COMEDY

Recommendations

Info

FURTHER READINGThe following is a selection of secondary and introductory volumes thatconsider many of the issues dealt with in this book.Carlson, Susan (1991), Women and Comedy: Rewriting the British TheatricalTradition, Ann Arbor: University of Michigan Press. Excellent discussionof the role of the comic representations of women in British theatre,including feminist and political theatre of the late twentieth century.Charney, Maurice (1978), Comedy High and Low: An Introduction to theExperience of Comedy, New York: Oxford University Press. A looselyorganized collection of observations about comedy that provides valuableinsight into many aspects of comic effect and technique.Critchley, Simon (2002), On Humour, London: Routledge. An essentialintroduction to the philosophy of humour that considers the place of thebody in comedy, and the ideas of Nietzsche, Bakhtin, and Freud.Double, Oliver (1997), Stand-Up: On Being a Comedian, London: Methuen.Combines an autobiographical account of the author’s experience as astand-up comedian with useful historical analysis of the rise anddevelopment of stand-up from the Victorian music hall to the present day.Gray, Frances (1994), Women and Laughter, Basingstoke: Macmillan. Theleading book on its topic, an invaluable analysis of women in British andAmerican film, television, and stand-up comedy that includes theoreticaldiscussion of the gendered politics of laughter.Jacobson, Howard (1997), Seriously Funny: From the Ridiculous to theSublime, Harmondsworth: Viking. An historically and geographicallyfarreaching analysis of comedy and humour’s social function.Leggatt, Alexander (1998), English Stage Comedy, 1490–1990, New York andLondon: Routledge. A very useful and comprehensive study of comictheatre organized around an analysis of recurring themes.Levin, Harry (1987), Playboys and Killjoys: An Essay on the Theory andPractice of Comedy, New York and Oxford: Oxford University Press.
150 FURTHER READINGAn extremely accessible and suggestive text that considers comedy as aperpetual conflict between the forces of pleasurable chaos and despoticorder.Morreall, John (1983), Taking Laughter Seriously, Albany: SUNY Press. Adetailed analysis of concepts and trends in the philosophical discussion ofhumour.Palmer, Jerry (1994), Taking Humour Seriously, London: Routledge. A superbtext that considers comedy and humour from a cultural and sociologicalperspective and treats literary examples of humour alongside analyses ofjoking relationships.Wagg, Stephen (ed.) (1998), Because I Tell a Joke or Two: Comedy, Politicsand Social Difference, London and New York: Routledge. A diversecollection of essays and interviews on twentieth-century British film andtelevision comedy.
Page 2 and 3:
COMEDYWhat is comedy? Andrew Stott
Page 4 and 5:
iiiIrony by Claire ColebrookLiterat
Page 6 and 7:
First published 2005by Routledge270
Page 8 and 9:
The Grotesque 83Slapstick 87The Fem
Page 10:
ACKNOWLEDGEMENTSIn keeping with the
Page 13 and 14:
2 INTRODUCTIONcomic’ is an identi
Page 15 and 16:
4 INTRODUCTIONassumption being that
Page 17 and 18:
6 INTRODUCTION‘Whenever they wax
Page 19 and 20:
8 INTRODUCTIONmeans of opening up t
Page 21 and 22:
10 INTRODUCTIONJokes therefore emer
Page 23 and 24:
12 INTRODUCTIONexperience itself as
Page 25 and 26:
14 INTRODUCTIONrelegation in the hi
Page 27 and 28:
16 INTRODUCTION
Page 29 and 30:
18 COMEDY IN THE ACADEMYWhile there
Page 31 and 32:
20 COMEDY IN THE ACADEMYin the cont
Page 33 and 34:
22 COMEDY IN THE ACADEMYWith the ri
Page 35 and 36:
24 COMEDY IN THE ACADEMYother’ (B
Page 37 and 38:
26 COMEDY IN THE ACADEMYvictory pro
Page 39 and 40:
28 COMEDY IN THE ACADEMYSPRINGTIME
Page 41 and 42:
30 COMEDY IN THE ACADEMYreduction t
Page 43 and 44:
32 COMEDY IN THE ACADEMYlocation fo
Page 45 and 46:
34 COMEDY IN THE ACADEMYbut this ap
Page 47 and 48:
36 COMEDY IN THE ACADEMYand also a
Page 49 and 50:
38 COMEDY IN THE ACADEMY
Page 51 and 52:
40 COMIC IDENTITYnows, changing voi
Page 53 and 54:
42 COMIC IDENTITYwalks of life to a
Page 55 and 56:
44 COMIC IDENTITYdisease. From this
Page 57 and 58:
46 COMIC IDENTITYineffable folly of
Page 59 and 60:
48 COMIC IDENTITYdancing, juggling,
Page 61 and 62:
50 COMIC IDENTITYThe trickster has
Page 63 and 64:
52 COMIC IDENTITYShakespeare, fairi
Page 65 and 66:
54 COMIC IDENTITYCastiglione’s Th
Page 67 and 68:
56 COMIC IDENTITYway of seeing the
Page 69 and 70:
58 COMIC IDENTITY1990:248). Not onl
Page 71 and 72:
60 GENDER AND SEXUALITYignoring tab
Page 73 and 74:
62 GENDER AND SEXUALITYand alluring
Page 75 and 76:
64 GENDER AND SEXUALITYunderstand q
Page 77 and 78:
66 GENDER AND SEXUALITYplaying Rosa
Page 79 and 80:
68 GENDER AND SEXUALITYfinancial su
Page 81 and 82:
70 GENDER AND SEXUALITYIf the anato
Page 83 and 84:
72 GENDER AND SEXUALITYThe represen
Page 85 and 86:
74 GENDER AND SEXUALITYbeen redefin
Page 87 and 88:
76 GENDER AND SEXUALITYconverse wit
Page 89 and 90:
78 GENDER AND SEXUALITYsignificance
Page 91 and 92:
80 THE BODYBEAUTY AND ABJECTIONIn W
Page 93 and 94:
82 THE BODYOne idea that may help u
Page 95 and 96:
84 THE BODYexistence in the face of
Page 97 and 98:
86 THE BODYThey are healthily scept
Page 99 and 100:
88 THE BODYFirst, movie performers
Page 101 and 102:
90 THE BODYyou…at last you’ve c
Page 103 and 104:
92 THE BODYin a department store, t
Page 105 and 106:
94 THE BODYWomen have been systemat
Page 107 and 108:
96 THE BODYand the pair’s drunken
Page 109 and 110: 98 POLITICSseems to assume—came t
Page 111 and 112: 100 POLITICScitizens all insulted i
Page 113 and 114: 102 POLITICSSecretary Tessa Jowell
Page 115 and 116: 104 POLITICSIt is the stated positi
Page 117 and 118: 106 POLITICSWhat should I do in Rom
Page 119 and 120: 108 POLITICSdifficult crowds for wh
Page 121 and 122: 110 POLITICSalmost laughed, it seem
Page 123 and 124: 112 POLITICSsatisfied by Price’s
Page 125 and 126: 114 POLITICSself-centredness of the
Page 127 and 128: 116 POLITICSwho, in their 1944 essa
Page 129 and 130: 118 POLITICS(Ezrahi, 2001:307). Rut
Page 131 and 132: 120 POLITICS
Page 133 and 134: 122 LAUGHTERevidence for his sense
Page 135 and 136: 124 LAUGHTERdevils to expel, there
Page 137 and 138: 126 LAUGHTERand the meane that make
Page 139 and 140: 128 LAUGHTERHere we find the Christ
Page 141 and 142: 130 LAUGHTERof mutual relation from
Page 143 and 144: 132 LAUGHTER‘laughter naturally r
Page 145 and 146: 134 LAUGHTERceiling, it started lit
Page 147 and 148: 136 LAUGHTERdeferred. For Nancy, th
Page 149 and 150: 138 LAUGHTERsatisfy their desires a
Page 151 and 152: 140 CONCLUSIONhuman imperfection. W
Page 153 and 154: 142 CONCLUSION
Page 155 and 156: 144 GLOSSARYcenturies. Commedia del
Page 157 and 158: 146 GLOSSARYto problematize the ide
Page 159: 148 GLOSSARY
Page 163 and 164: 152 BIBLIOGRAPHYErickson and Coppel
Page 165 and 166: 154 BIBLIOGRAPHYDouglas, Mary (1975
Page 167 and 168: 156 BIBLIOGRAPHYContexts and Critic
Page 169 and 170: 158 BIBLIOGRAPHY——(1987), ‘Wi
Page 171 and 172: 160 BIBLIOGRAPHYSynott, Anthony (19
Page 173 and 174: 162 INDEXCavell, Stanley 87-3Chapli
Page 175 and 176: 164 INDEXmarriage 70-77;in British
show all

COMEDY

Create successful ePaper yourself

Delete template?

Save as template?