BIBLIOGRAPHY 153Charney, Maurice (1978), Comedy High and Low: An Introduction to theExperience of Comedy, New York: Oxford University Press.Cicero (1984), ‘On the Orator’s Use of Laughter’, in Comedy: Developments inCriticism, ed. D.J.Palmer, Basingstoke: Macmillan, pp. 28–29.Cixous, Hélène (1976), ‘The Laugh of the Medusa’, trans. Keith Cohen and PaulaCohen, Signs, 1.4:875–893.Clare, Janet (1990), ‘Art Made Tongue-Tied by Authority’: Elizabethan andJacobean Dramatic Censorship, Manchester: Manchester UniversityPress.Clement of Alexandria (1983), The Instructor, in The Ante-Nicene Fathers:Translations of the Writings of the Fathers Down to A.D.325, ed.Alexander Roberts and James Donaldson, et al., 10 vols, Grand Rapids:Eerdmans, vol. 2, pp 207–296.Congreve, William (1997a), ‘Amendments of Mr. Collier’s False and ImperfectCitations’, in Restoration and Eighteenth-Century Comedy, ed. ScottMcMillin, second edn, New York and London: Norton, pp. 513–516.——(1997b), The Way of the World, in Restoration and Eighteenth-CenturyComedy, ed. Scott McMillin, second edn, New York and London: Norton,pp. 251–319.——(1973). The Double Dealer, London: Scolar.Cook, William (1994), Ha Bloody Ha: Comedians Talking, London: FourthEstate.Cornford, Francis Macdonald (1914), The Origins of Attic Comedy, London:Edward Arnold.Coward, Noël (1999), Three Plays: Blithe Spirit, Hay Fever, Private Lives, NewYork: Vintage.Critchley, Simon (2002), On Humour, London: Routledge.——(1997), Very Little…Almost Nothing: Death, Philosophy, Literature,London: Routledge.Dale, Alan (2000), Comedy is A Man in Trouble: Slapstick in American Movies,Minneapolis and London: University of Minnesota Press.Daniell, David (1997), ‘Shakespeare and the Traditions of Comedy’, in TheCambridge Companion to Shakespeare Studies, ed. Stanley Wells,Cambridge: Cambridge University Press, pp. 101–121.Dante (1984), ‘Epistle to Can Grande’, in Comedy: Developments in Criticism,ed. D.J. Palmer, Basingstoke: Macmillan, p.31.De Man, Paul (1983), Blindness and Insight: Essays in the Rhetoric ofContemporary Criticism, second edn, London: Routledge.Dickens, Charles (1968), Memoirs of Joseph Grimaldi, ed. Richard Findlater,London: MacGibbon and Kee.Dollimore, Jonathan (1984), Radical Tragedy: Religion, Ideology and Power inthe Drama of Shakespeare and his Contemporaries, Brighton: Harvester.Double, Oliver (1997), Stand-Up: On Being a Comedian, London: Methuen.
154 BIBLIOGRAPHYDouglas, Mary (1975), Implicit Meanings: Essays in Anthropology, London:Routledge and Kegan Paul.Eco, Umberto (1983), The Name of the Rose, trans. William Weaver, San Diego:Harcourt Brace Jovanovich.Elias, Norbert (1978), The Civilizing Process: The History of Manners, trans.Edmund Jephcott, New York: Urizen.Erasmus (1993), The Praise of Folly, trans. Betty Radice, rev. A.T.H.Levi,Harmondsworth: Penguin.Ezrahi, Sidra DeKoven (2001), ‘After Such Knowledge, What Laughter?’, YaleJournal of Criticism, 14.1:287–313.Ferris, Lesley (1990), Acting Women: Images of Women in Theatre,Basingstoke: Macmillan.Fielding, Henry (1980), Joseph Andrews and Shamela, ed. Douglas Brooks-Davis, Oxford: Oxford University Press.Fischer, Lucy (1991), ‘Sometimes I Feel Like a Motherless Child: Comedy andMatricide’, in Comedy/Cinema/Theory, ed. Andrew Horton, Berkeley:University of California Press, pp. 60–78.Flanzbaum, Hilene (2001), ‘“But Wasn’t it Terrific?”: A Defense of Liking Lifeis Beautiful’ , Yale Journal of Criticism, 14.1:273–286.Freud, Sigmund (2001), Jokes and Their Relation to the Unconscious, StandardEdition of the Complete Works of Sigmund Freud, ed. James Strachey,London: Vintage, vol. 8.Friend, Tad (2002), ‘What’s So Funny? A Scientific Attempt to Discover WhyWe Laugh’, New Yorker, 11 Nov., 2002, pp. 78–93.Frye, Northrop (1990), The Anatomy of Criticism: Four Essays,Harmondsworth: Penguin.——(1953), ‘Characterization in Shakespearian Comedy’, ShakespeareQuarterly, 4.3:271–277.Gaf, Fritz (1997), ‘Cicero, Plautus and Roman Laughter’, in A Cultural Historyof Humour From Antiquity to the Present Day, ed. Jan Bremmer andHerman Roodenburg, Cambridge: Polity, pp. 29–39.Garber, Majorie (1992), Vested Interests: Cross-Dressing and Cultural Anxiety,New York and London: Routledge.Garner Jr, Stanton B. (1999), Trevor Griffiths: Politics, Drama, History, AnnArbor: University of Michigan Press.Gates Jr, Henry Louis (1988), The Signifying Monkey: A Theory of AfricanAmerican Literary Criticism, New York and Oxford: Oxford UniversityPress.Gilhus, Ingvild Saelid (1997), Laughing Gods, Weeping Virgins: Laughter inthe History of Religion, London: Routledge.Gill, Pat (1994), Interpreting Ladies: Women, Wit, and Morality in theRestoration Comedy of Manners, Athens: University of Georgia Press.
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COMEDYWhat is comedy? Andrew Stott
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iiiIrony by Claire ColebrookLiterat
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First published 2005by Routledge270
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The Grotesque 83Slapstick 87The Fem
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ACKNOWLEDGEMENTSIn keeping with the
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2 INTRODUCTIONcomic’ is an identi
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4 INTRODUCTIONassumption being that
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6 INTRODUCTION‘Whenever they wax
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8 INTRODUCTIONmeans of opening up t
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14 INTRODUCTIONrelegation in the hi
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16 INTRODUCTION
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18 COMEDY IN THE ACADEMYWhile there
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20 COMEDY IN THE ACADEMYin the cont
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22 COMEDY IN THE ACADEMYWith the ri
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24 COMEDY IN THE ACADEMYother’ (B
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26 COMEDY IN THE ACADEMYvictory pro
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28 COMEDY IN THE ACADEMYSPRINGTIME
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30 COMEDY IN THE ACADEMYreduction t
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32 COMEDY IN THE ACADEMYlocation fo
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34 COMEDY IN THE ACADEMYbut this ap
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36 COMEDY IN THE ACADEMYand also a
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38 COMEDY IN THE ACADEMY
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40 COMIC IDENTITYnows, changing voi
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42 COMIC IDENTITYwalks of life to a
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44 COMIC IDENTITYdisease. From this
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46 COMIC IDENTITYineffable folly of
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48 COMIC IDENTITYdancing, juggling,
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50 COMIC IDENTITYThe trickster has
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52 COMIC IDENTITYShakespeare, fairi
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54 COMIC IDENTITYCastiglione’s Th
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56 COMIC IDENTITYway of seeing the
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58 COMIC IDENTITY1990:248). Not onl
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60 GENDER AND SEXUALITYignoring tab
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62 GENDER AND SEXUALITYand alluring
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64 GENDER AND SEXUALITYunderstand q
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68 GENDER AND SEXUALITYfinancial su
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70 GENDER AND SEXUALITYIf the anato
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72 GENDER AND SEXUALITYThe represen
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74 GENDER AND SEXUALITYbeen redefin
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76 GENDER AND SEXUALITYconverse wit
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78 GENDER AND SEXUALITYsignificance
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80 THE BODYBEAUTY AND ABJECTIONIn W
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84 THE BODYexistence in the face of
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86 THE BODYThey are healthily scept
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88 THE BODYFirst, movie performers
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90 THE BODYyou…at last you’ve c
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92 THE BODYin a department store, t
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94 THE BODYWomen have been systemat
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96 THE BODYand the pair’s drunken
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98 POLITICSseems to assume—came t
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100 POLITICScitizens all insulted i
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- Page 129 and 130: 118 POLITICS(Ezrahi, 2001:307). Rut
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- Page 133 and 134: 122 LAUGHTERevidence for his sense
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- Page 161 and 162: 150 FURTHER READINGAn extremely acc
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- Page 167 and 168: 156 BIBLIOGRAPHYContexts and Critic
- Page 169 and 170: 158 BIBLIOGRAPHY——(1987), ‘Wi
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