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download the PDF file - Whoa is (Not)

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So he orders several pizzas. It's <strong>the</strong> easiest, and he could add on pasta to that. He used to run a pastashop; th<strong>is</strong> wouldn't be too hard.Neo goes around <strong>the</strong> place once more and still doesn't find a computer. He starts looking slightlyagitated.Hanging around <strong>the</strong>ir presence continues to feel uncomfortably surreal; somehow it's much morebearable when it's just him and one of <strong>the</strong>m. There <strong>is</strong> something about watching <strong>the</strong>m interact with eacho<strong>the</strong>r that makes him uneasy, and somehow it makes <strong>the</strong>m seem less real, like mere automatonsprogrammed by him with certain character<strong>is</strong>tics and modes of thought.But when he <strong>is</strong> alone with just one of <strong>the</strong>m, <strong>the</strong>y seem completely human; which unnerves him in atotally different way.He wonders what it feels like from <strong>the</strong>ir point of view – in relation to him, in relation to each o<strong>the</strong>r...And, with a sinking feeling, he remembers Griffin, still locked up, and hopes that he will be okay."Are you looking for something?" he asks.Neo gives a start. "...Yeah. A computer.""I don't have one."Neo shifts uncomfortably. "I know. You told me. But..."Neo looks fitfully around in a desperate sort of way, as though it would make a computer somehowmaterial<strong>is</strong>e out of nowhere. Houses had computers. It was a fact of life, he thought. Which meant that<strong>the</strong>re had to be one here somewhere, just... hiding or something.The telev<strong>is</strong>ion comes on in <strong>the</strong> background playing some inane detergent advert<strong>is</strong>ement.A yell and splash informs <strong>the</strong>m that Tommy and Jesse just pushed Heaver into <strong>the</strong> newly-d<strong>is</strong>coveredswimming pool.**The deafening silence <strong>is</strong> starting to get to him, and Griffin finally forces himself to accept that <strong>the</strong> door <strong>is</strong>not going to open any time soon.But he stays calm; looks at <strong>the</strong> chainsaw, considers h<strong>is</strong> options. He's probably managed to guilt-tripReeves. He hopes he has, with a sudden twinge of anger, but <strong>the</strong>n he tries to suppress <strong>the</strong> hurt ofbeing unloved by h<strong>is</strong> creator, because <strong>the</strong>re's no point in dwelling on that.He runs h<strong>is</strong> free hand slowly along <strong>the</strong> serrated edge of <strong>the</strong> chainsaw and feels <strong>the</strong> mild pricks of pain,driving home h<strong>is</strong> mortality; tries to imagine powering it up and directing it through <strong>the</strong> flesh and bone ofh<strong>is</strong> right wr<strong>is</strong>t, and <strong>the</strong> thought brings h<strong>is</strong> left hand to a stop. He retrieves h<strong>is</strong> hand from <strong>the</strong> chainsawand holds it close.Griffin slides lower down <strong>the</strong> side of <strong>the</strong> bed and leans against it, eyes shut. The sound of h<strong>is</strong> quietbreaths fills h<strong>is</strong> mind.He wonders what <strong>the</strong> o<strong>the</strong>rs are doing. He wonders if he can tell; if he can sense <strong>the</strong>m; if <strong>the</strong>y areconnected in more ways than <strong>the</strong>y think; but he gets nothing, and so he gives up trying.He tries to sleep. Perhaps when he wakes, things will be different.Someone has to come eventually.

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