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Sartre's second century

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136 Chapter Nine<br />

1980 interviews, 45 is not as shocking as various members of the so-called<br />

"Sartre family" have tried to make out. He had explained to Beauvoir<br />

herself six years earlier that, even though the idea of a sovereign creator<br />

contradicted many of his other notions, "it is in there, as a vague<br />

presence". 46 Hugo's portrait of himself in his poem Les Mages, hearing the<br />

audible but faint footsteps of a being in the beyond, surely casts the<br />

shadow of the new Romantic across <strong>Sartre's</strong> work here. But Hugo's<br />

trajectory conversely has to acknowledge the impossibility of harmony, so<br />

as not to confuse his individual being with that of the world entire; to do<br />

so would lay claim to an incorporation that only God can provide once the<br />

mortal coil is done with. The notion of a supreme form of being that is but<br />

an echo or spectre admonishes as much as advocates the idea of an essence<br />

to human life, since this totalisation is "the clarity we do not see": "God<br />

the incomprehensible, the evidently invisible", who gives no guarantee of<br />

his existence and leaves the responsibility for our choices to us. 47 This<br />

being so, and in light of his own deep mistrust of the dogmas of<br />

institutionalised religion, Hugo has before him a perpetual vision of a<br />

better world that is just that: an ever-receding horizon of closure "across<br />

the shadows of this life". 48<br />

Consequently, Sartre encounters a "bad faith", whilst Hugo must<br />

discount it, only for each position to pass once more through its original<br />

point of departure. To borrow <strong>Sartre's</strong> terminology: "There must be a<br />

duality at the heart of freedom. And this duality is precisely what we call<br />

detotalised totality." 49 Hugo articulates this duality best in his beloved<br />

definition of himself as the poet-philosopher, itself a potential forerunner<br />

to Murdoch's Romantic Rationalist: "He must leave, but he must come<br />

back. He must have wings to soar endlessly above, but he must have feet<br />

to tread the earth, and after seeing him ascend, we must see him wander.<br />

He must return to being a man after transcending that state." 50 On the one<br />

hand, consciousness is intentionality: a flight toward being suffering from<br />

See UEspoir maintenant.<br />

46 "[...] elle est la, vague" (in Beauvoir, La Ceremonie des adieux, 616).<br />

47 "[...] la clartd qu'on ne voit pas"; "[...] Dieu 1'incomprehensible, l'invisible<br />

Evident" (Proses philosophiques, 527, 529).<br />

48 "[...] a travers les tdnebres de cette vie" (Le Droit et la hi, 232).<br />

49 "II faut une duality au coeur de la liberty. Et cette duality est precisdment ce que<br />

nous nommons totality d&otalisee" (Cahiers pour une morale, I, 345).<br />

50 "Qu'il parte, mais qu'il revienne. Qu'il ait des ailes pour l'infini, mais qu'il ait<br />

des pieds pour la terre, et qu'apres Favoir vu voler, on le voie marcher. Qu'il rentre<br />

dans rhomme apres en §tre sorti" (William Shakespeare, in (Euvres completes:<br />

Critique, 402).

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