POLITICS 105Need to receive more callers and endure more visits,Take this friend along or the other, and never go outBy myself or get out to the country……In this, and in thousands of other respects,I am much better off than you, my dear Public Figure.(Horace, 1959:66–67)This sense of balance reflects the poet’s own relative investment in thestatus quo. He was a part of the literary circle gathered around theemperor Augustus’ finance minister Maecenas that included Virgil, thepoet of the Aeneid, a privileged group devoted to the Latinization ofGreek poetic forms and the enhancement of Roman poetry. We can alsodetect the influence of Stoicism, an Athenian philosophical systemwidely adopted in Rome. Stoicism’s chief ethical concern was thathumanity live according to the tenets of nature and reason. As allanimals have needs befitting their nature, such as the need for food,shelter, and a mate, humanity must live according to these needs, andthe actions that nature has prescribed as ‘appropriate’. But, as humansare possessed of reason, they can determine the quality of appropriateactions with greater accuracy and consistency than animals, allowingthem to move beyond simply answering their needs, and enabling themto act in concert with nature’s prescriptions. To act and understand inthis way is to act virtuously. Thus, while we can see that Horace is notan explicitly philosophical poet, his satire is concerned with thespiritual well-being of the individual, achieved through individualchoices and the reconciliation of self with its place in society.A century later, the satire of Juvenal suggests that Roman life hadchanged. Unlike Horace, Juvenal’s work was not popular or widely readin his own lifetime, in fact, he was not really ‘discovered’ until two anda half centuries after his death. Juvenalian satire is the satire of saevaindignatio, or savage indignation, the bitter condemnation of venal andstupid humanity. Whereas Horace scolds deviance from an essentiallybenign human nature, Juvenal starts from the position that vice is at itshighest point and virtue has been virtually extinguished. ‘When wasthere ever a time more rich in abundance of vices?’, he asks in his FirstSatire, ‘Wealth, in our hearts, is set in the veriest Holy of Holies’(Juvenal, 1958: 21). Juvenal’s two most influential satires, Satires IIIand X, focus on city living and its corruptions. Satire III, ‘Against theCity of Rome’, makes it clear that hypocrisy is necessary for those whowish to prosper:
106 POLITICSWhat should I do in Rome? I am no good at lying.If a book’s bad, I can’t praise it, or go around ordering copies.I don’t know the stars; I can’t hire out as assassinWhen some young man wants his father knocked off for a price;…I am no lookout for thieves, so I cannot expect a commissionOn some governor’s staff. I’m a useless corpse, or a cripple.Who has a pull these days, except your yes men and stoogesWith blackmail in their hearts, yet smart enough to keep silent?(Juvenal, 1958:35)Juvenal enjoyed a particular vogue in the eighteenth century whenEnglish authors rediscovered satirical models as a powerful form ofsocial commentary. The most influential of these was undoubtedly thecomplex Irish writer and divine Jonathan Swift (1667–1745). Swift’ssatire, although difficult to define absolutely, adopts the Juvenalian toneof bitter indignation, appalled by man’s inhumanity and the greed andhypocrisy of political and religious factionalism. Swift’s misanthropy isvoiced through the techniques of irony and parody, deploying an urbaneand calming narrative tone to investigate the darkest and most unsettlingtopics, and using pre-existing literary modes to convey them. This isclearly the technique of A Modest Proposal (1729), a short text thatoutlines a plan to address ‘the present deplorable state’ of Ireland byselling babies to be eaten as food (Swift, 1993:2181). A ModestProposal is a parody of the political treatises and pamphlets publishedin abundance at this time, ventriloquizing the reasonable tone of theconcerned philanthropist. ‘I shall now humbly propose my ownthoughts, which I hope will not be liable to the least objection’, writesthe urbane narrator, before telling us that,I have been assured by a very knowing American of myacquaintance in London, that a young healthy child well nursed isat a year old a most delicious, nourishing, and wholesome food,whether stewed, roasted, baked, or boiled; and I make no doubtthat it will equally serve in a fricassee or a ragout.(Swift, 1993:2182)The ethics of cannibalism and degradations of the Irish under colonialEnglish rule are entirely flattened amidst the logical computations andanalyses of the humanitarian benefits outlined by the pamphleteer. Such
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COMEDYWhat is comedy? Andrew Stott
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iiiIrony by Claire ColebrookLiterat
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First published 2005by Routledge270
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The Grotesque 83Slapstick 87The Fem
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ACKNOWLEDGEMENTSIn keeping with the
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2 INTRODUCTIONcomic’ is an identi
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4 INTRODUCTIONassumption being that
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6 INTRODUCTION‘Whenever they wax
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8 INTRODUCTIONmeans of opening up t
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10 INTRODUCTIONJokes therefore emer
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14 INTRODUCTIONrelegation in the hi
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16 INTRODUCTION
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18 COMEDY IN THE ACADEMYWhile there
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20 COMEDY IN THE ACADEMYin the cont
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22 COMEDY IN THE ACADEMYWith the ri
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24 COMEDY IN THE ACADEMYother’ (B
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26 COMEDY IN THE ACADEMYvictory pro
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28 COMEDY IN THE ACADEMYSPRINGTIME
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30 COMEDY IN THE ACADEMYreduction t
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32 COMEDY IN THE ACADEMYlocation fo
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34 COMEDY IN THE ACADEMYbut this ap
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36 COMEDY IN THE ACADEMYand also a
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38 COMEDY IN THE ACADEMY
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40 COMIC IDENTITYnows, changing voi
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42 COMIC IDENTITYwalks of life to a
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44 COMIC IDENTITYdisease. From this
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46 COMIC IDENTITYineffable folly of
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48 COMIC IDENTITYdancing, juggling,
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50 COMIC IDENTITYThe trickster has
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52 COMIC IDENTITYShakespeare, fairi
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- Page 69 and 70: 58 COMIC IDENTITY1990:248). Not onl
- Page 71 and 72: 60 GENDER AND SEXUALITYignoring tab
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- Page 77 and 78: 66 GENDER AND SEXUALITYplaying Rosa
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- Page 81 and 82: 70 GENDER AND SEXUALITYIf the anato
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- Page 87 and 88: 76 GENDER AND SEXUALITYconverse wit
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- Page 91 and 92: 80 THE BODYBEAUTY AND ABJECTIONIn W
- Page 93 and 94: 82 THE BODYOne idea that may help u
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- Page 105 and 106: 94 THE BODYWomen have been systemat
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- Page 111 and 112: 100 POLITICScitizens all insulted i
- Page 113 and 114: 102 POLITICSSecretary Tessa Jowell
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- Page 123 and 124: 112 POLITICSsatisfied by Price’s
- Page 125 and 126: 114 POLITICSself-centredness of the
- Page 127 and 128: 116 POLITICSwho, in their 1944 essa
- Page 129 and 130: 118 POLITICS(Ezrahi, 2001:307). Rut
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- Page 133 and 134: 122 LAUGHTERevidence for his sense
- Page 135 and 136: 124 LAUGHTERdevils to expel, there
- Page 137 and 138: 126 LAUGHTERand the meane that make
- Page 139 and 140: 128 LAUGHTERHere we find the Christ
- Page 141 and 142: 130 LAUGHTERof mutual relation from
- Page 143 and 144: 132 LAUGHTER‘laughter naturally r
- Page 145 and 146: 134 LAUGHTERceiling, it started lit
- Page 147 and 148: 136 LAUGHTERdeferred. For Nancy, th
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- Page 151 and 152: 140 CONCLUSIONhuman imperfection. W
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- Page 155 and 156: 144 GLOSSARYcenturies. Commedia del
- Page 157 and 158: 146 GLOSSARYto problematize the ide
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- Page 161 and 162: 150 FURTHER READINGAn extremely acc
- Page 163 and 164: 152 BIBLIOGRAPHYErickson and Coppel
- Page 165 and 166: 154 BIBLIOGRAPHYDouglas, Mary (1975
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156 BIBLIOGRAPHYContexts and Critic
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158 BIBLIOGRAPHY——(1987), ‘Wi
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160 BIBLIOGRAPHYSynott, Anthony (19
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162 INDEXCavell, Stanley 87-3Chapli
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164 INDEXmarriage 70-77;in British