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Once I have a full page of rough thumbnails,

I choose a few to tighten up and clarify.

I select ideas that sell my story moment best

and create a clear statement. I pick sketches

showing the kids meeting the ghost for the

first time on the stairs. The kids look more

invested in the situation rather than simply

walking in the front door. I also like the

direct confrontation—this makes the event

dramatic and full of energy. I choose two

different angles of the same event, one from

the top of the stairs looking down, the other

from inside the group of kids looking up.

Both have their own merits and are worth

exploring.

I fine-tune these two designs, clarifying

setting and characters while keeping my

sketches loose. I use detail sparingly, since

I need to evaluate if the ideas are working

well or not. At this stage, I develop the

lighting further. Drawing directly on top of

an earlier thumbnail saves time and allows

me to expand on the concept. Soon I have

a set of thumbnails that are clear enough to

convey all the major elements of my scene.

Now I’m in a good position to determine

the next steps. I decide on the angle

looking down the stairs toward the kids

with the ghost filling the top right of the

image frame. This view places the ghost in

a threatening position of power and shows

each kid’s face and unique expression.

LESSON 3: CRAFT YOUR STORY MOMENT

Create a set of thumbnail sketches and

use them to explore and problem-solve

your idea. Try to explore as many solutions

as possible to see what works and what

doesn’t. Keep your thumbnails loose—try

not to invest too much time detailing an

image at this stage. Once you have a page

of thumbnails choose the most effective

two or three and tighten them up further.

130 21DRAW

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