BIBLIOGRAPHY 159Rowse, A.L. (1976), The Case Books of Simon Forman: Sex and Society inShakespeare’s Age, London: Picador.Ruggiers, Paul G. (1977), Versions of Medieval Comedy, Norman: University ofOklahoma Press.Sayle, Alexei (1988), Alexei Sayle Live at the Comic Strip, MCI Spoken Word.Segal, Erich (2001), The Death of Comedy, Cambridge, MA and London:Harvard University Press.Senelick, Laurence (2000), The Changing Room: Sex, Drag, and Theatre,London and New York: Routledge.Shaftesbury, Anthony Ashley Cooper, Lord (1988), An Old Spelling Edition ofShaftesbury’s Letter Concerning Human Understanding and SensusCommunis: An Essay on the Freedom of Wit and Humour, ed. Richard B.Wolf, New York and London: Garland.——(1998), Julius Caesar, ed. Arthur Humphreys, Oxford: Oxford UniversityPress.Shakespeare, William (1989), The Complete Works, ed. Stanley Wells and GaryTaylor, Oxford: Oxford University Press.Shanzer, Danuta (2002), ‘Laughter and Humour in the Early Medieval West’, inHumour History and Politics in the Late Middle Ages, ed. Guy Halsall,Cambridge: Cambridge University Press.Sidney, Sir Philip (1991), A Defence of Poetry, ed. J.A.Van Dorsten, Oxford:Oxford University Press.Sikov, Ed (1994), Laughing Hysterically: American Screen Comedy of the 1950s,New York: Columbia University Press.Silk, M.S. (2000), Aristophanes and the Definition of Comedy, Oxford: OxfordUniversity Press.Sontag, Susan (1982), ‘Notes on Camp’, in A Susan Sontag Reader, New York:Farrar, Strauss and Giroux, pp. 105–119.Spencer, Herbert (1860), ‘The Physiology of Laughter’, Macmillan’s Magazine,no. 5 (March): 395–402.Stallybrass, Peter, and Allon White (1986), The Politics and Poetics ofTransgression, London: Methuen.Stanhope, W. (Lord Chesterfield) (1929), Lord Chesterfield’s Letters to His Sonand Others, London: Dent.Stuart, Roxana (1993), ‘Duelling en Travestie: Cross-Dressed Swordfighers inThree Jacobean Comedies’, Theatre Studies, 38:29–43.Swift, Jonathan (1993), A Modest Proposal, in The Norton Anthology of EnglishLiterature, ed. M.H.Abrams et al., sixth edn, 2 vols, New York andLondon: Norton, vol. 1, pp. 2181–2187.——(1984), A Tale of a Tub and Other Works, ed. Angus Ross and DavidWooley, Oxford: Oxford University Press.——(1967), ‘The Lady’s Dressing Room’, in Poetical Works, ed. HerbertDavis, New York and Toronto: Oxford University Press.
160 BIBLIOGRAPHYSynott, Anthony (1993), The Body Social: Symbolism, Self, and Society,London: Routledge.Taaffe, Lauren K. (1993), Aristophanes and Women, London and New York:Routledge.Traub, Valerie (1992), Desire and Anxiety: Circulations of Sexuality inShakespearean Drama, London and New York: Routledge.Trave, Stuart M. (1960), The Amiable Humorist: A Study in Comic Theory andCriticism in the Eighteenth and Early Nineteenth Centuries, Chicago andLondon: University of Chicago Press.Udall, Nicholas (1984), Ralph Roister Doister, in Four Tudor Comedies, ed.William Tydeman, Harmondsworth: Penguin.Vitruvius (1999), Ten Books on Architecture, trans. Ingrid D.Rowland,Cambridge: Cambridge University Press.Wagg, Stephen (1998), ‘“At Ease Corporal”: Social Class and the SituationComedy in British Television from the 1950s to the 1990s’, in Because ITell a Joke or Two: Comedy, Politics and Social Difference, ed. StephenWagg, London: Routledge, pp. 1–31.Welsford, Enid (1935), The Fool: His Social and Literary History, London:Faber and Faber.Wilde, Oscar (1980), The Importance of Being Earnest, ed. Russell Jackson,London: Ernest Benn.Wilder, Billy (dir.) (1959), Some Like It Hot, starring Tony Curtis, JackLemmon, Marilyn Monroe, MGM Studios.Williams, Robert I. (1993), Comic Practice/Comic Response, London andToronto: Associated University Press.Wilson, Christopher P. (1979), Jokes: Form, Content and Function, London:Academic Press.Wilson, Thomas (1567), The Arte of Rhetorike, London.Witke, Charles (1970), Latin Satire: The Structure of Persuasion, Leiden:E.J.Brill.Wycherley, William (1996), The Country Wife and Other Plays, ed. PeterDixon, Oxford: Oxford University Press.
- Page 2 and 3:
COMEDYWhat is comedy? Andrew Stott
- Page 4 and 5:
iiiIrony by Claire ColebrookLiterat
- Page 6 and 7:
First published 2005by Routledge270
- Page 8 and 9:
The Grotesque 83Slapstick 87The Fem
- Page 10:
ACKNOWLEDGEMENTSIn keeping with the
- Page 13 and 14:
2 INTRODUCTIONcomic’ is an identi
- Page 15 and 16:
4 INTRODUCTIONassumption being that
- Page 17 and 18:
6 INTRODUCTION‘Whenever they wax
- Page 19 and 20:
8 INTRODUCTIONmeans of opening up t
- Page 21 and 22:
10 INTRODUCTIONJokes therefore emer
- Page 23 and 24:
12 INTRODUCTIONexperience itself as
- Page 25 and 26:
14 INTRODUCTIONrelegation in the hi
- Page 27 and 28:
16 INTRODUCTION
- Page 29 and 30:
18 COMEDY IN THE ACADEMYWhile there
- Page 31 and 32:
20 COMEDY IN THE ACADEMYin the cont
- Page 33 and 34:
22 COMEDY IN THE ACADEMYWith the ri
- Page 35 and 36:
24 COMEDY IN THE ACADEMYother’ (B
- Page 37 and 38:
26 COMEDY IN THE ACADEMYvictory pro
- Page 39 and 40:
28 COMEDY IN THE ACADEMYSPRINGTIME
- Page 41 and 42:
30 COMEDY IN THE ACADEMYreduction t
- Page 43 and 44:
32 COMEDY IN THE ACADEMYlocation fo
- Page 45 and 46:
34 COMEDY IN THE ACADEMYbut this ap
- Page 47 and 48:
36 COMEDY IN THE ACADEMYand also a
- Page 49 and 50:
38 COMEDY IN THE ACADEMY
- Page 51 and 52:
40 COMIC IDENTITYnows, changing voi
- Page 53 and 54:
42 COMIC IDENTITYwalks of life to a
- Page 55 and 56:
44 COMIC IDENTITYdisease. From this
- Page 57 and 58:
46 COMIC IDENTITYineffable folly of
- Page 59 and 60:
48 COMIC IDENTITYdancing, juggling,
- Page 61 and 62:
50 COMIC IDENTITYThe trickster has
- Page 63 and 64:
52 COMIC IDENTITYShakespeare, fairi
- Page 65 and 66:
54 COMIC IDENTITYCastiglione’s Th
- Page 67 and 68:
56 COMIC IDENTITYway of seeing the
- Page 69 and 70:
58 COMIC IDENTITY1990:248). Not onl
- Page 71 and 72:
60 GENDER AND SEXUALITYignoring tab
- Page 73 and 74:
62 GENDER AND SEXUALITYand alluring
- Page 75 and 76:
64 GENDER AND SEXUALITYunderstand q
- Page 77 and 78:
66 GENDER AND SEXUALITYplaying Rosa
- Page 79 and 80:
68 GENDER AND SEXUALITYfinancial su
- Page 81 and 82:
70 GENDER AND SEXUALITYIf the anato
- Page 83 and 84:
72 GENDER AND SEXUALITYThe represen
- Page 85 and 86:
74 GENDER AND SEXUALITYbeen redefin
- Page 87 and 88:
76 GENDER AND SEXUALITYconverse wit
- Page 89 and 90:
78 GENDER AND SEXUALITYsignificance
- Page 91 and 92:
80 THE BODYBEAUTY AND ABJECTIONIn W
- Page 93 and 94:
82 THE BODYOne idea that may help u
- Page 95 and 96:
84 THE BODYexistence in the face of
- Page 97 and 98:
86 THE BODYThey are healthily scept
- Page 99 and 100:
88 THE BODYFirst, movie performers
- Page 101 and 102:
90 THE BODYyou…at last you’ve c
- Page 103 and 104:
92 THE BODYin a department store, t
- Page 105 and 106:
94 THE BODYWomen have been systemat
- Page 107 and 108:
96 THE BODYand the pair’s drunken
- Page 109 and 110:
98 POLITICSseems to assume—came t
- Page 111 and 112:
100 POLITICScitizens all insulted i
- Page 113 and 114:
102 POLITICSSecretary Tessa Jowell
- Page 115 and 116:
104 POLITICSIt is the stated positi
- Page 117 and 118:
106 POLITICSWhat should I do in Rom
- Page 119 and 120: 108 POLITICSdifficult crowds for wh
- Page 121 and 122: 110 POLITICSalmost laughed, it seem
- Page 123 and 124: 112 POLITICSsatisfied by Price’s
- Page 125 and 126: 114 POLITICSself-centredness of the
- Page 127 and 128: 116 POLITICSwho, in their 1944 essa
- Page 129 and 130: 118 POLITICS(Ezrahi, 2001:307). Rut
- Page 131 and 132: 120 POLITICS
- Page 133 and 134: 122 LAUGHTERevidence for his sense
- Page 135 and 136: 124 LAUGHTERdevils to expel, there
- Page 137 and 138: 126 LAUGHTERand the meane that make
- Page 139 and 140: 128 LAUGHTERHere we find the Christ
- Page 141 and 142: 130 LAUGHTERof mutual relation from
- Page 143 and 144: 132 LAUGHTER‘laughter naturally r
- Page 145 and 146: 134 LAUGHTERceiling, it started lit
- Page 147 and 148: 136 LAUGHTERdeferred. For Nancy, th
- Page 149 and 150: 138 LAUGHTERsatisfy their desires a
- Page 151 and 152: 140 CONCLUSIONhuman imperfection. W
- Page 153 and 154: 142 CONCLUSION
- Page 155 and 156: 144 GLOSSARYcenturies. Commedia del
- Page 157 and 158: 146 GLOSSARYto problematize the ide
- Page 159 and 160: 148 GLOSSARY
- Page 161 and 162: 150 FURTHER READINGAn extremely acc
- Page 163 and 164: 152 BIBLIOGRAPHYErickson and Coppel
- Page 165 and 166: 154 BIBLIOGRAPHYDouglas, Mary (1975
- Page 167 and 168: 156 BIBLIOGRAPHYContexts and Critic
- Page 169: 158 BIBLIOGRAPHY——(1987), ‘Wi
- Page 173 and 174: 162 INDEXCavell, Stanley 87-3Chapli
- Page 175 and 176: 164 INDEXmarriage 70-77;in British