6LAUGHTERPerhaps even if nothing else today has any future, ourlaughter may yet have a future.Friedrich NietzscheSatisfactory explanations of laughter have always been notoriouslyelusive. As Bergson put it, ‘ this little problem…has a knack of bafflingevery effort, of slipping away only to bob up again, a pert challengeflung at philosophical speculation’ (Bergson, 1980:61). Across thecenturies, laughter has been variously understood as vice or cowardice,as delight caused by surprise, the product of defamiliarization, a meansof averting antisocial conflict, or an extra-linguistic bark signalling thelimits of understanding. Aristotle, noting that laughter is exclusive tohuman beings, believed that an infant could not be considered trulyhuman until it had laughed its first laugh at forty days old. Byacknowledging laughter as essentially human, every discussion of it alsotends to contain an idea of what being human means. A furtherphenomenon unifies all theories of laughter: they all take it to be themanifestation of a perfectly serious urge, process, or function, just likeDutch historian Johann Huizinga’s theory of the serious importance ofplay. Laughter is never just fun, as in all accounts of it the human beingis using their laughter to serve a social, psychological, or physiologicalneed. This chapter will survey a number of the most prominent theoriesof laughter in order to show how this idea, so closely associated withcomedy, has been used as a means of understanding human identity.CHRISTIAN LAUGHTEREarly Christianity was hostile to laughter. Nowhere does the NewTestament mention Christ laughing, although he twice wept, and
122 LAUGHTERevidence for his sense of humour is scant. The early church equatedlevity and mirth with foolishness and ignorance. Ecclesiastes states that,The heart of the wise is in the house of mourning; but the heart offools is in the house of mirth. It is better to hear the rebuke of thewise, than for a man to hear the song of fools. For as the cracklingof thorns under a pot, so is the laughter of the fool: this also is vanity.(Ecclesiastes 7:4–6)Early Christian converts in Rome founded their principles of conduct inopposition to the luxurious and debauched lives of their pagan masters.Christian theology actively rewarded simplicity and poverty, and foundvirtue in privation and self-control. The abrogation of the body and therigid imposition of pious abstinence made physical pleasure suspicious.In Philippa Pullar’s words, ‘the body had to be broken; it had to beabused and maltreated, its reactions, sensations and natural functionsbecame to the Christians a real and terrible neurosis’ (Pullar, 2001:37).The contrast between Roman and Christian attitudes to laughter isapparent in the story of St Genesius, a pagan Roman actor and now thepatron saint of comedians. During a performance for the EmperorDiocletian that parodied the Christian baptism, Genesius received anangelic visitation that delivered an admonition. His laughter quicklyturned to mortification and servility as he asked forgiveness of hisnewly discovered God. Diocletian, who was expecting a laugh, had himstretched, beheaded, and burnt (Jacobson, 1997:163–164). Laughter,then, was a vulgar eruption of the body that contained the indecentexcess of paganism and was impudent, raucous, and ill-disciplined:‘Sorrow is better than laughter: for by the sadness of the countenancethe heart is made better’ (Ecclesiastes 7:3).As we saw in Chapter 4, governing the body requires the regulationand the repression of certain corporeal traits. In early Christianity, itwas conventional to understand the human subject as fundamentallytorn between the animalistic urges of the flesh and the sanctity of apious soul. The earliest ascetic condemnation of laughter, authored in thesecond century by Clement of Alexandria, conceded that laughter washuman, but urged Christians to restrain it as they might similar bestialinstincts:For, in a word, whatever things are natural to men we must noteradicate from them, but rather impose on them limits andsuitable times. For man is not to laugh on all occasions because he
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COMEDYWhat is comedy? Andrew Stott
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iiiIrony by Claire ColebrookLiterat
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First published 2005by Routledge270
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The Grotesque 83Slapstick 87The Fem
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ACKNOWLEDGEMENTSIn keeping with the
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2 INTRODUCTIONcomic’ is an identi
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4 INTRODUCTIONassumption being that
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6 INTRODUCTION‘Whenever they wax
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8 INTRODUCTIONmeans of opening up t
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14 INTRODUCTIONrelegation in the hi
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16 INTRODUCTION
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18 COMEDY IN THE ACADEMYWhile there
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20 COMEDY IN THE ACADEMYin the cont
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22 COMEDY IN THE ACADEMYWith the ri
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24 COMEDY IN THE ACADEMYother’ (B
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26 COMEDY IN THE ACADEMYvictory pro
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28 COMEDY IN THE ACADEMYSPRINGTIME
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30 COMEDY IN THE ACADEMYreduction t
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32 COMEDY IN THE ACADEMYlocation fo
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34 COMEDY IN THE ACADEMYbut this ap
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36 COMEDY IN THE ACADEMYand also a
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38 COMEDY IN THE ACADEMY
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40 COMIC IDENTITYnows, changing voi
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42 COMIC IDENTITYwalks of life to a
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44 COMIC IDENTITYdisease. From this
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46 COMIC IDENTITYineffable folly of
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48 COMIC IDENTITYdancing, juggling,
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50 COMIC IDENTITYThe trickster has
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52 COMIC IDENTITYShakespeare, fairi
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54 COMIC IDENTITYCastiglione’s Th
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56 COMIC IDENTITYway of seeing the
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58 COMIC IDENTITY1990:248). Not onl
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60 GENDER AND SEXUALITYignoring tab
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62 GENDER AND SEXUALITYand alluring
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64 GENDER AND SEXUALITYunderstand q
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66 GENDER AND SEXUALITYplaying Rosa
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68 GENDER AND SEXUALITYfinancial su
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- Page 113 and 114: 102 POLITICSSecretary Tessa Jowell
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- Page 127 and 128: 116 POLITICSwho, in their 1944 essa
- Page 129 and 130: 118 POLITICS(Ezrahi, 2001:307). Rut
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- Page 135 and 136: 124 LAUGHTERdevils to expel, there
- Page 137 and 138: 126 LAUGHTERand the meane that make
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- Page 151 and 152: 140 CONCLUSIONhuman imperfection. W
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- Page 155 and 156: 144 GLOSSARYcenturies. Commedia del
- Page 157 and 158: 146 GLOSSARYto problematize the ide
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- Page 161 and 162: 150 FURTHER READINGAn extremely acc
- Page 163 and 164: 152 BIBLIOGRAPHYErickson and Coppel
- Page 165 and 166: 154 BIBLIOGRAPHYDouglas, Mary (1975
- Page 167 and 168: 156 BIBLIOGRAPHYContexts and Critic
- Page 169 and 170: 158 BIBLIOGRAPHY——(1987), ‘Wi
- Page 171 and 172: 160 BIBLIOGRAPHYSynott, Anthony (19
- Page 173 and 174: 162 INDEXCavell, Stanley 87-3Chapli
- Page 175 and 176: 164 INDEXmarriage 70-77;in British