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INTRODUCTORY MEMOIR<br />
my mind to clear through all this rubbish, but I<br />
want your help. Now, I'm going to give a series of<br />
lectures on modern art (I'm sending you the first,<br />
which I gave in great style. I was asked whether<br />
the Futurists exhibited at the Royal Academy).<br />
But I want to make the lectures interesting and<br />
intelligible <strong>by</strong> reproductions or slides. Now, I<br />
wonder whether you have reproductions which you<br />
could lend me till I returned or was finished with<br />
them. I want to talk about John, Cezanne, Van<br />
Gogh, Innes, the early Picasso (not the cubistic<br />
one), Spencer, Gertler, Lamb, Puvis de Chavannes,<br />
Degas. A book of reproductions of the P.-<br />
Impressionists would do, and I could get them<br />
transferred on slides. I hope this would not put<br />
you to any great trouble, but if you could manage<br />
to do it you don't know how you would help me.<br />
Stanley gave me a little<br />
job to paint two babies,<br />
which helped me to pay my way for a bit. I<br />
expect to get pupils and kick up a row with my<br />
lectures. But nobody seems to have money here,<br />
and not an ounce of interest in Art. The climate's<br />
tine, but the Sun is a very changeable creature and<br />
I can't come to any sort of understanding with<br />
this golden beast. He pretends to keep quiet for<br />
half an hour, and just as I think, ' Now I've got it, 1<br />
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