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Cultural Identity Politics in the (Post-)Transitional Societies
Th is text discusses some aspects of cultural identifi cation in Southeastern Europe in
a post-transitional perspective. Post-transition provides a context that may be roughly
described as a context of multiculturality, cultural diversity, human rights observance
and political and economic liberalism. Th e present analysis is concentrated on the
structural elements of cultural spaces, aspects of regional cultural communication and
the establishment of a new cultural context that coincides with the cultural diversity
framework largely infl uenced by globalization and Europeanization processes. In this
respect the Southeast European societies and cultures appear to be ever closer to cultural
identifi cations that are diverse and individualized, while the nationally and ethnically
structured cultures experience processes of reconstruction and reidentifi cation.
Th e structure of cultural space
Th e concept of space, in the sense of location or geographical place, has been largely
reinterpreted in discussions on cultures and cultural globalization. Arjun Appadurai
argues that “the processes of globalization have radically altered the relations between
subjectivity, location, political identifi cation and the social imagination” (Baldauf and
Hoeller, 2008). However, these changes have by now contributed to the production of
new content and symbols that infl uence the interpretation of cultures and their role in
wider social and political frameworks, be they global or local. New cultural spaces have
emerged. Th ey are defi ned by fl exible borders (linguistic, artistic, creative) that provide
for cultural (re)identifi cation and that may be subjected to the (re)established ethnic,
national or professional delimitations.
Diff erent cultural spaces have become accessible and present in the daily life of many
through deterritorialization that makes globality or locality irrelevant and through
ever easier technological mediation that enables entrance into the virtual world. Being
omnipresent, they are subjected to various interpretations which may turn spaces into
“territories, fl ows, hierarchies” (Storper, 1997: 19-44), or into intellectual concepts open
to creative eff orts and to imagination. Th e meaning of cultural spaces becomes linked
to interpretative communities, such as Anderson’s “imagined communities” (Anderson,
1983). Cultural spaces represent a context in which cultural content is produced and
expressed through symbolic signs.
David Harvey (1990: 205, 306) argues that: “Th e social theory privileges time over
space”, assuming that “temporal processes” operate within “some pre-existing spatial
order”. Th us the space may be interpreted as a kind of general background for any human
activity, including the establishment of cultures and cultural identifi cation. According
to Harvey, “time is always a memory of the experienced space” (Harvey, 1990: 216),
and therefore aesthetic theories are primarily concerned with time, although space
provides a general basis for all experiences, subsumed in a concentrated and rationalized
“collapsed sense of time and space” (Harvey, 1990: 61). Th is would be the situation that
we are facing in the present day globalized world: a collapsed sense of space and time
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