Sartre's second century
Sartre's second century
Sartre's second century
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138 Chapter Nine<br />
uses the concept of situated freedom as the direct basis for the to-and-fro<br />
of existence that both he and Hugo confront: "And so we begin to catch a<br />
glimpse of the paradox of freedom: there is freedom only in a situation,<br />
and there is a situation only through freedom." 56 Therein also lies an<br />
opportunity to take up Ronald Santoni's exciting suggestion that there is a<br />
difference between living in bad faith and acting in it:<br />
[B]oth Sartre and Sartrean scholarship would read and fare better if a<br />
distinction were drawn more sharply between the original bad faith of the<br />
human being's original pre-reflective project or "natural attitude" of<br />
attaining self-coincidence or in-itself-for-itself [...], and the bad faith of<br />
more specific "acts", "choices", "behaviours" and "ways of living". 57<br />
Whilst the former could be construed as a total loss of (or indeed total<br />
immersion in) consciousness, the latter is a more reflective gesture: a kind<br />
of "knowing" bad faith that does not eliminate the possibility of a return of<br />
self-awareness, and would be aptly suited to propel Sartre and Hugo on<br />
their existential see-saw. Sartre hints at such a conception when comparing<br />
bad faith to a dreamlike state: "You put yourself in bad faith as you would<br />
lull yourself to sleep, and you are in bad faith as you would be asleep in a<br />
dream." 58 Sticking with this analogy of sleep, it is possible to split that<br />
dreamlike state. If we take pre-reflective bad faith to be akin to a dream,<br />
then reflective bad faith could be seen as a daydream. The latter occurs at<br />
specific intervals, puncturing our conscious state as opposed to suspending<br />
it. As such, consciousness is compromised but not overwhelmed by this<br />
deception, in the same way as a daydream subdues our self-awareness<br />
without sending us into deep sleep. Such a metaphor in fact corresponds<br />
exactly to how Hugo figures the problematic of living an existence that<br />
absurdly tries to stabilise our turbulent condition, of believing in an<br />
essence to our lives that we know is, according to reason, ridiculous:<br />
"Each morning, everyone picks up their bundle of daydreams and leaves<br />
for a faraway California. [...] All of us follow a path." 59<br />
The dialogue that I have set up here amplifies critical discourses on the<br />
identity of the French "engaged writer" as a necessarily oppositional one<br />
"Ainsi commengons-nous a entrevoir le paradoxe de la libertd: il n'y a de liberty<br />
qu'en situation et il n'y a de situation que par la liberte"' (L'&tre et le neant, 569-<br />
70).<br />
57 Santoni, Bad Faith, 183.<br />
58 "On se met de mauvaise foi comme on s'endort et on est de mauvaise foi comme<br />
on reve" (L'fitre et le neant, 109).<br />
59 "Tous les matins chacun fait son paquet de reveries et part pour la Californie des<br />
songes. [...] Tous suivent une piste" (Proses philosophiques, 663).