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160 BIBLIOGRAPHYSynott, Anthony (1993), The Body Social: Symbolism, Self, and Society,London: Routledge.Taaffe, Lauren K. (1993), Aristophanes and Women, London and New York:Routledge.Traub, Valerie (1992), Desire and Anxiety: Circulations of Sexuality inShakespearean Drama, London and New York: Routledge.Trave, Stuart M. (1960), The Amiable Humorist: A Study in Comic Theory andCriticism in the Eighteenth and Early Nineteenth Centuries, Chicago andLondon: University of Chicago Press.Udall, Nicholas (1984), Ralph Roister Doister, in Four Tudor Comedies, ed.William Tydeman, Harmondsworth: Penguin.Vitruvius (1999), Ten Books on Architecture, trans. Ingrid D.Rowland,Cambridge: Cambridge University Press.Wagg, Stephen (1998), ‘“At Ease Corporal”: Social Class and the SituationComedy in British Television from the 1950s to the 1990s’, in Because ITell a Joke or Two: Comedy, Politics and Social Difference, ed. StephenWagg, London: Routledge, pp. 1–31.Welsford, Enid (1935), The Fool: His Social and Literary History, London:Faber and Faber.Wilde, Oscar (1980), The Importance of Being Earnest, ed. Russell Jackson,London: Ernest Benn.Wilder, Billy (dir.) (1959), Some Like It Hot, starring Tony Curtis, JackLemmon, Marilyn Monroe, MGM Studios.Williams, Robert I. (1993), Comic Practice/Comic Response, London andToronto: Associated University Press.Wilson, Christopher P. (1979), Jokes: Form, Content and Function, London:Academic Press.Wilson, Thomas (1567), The Arte of Rhetorike, London.Witke, Charles (1970), Latin Satire: The Structure of Persuasion, Leiden:E.J.Brill.Wycherley, William (1996), The Country Wife and Other Plays, ed. PeterDixon, Oxford: Oxford University Press.

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