31.07.2019 Views

Seaford Scene August 2019

Community Magazine, Business Directory and What's On Guide

Community Magazine, Business Directory and What's On Guide

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

concentus ‘sang’<br />

and lgb brass<br />

‘played’ summer<br />

‘The Greatest Show!’ And wasn’t it just! This opening<br />

song dramatically caught the audience’s attention<br />

and proved to be very aptly titled to describe the<br />

whole concert, foretelling the many delights to come.<br />

There was a marked sense of the audience being<br />

fully engaged, involved and in good contact with the<br />

performance, and their comments mirrored this: ‘best<br />

concert yet’ , ‘really enjoyable’ , ‘superb’ , ‘wonderful<br />

balance and partnership between choir and band’, ‘very<br />

uplifting’ , ‘well-polished and professional’ , ‘so spirited –<br />

wonderful’, and many more expressing their enjoyment<br />

of the concert. There was prolonged applause<br />

throughout as well as cheers for many pieces, and the<br />

local press ran a headline declaring: ‘Concentus reaches<br />

new heights with Brass’.<br />

As ever there is room here to mention only a few of<br />

the highlights of the evening. After the exhilarating<br />

opening piece, ‘Goin’ Home’ from Dvorak’s ‘New<br />

World Symphony’ provided a complete contrast<br />

with the choir and band expertly using variations in<br />

volume to bring out all the yearning for ‘Goin’ Home’.<br />

The three soloists (all choir members) enhanced the<br />

performance with the delicacy of their touch. It proved<br />

a great favourite with the audience with more than one<br />

person commenting on how this beautifully sung song<br />

‘touched my heart’ or ‘brought tears to my eye’.<br />

‘Phantom of the Opera’ showcased Musical Director<br />

Adrian White’s skill in enabling his choir to draw out<br />

the many shades of meaning and emotion held in the<br />

words they sang – the controlling eerie presence of the<br />

Phantom, Christine’s enthralment with him, her friend’s<br />

concern for her, the marvellous vivacity of ‘Masquerade’<br />

through to the shock of his apparent return in the final<br />

words ‘He’s there! The Phantom of the Opera’. Adrian<br />

and Jo Fowler (his assistant conductor) also gave the<br />

audience a real treat and showed their great versatility in<br />

singing the duet taken from ‘The Greatest Showman’ – ‘A<br />

Million Dreams’.<br />

Both of the medleys in the concert were commended<br />

by the audience. ‘The Music of MGM’ was accompanied<br />

by the talented Colin Hughes on keyboard (who<br />

played for many of the choral pieces). The choir<br />

showed its versatility in all of the seven songs featured,<br />

with many rapid changes of pace, mood and volume.<br />

The wistfulness of ‘Over the Rainbow’, the razzmatazz<br />

of ‘That’s Entertainment’, the joy of being young, in love<br />

and happy in ‘Singing in the Rain’ – all this and more<br />

came over very clearly.<br />

‘Rogers and Hammerstein on Broadway’ accompanied<br />

by four very good soloists and the band was a great<br />

hit with the audience, featuring thirteen songs from six<br />

musicals. The choir took everybody on a roller-coaster<br />

of sound with songs like ‘I’m gonna wash that man right<br />

out of my hair’, ‘It might as well be spring’ and ‘The<br />

sound of music’. Tenors and basses were first class in<br />

the verve and attack they put into ‘There is nothing<br />

like a dame’, while ‘You’ll never walk alone’ provided a<br />

rousing finale to the piece.<br />

Choir and band were skillfully blended throughout, the<br />

band giving extra depth to the sound and feelings of<br />

all of the songs where they joined the choir as in the<br />

wonderfully eerie menacing sounds for ‘Phantom of<br />

the Opera’, the tenderness and calm for ‘Goin’ Home’,<br />

and the traditional ‘brass bandness’ in ’The Floral<br />

Dance’ and in the concert’s closing number – ‘Sussex<br />

by the Sea’. Director of the Band Ian Stewart – who<br />

transcribed the choir’s choral music into scores suitable<br />

for the band (no easy task!) – led them in four standalone<br />

numbers. Of these a recent work, ‘Song of the<br />

Night Sky’ by young composer Christopher Bond with<br />

an excellent solo played by the equally young principal<br />

cornet player Christina Kearley, was picked out for<br />

particular praise by audience members as was the<br />

traditional ‘Irish Tune from County Derry’.<br />

Altogether an excellent performance by choir and<br />

band, rewarded with prolonged applause and cheers.<br />

The audience departed with hopes of more wonderful<br />

concerts to come!<br />

Sept ISSUE DEADLINE:<br />

Tues 6th <strong>August</strong><br />

Please recycle this magazine<br />

when you have finished with it.<br />

136 Please mention <strong>Seaford</strong> <strong>Scene</strong> when contacting advertisers

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!