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21-Draw-Illustrators-Guidebook-vol-2-ebook-(2021)

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and other simple shapes to build each part

of the body. I think in tridimensional form

to create volume which will help us later on

when we render light and shadows.

Now I begin to sketch in basic shapes and

lines for the figure. You can see in the image

labeled example (see previous page) how I

visualize these geometric shapes and use

them to build out the structure of the body.

The next step is to clean up my line work—

this is call the inking stage—and my

drawing is now ready to be colored. I do

my work with Photoshop in Cintiq, where

I can create separate layers. This allows me

to have my clean lines on their own layer so

they are not disrupted when I add color.

Before moving on to color the artwork, it is

important to check our drawing to be sure

it is structured correctly. You need to make

sure the extremities follow human anatomy

correctly.

I like to check my work by thinking in

points of reference. Our extremities are not

perfectly parallel. A good point of reference

is usually in direct line with the ears. I also

like to imagine a mesh that dictates the

volume of each muscle (see the image

labeled notes below).

Reviewing these structural details helps

improve our drawings, no matter the style

you plan to use, be it a functional drawing

or one that is stylized for animation.

CLEAN UP LINES

INK LINES

NOTES

STYLIZED FIGURE DRAWING

77

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