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Cultural Identity Politics in the (Post-)Transitional Societies Szeemann, H. (2003) Blut und Honig. Zukunft ist am Balkan. Exhibition in the Museum Essl, September 2003, Klosterneuburg. Teichova, A. (1988) Kleinstaaten im Spannungsfeld der Großmächte. Wirtschaft und Politik in Mittel- und Südosteuropa in der Zwischenkriegszeit, Wien: Verlag für Geschichte und Politik. Todorova, M. (1997) Imagining the Balkans, New York: Oxford University Press. Wiener Tribunal gegen die österreichische Regierung (wegen Beihilfe zur NATO-Aggression gegen Jugoslawien) (2000) Hg. Jugoslawisch-österreichische Solidaritätsbewegung, Wien: Edition Der Keil. 30
Cultural policies, identities and monument building in Southeastern Europe Milena Dragićević Šešić Abstract Th is paper deals with monument policies in Southeastern Europe in the period of transition, nationalistic uprisings, wars and divisions. Exploring the reconstruction of mem ories through offi cial and populist monument projects the research will try to prove the misuse of memories and historical representations as a form of hate speech, and to deconstruct this manipulation of memories used to create a new “national”, ethnic memory using monument as a strategic tool. At the same time the research will explore how artists have challenged offi cial policies of “monumentalization” creating their own monument projects. Monuments as artistic projects, permanent or ephemeral, are part of the culture of dissent, platforms for debating major cultural policy issues. Th is research will use the categories identifi ed by Kodrnja and Slapšak, re-adapted and developed for the needs of this study. We therefore identifi ed three diff erent models of strategy and monument policy applied in diff erent phases of postsocialist transition: the model of anti-culture (destruction strategy, appropriation strategy, ignoring “the other” and provocation strategy); the model of “culturalization” (monument building within new identity policies, decontextualization strategy, musealization of the heritage of others, “gratitude” strategy); and the model of dissent – creative dialogue (counter-culture strategy, strategy of opposing within one’s own culture). Keywords: cultural policies, monument policies, Southeastern Europe, historical represen tations, memories, identities 31
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Culturelink Joint Publications Seri
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