ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

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It is what lies beyond theboundaries of abstractionand fi guration that intriguesJohn Dahlsen, and he hasdeveloped a unique visuallanguage to articulate this.Dahlsen has only arrived atthis crucial stage in his workafter a course of exploration,both in a personal and artisticsense.- Sandra Murray 1
Shedding of IdentityMy entrée into environmental artwork wasnot my first shift in media and style. I beganmy artistic life as a figurative painter,attracted to that form of expression for itsnarrative qualities. During art school I hadmoved from figurative paintings to moreabstract work. This evolving abstractionand change in identity became an open,abundant field to explore. Free from theconfines of structured figurative elements,I was able to work the canvas and paper,sometimes with paint stripper. After manyyears of painting, I found myself becomingmore courageous and open to theexploration of new materials andtechnology, thereby able to stretch myselfbeyond the realms of paint-brushand canvas. In addition to the consciousexploration of new materials and technology,I have found that being alert and opento the benefit of accidents occurring in myart-making processes have lead to someof the most profound breakthroughs in mywork.15
Page 1: ART INSIGHTSCreating Wealth as aSuc
Page 4 and 5: All Rights Reserved.Reproduction or
Page 6 and 7: Table of ContentsPart I (page 7)Alc
Page 9 and 10: Part IAlchemy: My Career in Environ
Page 11 and 12: This new medium, it occurred to me,
Page 13 and 14: My InfluencesAs a young artist, I w
Page 15: form of both patronage and exhibiti
Page 19: Sandra Murray, the then director of
Page 22 and 23: In 2006, the United Nations Environ
Page 24 and 25: "Thong Totems"Found objects and Sta
Page 26 and 27: I toe the line betweenfulfi llment
Page 28 and 29: “Blue River”Recycled Plastic Ba
Page 30 and 31: esidence at Jefferson City, Missour
Page 33 and 34: Driftwood artMy work with driftwood
Page 35: Digital Prints and PaintingsAnother
Page 38 and 39: As well as embracing the digital an
Page 40 and 41: “Light Blue Purge Dialogue”Acry
Page 42 and 43: geometrical imagery and constructiv
Page 44 and 45: The Pass #52007Acrylic on Belgian L
Page 46 and 47: ‘Contemporary Landscapes’ -his
Page 48: of Wendell Berry’s paradox that
Page 51 and 52: Central ConcernsIt amazes me to thi
Page 56 and 57: It is of utmost importanceto have a
Page 58 and 59: Let’s be clear about one fact: th
Page 60 and 61: The manager of the plant was highly
Page 62 and 63: Remember that it isyou who is placi
Page 64 and 65: 62how much you’re willing to sacr
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3. FOCUS.Successful artists have th
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ends meet. This usually does not wo
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Managing your timealso means placin
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your next show, selling art and tal
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To create somethingof beauty at any
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and start again. My integrity force
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Marketing is also anattitude. Your
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her updated website that she set up
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that you feel confident about the w
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Approaching GalleriesOne of the fir
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it’s good to acknowledge it. Ther
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$ $$ $ $$$$
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opportunities, such as writing a bo
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The Parthenon PrincipleTo create an
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Responsible Financial ManagementArt
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please everyone that they say yes t
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dealings, but you might find that t
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do gauge that as both an interior q
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“6 Driftwood Totems”Found Drift
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I strive to act as areminder of our
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Reflections on Obstacles.You always
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And many people simply didn’t kno
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almost like a cross cut through the
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People would tell me to look at thi
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e squeezed out of the machine to cl
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I remember telling the media during
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Articles and Reviews“Australian E
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Art Calendar: I read that a fire de
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time appreciating highlighting a pr
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asically by a talk on my environmen
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demand, and has made the decision o
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Art Calendar: Ultimately, what do y
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Of that early time, Dahlsen says:
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the art-making process has led to s
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concerned about global warming. But
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148express strong environmental and
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I am with this work, apart from wis
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The one plastic bag that was blown
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Are paper bags any better?As paper
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“Environmental Art”University o
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tradition of exploring the relation
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plastics assembled into abstract fi
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projects of land reclamation.Dahlse
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ReferencesPart I1,2Murray, Sandra.
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Art/Business$34.95The Artist’s Mu
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