COMEDY

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<strong>COMEDY</strong>What is comedy? Andrew Stott traces changing definitions of the termfrom Aristotle to Chris Morris’s Brass Eye via Oscar Wilde and SomeLike It Hot. Providing readers with the ideal critical introduction to theirrepressible genre of comedy, this wide-ranging and thorough overview:• investigates comic forms, theories, and techniques• considers comic identity, including that of clowns, stereotypes, andthe stand-up comic• introduces comedy’s role in theories of deconstruction,psychoanalysis, and gender• features analytical case studies on a number of themes, from politicalsatire to slapstick• considers comic representations of the body and sexuality• reviews theories of the cultural and psychological purposes oflaughterIntroducing complex theoretical ideas in an accessible and lively way,this is the essential guide for those studying comedy in its many forms.Andrew Stott is Assistant Professor of English at the State Universityof New York, Buffalo.
THE NEW CRITICAL IDIOMSERIES EDITOR: JOHN DRAKAKIS, UNIVERSITY OF STIRLINGThe New Critical Idiom is an invaluable series of introductory guides totoday’s critical terminology. Each book• provides a handy, explanatory guide to the use (and abuse) of theterm• offers an original and distinctive overview by a leading literary andcultural critic• relates the term to the larger field of cultural representation.With a strong emphasis on clarity, lively debate, and the widest possiblebreadth of examples, The New Critical Idiom is an indispensableapproach to key topics in literary studies.Also available in this series:Autobiography by Linda AndersonClass by Gary DayColonialism/Postcolonialism by Ania LoombaComedy by Andrew StottCulture/Metaculture by Francis MulhernDifference by Mark CurrieDiscourse by Sara MillsDramatic Monologue by Glennis ByronEcocriticism by Greg GarrardGenders by David Glover and Cora KaplanGothic by Fred BottingHistoricism by Paul HamiltonHumanism by Tony DaviesIdeology by David HawkesInterdisciplinarity by Joe MoranIntertextuality by Graham Allen
Page 4 and 5: iiiIrony by Claire ColebrookLiterat
Page 6 and 7: First published 2005by Routledge270
Page 8 and 9: The Grotesque 83Slapstick 87The Fem
Page 10: ACKNOWLEDGEMENTSIn keeping with the
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Page 51 and 52: 40 COMIC IDENTITYnows, changing voi
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42 COMIC IDENTITYwalks of life to a
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44 COMIC IDENTITYdisease. From this
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46 COMIC IDENTITYineffable folly of
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48 COMIC IDENTITYdancing, juggling,
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50 COMIC IDENTITYThe trickster has
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52 COMIC IDENTITYShakespeare, fairi
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54 COMIC IDENTITYCastiglione’s Th
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56 COMIC IDENTITYway of seeing the
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58 COMIC IDENTITY1990:248). Not onl
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60 GENDER AND SEXUALITYignoring tab
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62 GENDER AND SEXUALITYand alluring
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64 GENDER AND SEXUALITYunderstand q
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66 GENDER AND SEXUALITYplaying Rosa
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68 GENDER AND SEXUALITYfinancial su
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70 GENDER AND SEXUALITYIf the anato
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72 GENDER AND SEXUALITYThe represen
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74 GENDER AND SEXUALITYbeen redefin
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76 GENDER AND SEXUALITYconverse wit
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78 GENDER AND SEXUALITYsignificance
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80 THE BODYBEAUTY AND ABJECTIONIn W
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82 THE BODYOne idea that may help u
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84 THE BODYexistence in the face of
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86 THE BODYThey are healthily scept
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88 THE BODYFirst, movie performers
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90 THE BODYyou…at last you’ve c
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92 THE BODYin a department store, t
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94 THE BODYWomen have been systemat
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96 THE BODYand the pair’s drunken
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98 POLITICSseems to assume—came t
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100 POLITICScitizens all insulted i
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102 POLITICSSecretary Tessa Jowell
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104 POLITICSIt is the stated positi
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106 POLITICSWhat should I do in Rom
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108 POLITICSdifficult crowds for wh
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110 POLITICSalmost laughed, it seem
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112 POLITICSsatisfied by Price’s
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114 POLITICSself-centredness of the
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116 POLITICSwho, in their 1944 essa
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118 POLITICS(Ezrahi, 2001:307). Rut
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120 POLITICS
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122 LAUGHTERevidence for his sense
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124 LAUGHTERdevils to expel, there
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126 LAUGHTERand the meane that make
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128 LAUGHTERHere we find the Christ
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130 LAUGHTERof mutual relation from
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132 LAUGHTER‘laughter naturally r
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134 LAUGHTERceiling, it started lit
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136 LAUGHTERdeferred. For Nancy, th
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138 LAUGHTERsatisfy their desires a
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140 CONCLUSIONhuman imperfection. W
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142 CONCLUSION
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144 GLOSSARYcenturies. Commedia del
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146 GLOSSARYto problematize the ide
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148 GLOSSARY
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150 FURTHER READINGAn extremely acc
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152 BIBLIOGRAPHYErickson and Coppel
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154 BIBLIOGRAPHYDouglas, Mary (1975
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156 BIBLIOGRAPHYContexts and Critic
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158 BIBLIOGRAPHY——(1987), ‘Wi
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160 BIBLIOGRAPHYSynott, Anthony (19
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162 INDEXCavell, Stanley 87-3Chapli
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164 INDEXmarriage 70-77;in British
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COMEDY

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