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Cultural Identity Politics in the (Post-)Transitional Societies References Alagjozovski, R. (2010) “Koreni naši nasušni – Makedonija u kulturnom ratu”, Danas (Belgrade), 29 June 2010. Appadurai, A. (2006) Fear of small numbers, Duke University Press. Assmann, A. (1993) Arbeit am nationalen gedachtnis, Frankfurt-New York: Campus Verlag. Australian Macedonian Weekly (2006) Edition No. 950, 5 December 2006 http://www. australianmacedonianweekly.com/edition/0950_05122006/002_macedonia_001.html Buden, B. (2006) On the exhibition “Normalization” http://www.nikolatesla.hr/news. aspx?newsID=127&pageID=23 acc. 24 April 2010. Connerton, P. (2002) How societies remember, Cambridge University Press. Đerić, G. (ed.) (2008) Intima javnosti, Fabrika knjiga, Belgrade: Institut za fi lozofi ju i društvenu teoriju. Dragićević Šešić, M. (1994) “Media War and Hate”, Kultura (Belgrade), No. 92. Đukić, V. (2003) “Sedam uzroka tranzicione konfuzije”, Zbornik Fakulteta dramskih umetnosti, No. 6-7, Belgrade. Halbwachs, M. (1925) Les cadres sociaux de la mémorie. Paris: F. Alcan Horozović, I. (1994) Prognani grad. Zagreb: Antibarbarus. Kodrnja, J., Savić, S. and Slapšak, S. (eds.) (2010) Kultura, rod, identitet, Zagreb: Institut za društvena istraživanja Kuljić, T. (2006) Kultura sećanja, Čigoja, Belgrade. Sinovčić, D. (2000) Trg žrtava fašizma vraća se u središte Zagreba odakle je prije deset godina izbrisan? http://www.monitor.hr/clanci/trg-zrtava-fasizma-vraca-se-u-sredistezagrebaodakle-je-prije-deset-godina-izbrisan/6168/ accessed 20 April 2010. Slapšak, S. (2009) “Antikultura protiv kontrakulture: kulturna politika tranzicije?”, Republika No. 460-461, 1-30 September. Stojanović, D. (2008) Konstrukcija prošlosti – slučaj srpskih udžbenika istorije, http://www.cpi.hr/download/links/hr/7008.pdf, accessed 20 April 2010. Tunbridge, J. E. and Ashworth, G. J. (1996) Dissonant heritage, the management of the past as a resource in confl ict, New York: J. Wiley. 46
Performing identities - national theatres and the re-construction of identities in Slovenia and the Socialist Federal Republic of Yugoslavia Aldo Milohnić Abstract In this text the author examines the role of national theatres in the construction of identities in Slovenia and, rather sporadically, in other countries of the former Yugoslavia. Th is research question is set in the context of a historical overview, starting with early historical examples in a wider European context. National theatres were fi rst established in Zagreb, Novi Sad, Ljubljana and Belgrade in the mid-19th century and national theatre reforms continued in the last century with the introduction of a threefold system of state, regional and municipal national theatres aft er the collapse of the Habsburg Empire and the establishment of the Kingdom of Serbs, Croats and Slovenes (abbreviated as SHS). Aft er the Second World War many new national theatres emerged in the Socialist Federal Republic of Yugoslavia (SFRY) and cultural politics imposed a new role on national theatres in the new nation states aft er the dissolution of the former Yugoslavia. Th is historical approach is combined with an analysis of the cultural, social and political position of national theatres in the rather turbulent and nationalistic atmosphere dominated by exclusivist, radical political forces. As well as this critical reading of theatrical “identity politics” in the newly established states, predominantly in Slovenia, some other aspects are briefl y discussed, namely relations between national theatres and so-called “independent” (or “non-institutional”) theatres, and subsidies and other fi nancial incentives for national theatres, based on examples of national theatres in Slovenia and Croatia, among others. Keywords: national theatre, theatre history, cultural identity, national identity, transition, Slovenia, Yugoslavia 47
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