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BIBLIOGRAPHY 157Laroque, François (1993), Shakespeare’s Festive World: Elizabethan SeasonalEntertainment and the Professional Stage, Cambridge: CambridgeUniversity Press.Le Goff, Jacques (1997), ‘Laughter in the Middle Ages’, in A Cultural Historyof Humour From Antiquity to the Present Day, ed. Jan Bremmer andHerman Roodenburg, Cambridge: Polity, pp. 40–53.Leavis, F.R. (1972), The Great Tradition, Harmondsworth: Penguin.Leggatt, Alexander (1999), Introduction to English Renaissance Comedy,Manchester: Manchester University Press.—— (1998), English Stage Comedy, 1490–1990, New York and London:Routledge.—— (1973), Citizen Comedy in the Age of Shakespeare, Toronto: University ofToronto Press.Legman, G. (1975), Rationale of the Dirty Joke, 2 vols, New York: BreakingPoint.Levin, Harry (1987), Playboys and Killjoys: An Essay on the Theory andPractice of Comedy, New York and Oxford: Oxford University Press.Lévi-Strauss, Claude (1963), Structural Anthropology, trans. Claire Jacobsonand Brooke Grundfest Schoepf, New York and London: Basic.Lewisohn, Mark (1998), The Radio Times Guide to TV Comedy, London: BBC.Limon, John (2000), Stand-Up Comedy in Theory, or Abjection in America,Durham and London: Duke University Press.Lippitt, John (1992), ‘Humour’, in A Companion to Aesthetics, ed. DavidE.Cooper, Oxford: Blackwell, pp. 199–203.Loftin, John D. (1991), Religion and Hopi Life in the Twentieth Century,Bloomington and Indianapolis: Indiana University Press.London, John (2000), ‘Introduction’, in Theatre Under the Nazis, ed. JohnLondon, Manchester: Manchester University Press, pp. 1–53.Manning, Bernard (1993), Bernard Manning Ungagged, Castle Communications.Martin, Robert Bernard (1974), The Triumph of Wit: A Study of VictorianComic Theory, Oxford: Clarendon.Merchant, W.Moelwyn (1972), Comedy, London: Methuen.Meredith, George (1980), ‘An Essay on Comedy’, in Comedy, ed. WylieSypher, Baltimore and London: Johns Hopkins University Press, pp. 1–57.Middleton, Thomas and Dekker, Thomas (1994), The Roaring Girl, ed. PaulMulholland, Manchester: Manchester University Press.Morreall, John (1987), ‘A New Theory of Laughter’, in The Philosophy ofLaughter and Humor, ed. John Morreall, Albany: SUNY Press,pp. 128–138.—— (1983), Taking Laughter Seriously, Albany: SUNY Press.Mullaney, Steven (1988), The Place of the Stage: Licence, Play and Power inRenaissance England, Chicago: University of Chicago Press.Nancy, Jean-Luc (1992), ‘Elliptical Sense’, in Derrida: A Critical Reader, ed.David Wood, Oxford: Blackwell, pp. 36–51.

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