’s be clear about one fact: th
Page 60 and 61:
The manager of the plant was highly
Page 62 and 63:
Remember that it isyou who is placi
Page 64 and 65:
62how much you’re willing to sacr
Page 66 and 67:
3. FOCUS.Successful artists have th
Page 68 and 69:
ends meet. This usually does not wo
Page 70 and 71:
Managing your timealso means placin
Page 72 and 73:
your next show, selling art and tal
Page 74 and 75:
To create somethingof beauty at any
Page 76 and 77:
and start again. My integrity force
Page 78 and 79:
Marketing is also anattitude. Your
Page 80 and 81:
her updated website that she set up
Page 82 and 83:
that you feel confident about the w
Page 85 and 86:
Approaching GalleriesOne of the fir
Page 87: it’s good to acknowledge it. Ther
Page 90 and 91: $ $$ $ $$$$
Page 92 and 93: opportunities, such as writing a bo
Page 95 and 96: The Parthenon PrincipleTo create an
Page 97 and 98: Responsible Financial ManagementArt
Page 99 and 100: please everyone that they say yes t
Page 102 and 103: dealings, but you might find that t
Page 104 and 105: do gauge that as both an interior q
Page 106 and 107: “6 Driftwood Totems”Found Drift
Page 108 and 109: I strive to act as areminder of our
Page 111 and 112: Reflections on Obstacles.You always
Page 116: And many people simply didn’t kno
Page 121 and 122: almost like a cross cut through the
Page 123 and 124: People would tell me to look at thi
Page 125 and 126: e squeezed out of the machine to cl
Page 127 and 128: I remember telling the media during
Page 129: Articles and Reviews“Australian E
Page 132 and 133: Art Calendar: I read that a fire de
Page 134 and 135: time appreciating highlighting a pr
Page 136 and 137: asically by a talk on my environmen
Page 140: Art Calendar: Ultimately, what do y
Page 143: Of that early time, Dahlsen says:
Page 146 and 147: the art-making process has led to s
Page 148 and 149: concerned about global warming. But
Page 150 and 151: 148express strong environmental and
Page 152 and 153: I am with this work, apart from wis
Page 154 and 155: The one plastic bag that was blown
Page 157 and 158: Are paper bags any better?As paper
Page 159 and 160: “Environmental Art”University o
Page 161 and 162: tradition of exploring the relation
Page 163: plastics assembled into abstract fi
Page 166 and 167: projects of land reclamation.Dahlse
Page 168 and 169: ReferencesPart I1,2Murray, Sandra.
Page 171: Art/Business$34.95The Artist’s Mu
show all

ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?