ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

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geometrical imagery and constructivistdiagramming of space that is playfullyorganic and blob-like. I made this seriesof work to explore the mechanics of howan object is put together and what place itoccupies in a cycle of life, organic or manmade. With this work I explore the dualityof meaning and perception and the illusionthat is created between; I am presentingan image of a non-object, in a painting ofan informal formalist sculpture.Massive social transformations arenecessary to adequately deal with suchcrises as the depletion of fossil fuels andclimate change. I hope my work can serveas a timely reminder of the limited supplyof these petroleum-based materials - adirect result of our current global massconsumerism.40
New DirectionsNew directions in my environmentalartwork evolved naturally for me andfurther galvanized my return to painting.Prior to collecting society's discardedobjects of the everyday and transformingthem into formal compositions, which I didfor over 15 years, painting was my primarymedium. The landscape and seascapepaintings I made from 2007 to 2009 werepainted as a continued response to ourlocal environment and my evolving workwith found objects.In the past I have used recycled materialsto convey the history and memory of aplace, to comment on the human experienceof place, beauty and degradation of theenvironment. The featured landscapesare the very same places I have roamedover the years and where I have collecteddetritus - my working materials. In mypainting series I emphasize the changingweather patterns witnessed in recentyears, through my own depictions of storm41
Page 1: ART INSIGHTSCreating Wealth as aSuc
Page 4 and 5: All Rights Reserved.Reproduction or
Page 6 and 7: Table of ContentsPart I (page 7)Alc
Page 9 and 10: Part IAlchemy: My Career in Environ
Page 11 and 12: This new medium, it occurred to me,
Page 13 and 14: My InfluencesAs a young artist, I w
Page 15 and 16: form of both patronage and exhibiti
Page 17 and 18: Shedding of IdentityMy entrée into
Page 19: Sandra Murray, the then director of
Page 22 and 23: In 2006, the United Nations Environ
Page 24 and 25: "Thong Totems"Found objects and Sta
Page 26 and 27: I toe the line betweenfulfi llment
Page 28 and 29: “Blue River”Recycled Plastic Ba
Page 30 and 31: esidence at Jefferson City, Missour
Page 33 and 34: Driftwood artMy work with driftwood
Page 35: Digital Prints and PaintingsAnother
Page 38 and 39: As well as embracing the digital an
Page 40 and 41: “Light Blue Purge Dialogue”Acry
Page 44 and 45: The Pass #52007Acrylic on Belgian L
Page 46 and 47: ‘Contemporary Landscapes’ -his
Page 48: of Wendell Berry’s paradox that
Page 51 and 52: Central ConcernsIt amazes me to thi
Page 56 and 57: It is of utmost importanceto have a
Page 58 and 59: Let’s be clear about one fact: th
Page 60 and 61: The manager of the plant was highly
Page 62 and 63: Remember that it isyou who is placi
Page 64 and 65: 62how much you’re willing to sacr
Page 66 and 67: 3. FOCUS.Successful artists have th
Page 68 and 69: ends meet. This usually does not wo
Page 70 and 71: Managing your timealso means placin
Page 72 and 73: your next show, selling art and tal
Page 74 and 75: To create somethingof beauty at any
Page 76 and 77: and start again. My integrity force
Page 78 and 79: Marketing is also anattitude. Your
Page 80 and 81: her updated website that she set up
Page 82 and 83: that you feel confident about the w
Page 85 and 86: Approaching GalleriesOne of the fir
Page 87: it’s good to acknowledge it. Ther
Page 90 and 91: $ $$ $ $$$$
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opportunities, such as writing a bo
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The Parthenon PrincipleTo create an
Page 97 and 98:
Responsible Financial ManagementArt
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please everyone that they say yes t
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dealings, but you might find that t
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do gauge that as both an interior q
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“6 Driftwood Totems”Found Drift
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I strive to act as areminder of our
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Reflections on Obstacles.You always
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And many people simply didn’t kno
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almost like a cross cut through the
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People would tell me to look at thi
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e squeezed out of the machine to cl
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I remember telling the media during
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Articles and Reviews“Australian E
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Art Calendar: I read that a fire de
Page 134 and 135:
time appreciating highlighting a pr
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asically by a talk on my environmen
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demand, and has made the decision o
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Art Calendar: Ultimately, what do y
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Of that early time, Dahlsen says:
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the art-making process has led to s
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concerned about global warming. But
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148express strong environmental and
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I am with this work, apart from wis
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The one plastic bag that was blown
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Are paper bags any better?As paper
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“Environmental Art”University o
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tradition of exploring the relation
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plastics assembled into abstract fi
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projects of land reclamation.Dahlse
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ReferencesPart I1,2Murray, Sandra.
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Art/Business$34.95The Artist’s Mu
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ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

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