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Sartre's second century

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32 Chapter Two<br />

world. Heidegger's identification with the Nazi Party appears to have<br />

been, at least partially, related to the aspects of his writings just discussed,<br />

beginning with Being and Time (1927) and including The Origin of the<br />

Work of Art (1935) and the important The Question Concerning<br />

Technology (1954). There is little doubt that Heidegger's alliance with the<br />

Third Reich was undertaken in part to struggle against this loss of a world<br />

in which the presence of things and the village life of the community<br />

"flowered". For Heidegger, the Third Reich seems to have represented<br />

precisely that "authentic historicity as resolute fate" mentioned in Being<br />

and Time. As noted above, a people's authentic being-with is defined as its<br />

comprehension of the importance of decision and the futural dimension<br />

of human historical time. To rejoin Phillips's analysis, rather than<br />

misunderstand themselves as a nation-state community, Heidegger's Volk<br />

experiences the decisiveness of historical existence as a form of openness<br />

to the future that precludes being identified with the empirical features of<br />

national, geographic or political characteristics. The Volk is not the nation<br />

state, but a consciousness of the non-repeatability of historical time. On<br />

Phillips's reading, Heidegger is mistaken in identifying the crisis of<br />

Germany as a sign of the decisiveness of the true Volk. National Socialism<br />

turns out to define the German people in categories that are the opposite of<br />

Heidegger's Volk. Although Heidegger was clearly tempted by National<br />

Socialism, the rootlessness of the Volk's radical openness to temporality<br />

and the future clashes with the biologism and nationalism of the Third<br />

Reich. 39<br />

A striking consequence emerges from the confluence of Heidegger's<br />

critique of the world of technology and his reflections on the nature of das<br />

Volk. The Question of Technology suggests that the modern world limits<br />

"being" to use, thereby distancing itself from the possibility of a<br />

potentially new form of poetic disclosure. As is well known, such a<br />

possibility was just what Heidegger seemed to identify with the<br />

"metaphysical" heritage of the German people. Modernity, however,<br />

seems to preclude such a possibility by being identified with the<br />

perspective of technology. At the same time, the true nature of das Volk<br />

appears to be increasingly vacuous, for as a "radical openness to the<br />

future" it appears to collapse into the tautology that the future is simply<br />

what must be awaited. As a consequence, Heidegger's later thought moves<br />

a significant distance from his earlier call for Dasein to exist authentically<br />

by resolutely taking over its heritage. The characterless nature of das Volk<br />

3 A differing view of Heidegger's conception of das Volk and its relationship to<br />

National Socialism can be found in Domenico Losurdo's Heidegger and the<br />

Ideology of War: Community, Death and the West, Chapters 2 and 3.

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