21-Draw-Illustrators-Guidebook-vol-2-ebook-(2021)

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VOLUME2
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Published in Sweden, by 21 Solution
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For beginners, students, and master
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INTRODUCTIONThank you for purchasin
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1DIGITAL DRAWINGUsing ProcreateERIK
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stored on your device, simply tap t
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PROCREATE INTERFACEActionsSelection
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To view your layers, bring up the L
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but don’t pick up your pencil for
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DIGITAL DRAWING11
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ROUGH SKETCH FIRST PASSROUGH SKETCH
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FINAL LINES AFTER ADJUSTMENTS1SILHO
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and Color Balance adjustment tools.
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ORGANIZING YOUR LAYERS12345678DIGIT
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BEFORE CLEAN UPAFTER CLEAN UPDIGITA
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After you have a good idea of where
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LESSON 7: FINISHING UPIn this lesso
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DIGITAL DRAWING STEP BY STEPDIGITAL
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BEFORE AND AFTER FINAL ADJUSTMENTSD
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2FUNDAMENTALS OFCHARACTER DESIGNRAN
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Good character designrequires plann
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SIMPLIFICATION AND EXAGGERATIONStyl
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Every aspect of acharacter’s desi
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“The Everyman” or “Regular”
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“The Magician”Visionary, Unconv
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IT’S ALL ABOUT THE PROCESSWhen a
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Step 5: Value and shadingStep 7: Fi
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MODEL SHEETSCharacter model sheets
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LEARN MORE ONLINE: 21-DRAW.COMLearn
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DRAWING FEMALE CHARACTERSWITH MEIKE
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If I want to print my art ona large
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IMPORTING REFERENCESTo place your s
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SIMPLIFIED SKELETON TECHNIQUEI star
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CHOOSING COLOR SCHEMESCOLOR THEORY
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COLOR PROPERTIES (HUE, TINT,TONE, A
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Tap and holdthen movearound toselec
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way I can easily adjust the color o
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layer is alpha locked and the backg
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I use the basecolor, make ita bit d
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BACKGROUNDLast but not least, we ne
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4STYLIZED FIGUREDRAWINGRENÉ CÓRDO
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and other simple shapes to build ea
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CHARACTER DESIGNAfter practicing an
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PRO TIP:I sketch my basestructure u
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Creating perspective and volume cor
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You continue using the same process
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CHARACTER DEVELOPMENTFor this examp
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STYLIZED FIGURE DRAWING89
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CHARACTER EXERCISELet’s do an exe
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QUICK SKETCHESThe previous page has
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HOW TO BRING YOUR CHARACTERS TO LIF
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However, there is a big difference
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HOW TO DRAW EYES: STEP 2Now that yo
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EYE EXERCISES TO PRACTICEThe follow
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FACIAL EXPRESSIONSHow are you able
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EXAMPLES OF FACIAL EXPRESSIONSHere
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POSING YOUR CHARACTERSThe ability t
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DRAWING THE HUMAN BODYThere are var
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EXAMPLES OF POSINGWhat I love about
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6CHARACTER DRIVENILLUSTRATIONSKENNE
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For this piece, I play around with
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Running fromghost/monster’90sClot
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THUMBNAILS—CRAFTING YOUR STORY MO
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I also play around with tone andlig
Page 140 and 141: FINALCHOSENDIRECTIONI choose a view
Page 142 and 143: LINES OFACTIONbrandishing a hockey
Page 144 and 145: MOOD—SELLING THE IDEA THROUGHLIGH
Page 146 and 147: 76804320THE BLOCK IN—STARTING THE
Page 148 and 149: CHARACTER DRIVEN ILLUSTRATIONS139
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Page 152 and 153: LOCALCOLORHARD LIGHTSHADOW LAYERWIN
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Page 156 and 157: I tweak the ghost a bit so his tona
Page 158 and 159: 7MASTERING LIGHTINGAND SHADINGAVELI
Page 160 and 161: tones contrasting on his face, the
Page 162 and 163: In the image at right, the mainligh
Page 164 and 165: In this film clip from Marriage Sto
Page 166 and 167: TOOLS AND TECHNIQUESMY MAIN BRUSHES
Page 168 and 169: ALPHA LOCK: Activate it by swiping
Page 170 and 171: light are clearly delineated, eveni
Page 172 and 173: In the above image, the characterwi
Page 174 and 175: This girl is like “don’t evenda
Page 176 and 177: 12Gather a bunch of imagesso you ca
Page 178 and 179: 4Identify the different light sourc
Page 180: CONCLUSIONI hope you’ve learned s
Page 183 and 184: KENNETH ANDERSONCHARACTER DESIGNERI
Page 185 and 186: RENÉ CÓRDOVACHARACTER DESIGNERCOM
Page 187 and 188: MEIKE SCHNEIDER3D ARTISTILLUSTRATOR
Page 189: ERIKA WISEMANDIGITAL ARTISTILLUSTRA
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