INDEX9/11 96–4abjection 81–7Addison, Joseph 54, 93, 127, 130Adorno, Theodor and Horkheimer,Max 115, 136–5Allen, Woody 37–1,113‘Alternative’ comedy 112–113An Essay on Laughter (Anon.) 131Aristophanes 8, 25, 70–6, 99–7Aristophanes of Byzantium 4Aristotle 3, 4, 7, 119;influence of Poetics 18–19Armin, Robert 48Arnold, Matthew 23Arnott, Geoffrey 41Babington, Bruce 64Bakhtin, Mikhail 30–4, 84;and laughter 124, 125;‘lower bodily stratum’ 82Baldick, Chris 23Ball, Lucille 92Banks, Morwenna and Swift, Amanda94Banta, Martha 87Barber, C.L 29–2, 85–1;‘release and clarification’ 30Barreca, Regina 93Barton, Anne 85Bataille, Georges 134bathos 56–57Baudelaire, Charles 12, 86, 93Beattie, James 129beauty 79–5Becker, Jurek 115–4Beckett, Samuel 6, 138Ben-Ghiat, Ruth 117Benigni, Roberto 116–6Berger, Peter L. 45Bergson, Henri 7–8, 26–8, 40, 90–6,119Bernhard, Sandra 69–5Black, Lewis 97Blunkett, David 101Boccaccio, Giovanni 21Borch-Jacobsen, Mikkel 134boy actors 60–5Bradley, A.C. 23Brand, Jo 95–2Brant, Sebastian 46Brass Eye 101–9Bristol, Michael 35, 126Brooks, Mel 113Bruegel, Peter 32Bugs Bunny 39Burns, Edward 54Butler, Judith 69–4camp 55caricature 86–2Carlson, Susan 71carnival 31–4, 34–8;see also festivalCastiglione, Baldesar 53–6161
162 INDEXCavell, Stanley 87–3Chaplin, Charlie 88, 90, 90–7, 98,113–3charivari 36Charney, Maurice 5, 41–4, 78Chaucer, Geoffrey 21Christ 45Cicero 125city comedy 42–6Cixous, Hélène 135–4Clare, Janet 34Clement of Alexandria 122clowns and clowning 45, 47–49Collier, Jeremy 5Comedians, The (Granada Television)136comedy:in academia 15–37;ancient Greek root of 24–6;and censorship 34, 98;definition in literary history ix;as division of consciousness12–13;as dramatic form 2;as ‘élan vital’ 26;etymology of 3;as incongruity 8–10;as inversion 33, 35;as licensed transgression 33;medieval definition of 20–2;and ritual 24–6, 88, 123;sexual politics of 59–8;spring as metaphor for 27–28;as tonal quality 1–2Comedy Store, the 112commedia dell’arte 44commedia erudita 42, 44Congreve, William 5, 54, 75–1, 127Cook, Albert 98Cook, William 112Cooper, Anthony Ashley, (LordShaftsbury) 97, 128Cornford, Francis Macdonald 24–7Coward, Noël, 55–9Coyote 49–2Crafton, Donald 90Crates 4Critchley, Simon 11, 134, 135cross-dressing 59–7;see also drag;transvestismDale 88–4, 114Daniell, David 24Dante Alighieri 3, 21deconstruction 135–3Dekker, Thomas 73–9de Man, Paul 12–13Denby, David 117Derrida, Jacques 135Dickens, Charles 138Dionysia, the 4, 99Dionysus 3–4Donatus 4, 5, 20, 22double acts 8Double, Oliver 112Douglas, Mary 9–10drag 66–5;see also cross-dressing,transvestismEcclesiastes 121Eco, Umberto 15Elias, Norbert 75–6Eliot, T.S. 26Erasmus, Desiderius 46–9Evans, Peter William 64fabula 44Falstaff 34, 84–86feast of fools 45, 123female body, the 91–96Ferris, Leslie 93festival 35–8;see also carnivalFielding, Henry 129Flanzbaum, Hilene 117fools and folly 44–49, 140
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COMEDYWhat is comedy? Andrew Stott
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iiiIrony by Claire ColebrookLiterat
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First published 2005by Routledge270
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The Grotesque 83Slapstick 87The Fem
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ACKNOWLEDGEMENTSIn keeping with the
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2 INTRODUCTIONcomic’ is an identi
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4 INTRODUCTIONassumption being that
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6 INTRODUCTION‘Whenever they wax
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8 INTRODUCTIONmeans of opening up t
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10 INTRODUCTIONJokes therefore emer
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14 INTRODUCTIONrelegation in the hi
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16 INTRODUCTION
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18 COMEDY IN THE ACADEMYWhile there
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20 COMEDY IN THE ACADEMYin the cont
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22 COMEDY IN THE ACADEMYWith the ri
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24 COMEDY IN THE ACADEMYother’ (B
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26 COMEDY IN THE ACADEMYvictory pro
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28 COMEDY IN THE ACADEMYSPRINGTIME
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30 COMEDY IN THE ACADEMYreduction t
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32 COMEDY IN THE ACADEMYlocation fo
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34 COMEDY IN THE ACADEMYbut this ap
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36 COMEDY IN THE ACADEMYand also a
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38 COMEDY IN THE ACADEMY
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40 COMIC IDENTITYnows, changing voi
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42 COMIC IDENTITYwalks of life to a
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44 COMIC IDENTITYdisease. From this
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46 COMIC IDENTITYineffable folly of
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48 COMIC IDENTITYdancing, juggling,
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50 COMIC IDENTITYThe trickster has
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52 COMIC IDENTITYShakespeare, fairi
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54 COMIC IDENTITYCastiglione’s Th
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56 COMIC IDENTITYway of seeing the
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58 COMIC IDENTITY1990:248). Not onl
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60 GENDER AND SEXUALITYignoring tab
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62 GENDER AND SEXUALITYand alluring
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64 GENDER AND SEXUALITYunderstand q
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66 GENDER AND SEXUALITYplaying Rosa
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68 GENDER AND SEXUALITYfinancial su
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70 GENDER AND SEXUALITYIf the anato
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72 GENDER AND SEXUALITYThe represen
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74 GENDER AND SEXUALITYbeen redefin
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76 GENDER AND SEXUALITYconverse wit
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78 GENDER AND SEXUALITYsignificance
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84 THE BODYexistence in the face of
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86 THE BODYThey are healthily scept
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88 THE BODYFirst, movie performers
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90 THE BODYyou…at last you’ve c
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92 THE BODYin a department store, t
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94 THE BODYWomen have been systemat
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96 THE BODYand the pair’s drunken
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100 POLITICScitizens all insulted i
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102 POLITICSSecretary Tessa Jowell
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104 POLITICSIt is the stated positi
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106 POLITICSWhat should I do in Rom
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108 POLITICSdifficult crowds for wh
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- Page 155 and 156: 144 GLOSSARYcenturies. Commedia del
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- Page 161 and 162: 150 FURTHER READINGAn extremely acc
- Page 163 and 164: 152 BIBLIOGRAPHYErickson and Coppel
- Page 165 and 166: 154 BIBLIOGRAPHYDouglas, Mary (1975
- Page 167 and 168: 156 BIBLIOGRAPHYContexts and Critic
- Page 169 and 170: 158 BIBLIOGRAPHY——(1987), ‘Wi
- Page 171: 160 BIBLIOGRAPHYSynott, Anthony (19
- Page 175 and 176: 164 INDEXmarriage 70-77;in British