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Sartre's second century

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Hidden Wordplay in the Works of Jean-Paul Sartre 149<br />

von Gerlach, who has tortured Russian prisoners during the Second World<br />

War and who feels intolerably guilty in consequence, sequesters himself in<br />

an upstairs room of the large family house in Altona, which is a suburb of<br />

Hamburg. He is still there, although officially dead, in 1959. His sister<br />

Leni, with whom he has an incestuous relationship, brings him food. His<br />

remorse has driven him completely mad. He believes himself to be<br />

persecuted, as a man who embodies the entire twentieth <strong>century</strong>, by a<br />

Tribunal of Crabs sitting in the thirtieth. The crabs are decapods who<br />

"understand nothing", and he is a man who regards himself as a crab. But<br />

as he says to his sister, he is defending his <strong>century</strong> before magistrates<br />

whom he has not the pleasure of knowing. But who exactly are these<br />

magistrates? When Johanna, his sister-in-law, who manages to violate his<br />

solitude, speaks to him of crabs, he replies:<br />

What Crabs? Are you mad? What Crabs? Ah! Yes. Well, yes... The Crabs<br />

are men. What, you say? Where did I get that idea from? [...] Real men,<br />

fine and good, on all the balconies of the centuries. As for me, I was<br />

crawling in the courtyard; I thought I could hear them: "Brother, what's<br />

that I see?" That was me... Me the Crab... Well, I said no: my time will<br />

not be judged by men. What will they be, after all? The sons of our sons.<br />

Do we allow brats to condemn their grandfathers? I turned the tables on<br />

them; I yelled: "Here is man; after me the flood; after the flood, Crabs,<br />

you\" Unmasked, all of them! The balconies were swarming with arthropods.<br />

21<br />

The Tribunal of Crustaceans consists then, after all, of men. Naturally<br />

Frantz is in bad faith; and it is clear that he knows very well that it is he<br />

himself who is judging himself when he says: "The defendant bears<br />

witness for himself... I am Man, Johanna; I am every man and the whole<br />

of Man, I am the Century, like absolutely anyone." 22 Judge and defendant,<br />

he is also witness for the defence. So why does he not find himself guilty<br />

21 "Quels Crabes? fites-vous folle? Quels Crabes? Ah! oui. Eh bien, oui... Les<br />

Crabes sont des hommes. Hein, quoi? Oil ai-je 6t6 chercher cela? [...] De vrais<br />

hommes, bons et beaux, h tous les balcons des si&cles. Moi, je rampais dans la<br />

cour; je croyais les entendre: 'Fr&re, qu'est-ce que c'est que ga?' Qa, c'&ait moi...<br />

Moi le Crabe... Eh bien, j'ai dit non: des hommes ne jugeront pas mon temps. Que<br />

seront-ils, apr£s tout? Les fils de nos fils. Est-ce qu'on permet aux marmots de<br />

condamner leurs grands-pfcres? J'ai retournd la situation; j'ai crte: 'Void l'homme;<br />

apr&s moi, le deluge; apr&s le deluge, les Crabes, vousV D6masqu£s, tous! les<br />

balcons grouillaient d'arthropodes" {Les Sequestres d'Altona, in Theatre, 838-39).<br />

22 "L'accusd tdmoigne pour lui-meme... Je suis l'Homme, Johanna; je suis tout<br />

homme et tout l'Homme, je suis le Sfecle comme n'importe qui" (ibid., 839).

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