Yumpu_Catalogue_Peacemaking

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Vermont Studio Center, and is currently Director of the Bowers Writers House at Elizabethtown College. Jesse's fiction, poetry and non-fiction work has been nominated for multiple Pushcart Prizes, and has appeared nationally and internationally in such journals as The Adirondack Review, Coal Hill Review, The Cortland Review, Cimarron Review, Iowa Review, River Styx, Slide, Story Quarterly, Southeast Review, Sycamore Review and others. His first collection of poems, HUMAN RESOURCES, was published by Inkbrush Press in 2011. Jesse's first collection of short fiction, SO LET ME GET THIS STRAIGHT was published in March of 2018 by Paycock Press. www.etown.edu/centers/writershouse/staff.aspx Jesse Waters A winner of the River Styx International Poetry Contest, runner-up for the Iowa Review Fiction Prize and Finalist in The Starcherone Prize, the DIAGRAM Innovative Fiction Prize and the Paul Bowles Fiction Award, Prof. Jesse Waters is a recipient of a NC Artist’s Grant to attend the
An Apple from Dachau It's the eighteenth day of Nissan, the first month of the Jewish year, April 21st – Passover's third day. I’m on a backways cobblestone street. "Liebling" a woman selling apples says to me but I don't speak German. She smiles, and nods to the euro coins in my palm. It's one fine apple, shining up at me from the center of my hand. And still I have no idea how to be sacred. Any fruit, even just the core or shed skin, is holy when you’re lonely. At dusk, with a cup of rum-laced tea, I watch out my window to where the vendors stay out at their carts until the light goes dead, eating whitefish from wax paper, and one half of an orange. Something so beautiful as to give up seed is lonely, and to shed its skin for hunger is holy. If you plant an apple seed in the far town field where snow never stays, even in winter, and that seed lives, it’s a holy, holy thing. Not like Gefilte fish. Right now thirteen hours east, my mother is in Brooklyn buying two pounds of Whitefish, Carp and Pike flesh, chances are the fishmonger knows her: You'll never find bones, it's why my relatives always have Passover at my parent's house. Keep the shed skin, my mother will tell the Fishmonger but she's keeping the head, seed and core. The first spring I remember smelling those fresh fish bones, I was five. It was the salt smell fleshwork of my young hunger. My mother will grind
Page 3 and 4: PEACEMAKING AN AMERICAN AND EUROPEA
Page 5 and 6: Peacemaking - An American and Europ
Page 7: Projekt Frieden | Peacemaking Kunst
Page 11 and 12: TEIL 1 BILDENDE KUNST CHAPTER 1 VIS
Page 14: eceived two Caldecott Medals and on
Page 18: Literally, they can be touched and
Page 22: MFA from James Madison University.
Page 26: Sculpture Program, Princeton Univer
Page 30 and 31: Printmaking) and the University of
Page 32: Nina Buxenbaum grew up in the Crown
Page 36: from The Fund for Environmental Jou
Page 40 and 41: Carolyn Forché Forché was born in
Page 42 and 43: R.E. Foundation Award for Outstandi
Page 44 and 45: Movement and the Chinese Diaspora,
Page 46 and 47: of Nanjing memorial in China also r
Page 48 and 49: Rand Hess. She was the literacy coa
Page 50 and 51: In 1996, Miller delivered the comme
Page 55 and 56: the fish together with seltzer wate
Page 57 and 58: Among Landowners and Industrial Sta
Page 59 and 60: In fifth and sixth grade, on the wa
Page 61: History of the Airplane And the Wri
Page 64 and 65: Winner of the Pablo Neruda Prize fo
Page 66 and 67: His memoir, Travels in Vermeer, was
Page 69 and 70: all but unnoticed on the oilcloth t
Page 71 and 72: au printemps jamais je n’oublie a
Page 73 and 74: Beyond Knowing —η ειρήνη
Page 75: You Go Girl! They said—take it ea
Page 79 and 80: TEIL 3 TEILNEHMENDE STUDENTEN CHAPT
Page 82: Cooper Siegel Cooper Siegel is a sc

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