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The Condition of Postmodernity 13 - autonomous learning

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246 <strong>The</strong> experience <strong>of</strong> space and timePlate 3.4 <strong>The</strong> rational ordering <strong>of</strong> space in the renaissance maps <strong>of</strong> Englandplayed an important role in affirming the position <strong>of</strong> individuals in relationto territory: John Speed's map <strong>of</strong> the Isle <strong>of</strong> Wight, 1616.<strong>The</strong> connection with perspectivism lay in this: .that .in designigthe grid in which to locate places, Ptolemy had Ima llled h?f t elobe as a whole would look to a human eye looklllg .at It mutside. A number <strong>of</strong> implications then follow. <strong>The</strong> firs IS an abIh yto see the globe as a knowable totality. As Ptole y hImself Pft 'the goal '<strong>of</strong> chorography is to deal separately with a part o .t .ewhole ' whereas 'the task <strong>of</strong> geography is to survey the whole III ItS'ust'roportion.' Geography rather than chorography ecame a .kenafssance mission. A second implication is that mathemancal pnnciles could be applied, as in optics, to the whle problem f represetingthe globe on a flat surface. As a resul:, It seemed as If space!though infinite, was conquerable and contalllab .le fo : R urp ses .0human occupancy and action. It could be apropnated lll Im .aglllatonaccording to mathematical principles. Ad It was exacty .III suc acontext that the revolution in natural phIlosophy, .so bnlhan ly describedby Koyre (1957), which went from CopernIcus to Gahleo andultimately to Newton, was to occur.. 'Perspectivisg! had reverberations in all aspects <strong>of</strong> socIal lIfe an IIId .Time and space <strong>of</strong> the Enlightenment project 247all fields <strong>of</strong> representation. In architecture, for example, it allowedthe replacement <strong>of</strong> Gothic structures 'spun from arcane geometricalformulae jealously guarded by the lodge' with a building conceived<strong>of</strong> and built 'on a unitary plan drawn to measure' (Kost<strong>of</strong>, 1985,405). This way <strong>of</strong> thinking could be extended to encompass thepla llning and construction <strong>of</strong> whole cities (like Ferrara) according toa similar unitary plan. Perspectivism could be elaborated upon ininnumerable ways, as, for example, in the baroque architecture <strong>of</strong> theseventeenth century which expressed 'a common fascination with theidea <strong>of</strong> the infinite, <strong>of</strong> movement and force, and the all-embracingbut expansive unity <strong>of</strong> things.' While still religious in ambition andintent, such architecture would have been 'unthinkable in the earlier,simpler days before projective geometry, calculus, precision clocks,and Newtonian optics' (Kost<strong>of</strong>, 1985, 523). Baroque architecture andBach fugues are both expressive <strong>of</strong> those concepts <strong>of</strong> infinite spaceand time which post-Renaissance science elaborated upon with suchzeal. <strong>The</strong> extraordinary strength <strong>of</strong> spatial and temporal imagery inthe English literature <strong>of</strong> the Renaissance likewise testifies to theimpact <strong>of</strong> this new sense <strong>of</strong> space and time on literary modes <strong>of</strong>representation. <strong>The</strong> language <strong>of</strong> Shakespeare, or <strong>of</strong> poets like JohnDonne and Andrew Marvell, is rife with such imagery. It is intriguingto note, furthermore, how the image <strong>of</strong> the world as a theatre ('allthe world's a stage' played in a theatre called '<strong>The</strong> Globe') wasreciprocated in the titles commonly given to atlases and maps (suchas John Speed's <strong>The</strong>atre <strong>of</strong> the Empire <strong>of</strong> Great Britain and theFrench atlas, <strong>The</strong>atre franrais <strong>of</strong> 1594). <strong>The</strong> construction <strong>of</strong> landscapes(both rural and urban) according to principles <strong>of</strong> theatricaldesign soon followed suit.If spatial and temporal experiences are primary vehicles for thecoding and reproduction <strong>of</strong> social relations (as Bourdieu suggests),then a change in the way the former get represented will almostcertainly generate some kind <strong>of</strong> shift in the latter. This principlehelps explain the support that the Renaissance maps <strong>of</strong> Englandsupplied to individualism, nationalism, and parliamentary democracyat the expense <strong>of</strong> dynastic privilege (see plate 3.5). But, as Helgersonpoints out, maps could just as easily function 'in untroubled support<strong>of</strong> a strongly centralized monarchic regime,' though Philip II <strong>of</strong>Spain thought his maps sufficiently subversive to keep them underlock and key as a state secret. Colbert's plans for a rational spatialintegration <strong>of</strong> the French nation state (focused as much upon theenhancement <strong>of</strong> trade and commerce as upon administrative efficiency)are typical <strong>of</strong> the deployment <strong>of</strong> the 'cold rationality' <strong>of</strong> maps usedfor instrumental ends in support <strong>of</strong> centralized state power. It was,

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