21-Draw-Illustrators-Guidebook-vol-2-ebook-(2021)

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In the above image, the characterwith the flower wears vivid and brightcolors, while the others wear dark,desaturated tones, and have pale skin.The character wearing the vivid andbright colors is showing his outgoingand vibrant personality. The othermen wearing the desaturated tonesseem to have a bored and gloomytemperament. Since they are seatednext to one another, the contrast intheir personalities is highlighted.The temperature of colors alsoconveys different feelings. The warmcolors in the images at right give anenergetic and vigorous feeling andare linked to the idea of optimism,motivation, spontaneity, power, rage,anger, passion.Cool colors tend to be soothing andmore calculating and are linked to theidea of balance, spirituality, wisdom,serenity, mystery, melancholy, sadness.Unique by Aveline StokartMonkey by Aveline StokartFlash by Aveline StokartMASTERING LIGHTING AND SHADING163
Rain by Aveline StokartThe images above are great examples of using color temperature,value, and saturation to create mood and story in the illustrations.Red Poppy by Aveline Stokart164 21DRAW
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VOLUME2
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Published in Sweden, by 21 Solution
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For beginners, students, and master
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INTRODUCTIONThank you for purchasin
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1DIGITAL DRAWINGUsing ProcreateERIK
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stored on your device, simply tap t
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PROCREATE INTERFACEActionsSelection
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To view your layers, bring up the L
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but don’t pick up your pencil for
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DIGITAL DRAWING11
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ROUGH SKETCH FIRST PASSROUGH SKETCH
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FINAL LINES AFTER ADJUSTMENTS1SILHO
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and Color Balance adjustment tools.
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ORGANIZING YOUR LAYERS12345678DIGIT
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BEFORE CLEAN UPAFTER CLEAN UPDIGITA
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After you have a good idea of where
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LESSON 7: FINISHING UPIn this lesso
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DIGITAL DRAWING STEP BY STEPDIGITAL
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BEFORE AND AFTER FINAL ADJUSTMENTSD
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2FUNDAMENTALS OFCHARACTER DESIGNRAN
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Good character designrequires plann
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SIMPLIFICATION AND EXAGGERATIONStyl
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Every aspect of acharacter’s desi
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“The Everyman” or “Regular”
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“The Magician”Visionary, Unconv
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IT’S ALL ABOUT THE PROCESSWhen a
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Step 5: Value and shadingStep 7: Fi
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MODEL SHEETSCharacter model sheets
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LEARN MORE ONLINE: 21-DRAW.COMLearn
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DRAWING FEMALE CHARACTERSWITH MEIKE
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If I want to print my art ona large
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IMPORTING REFERENCESTo place your s
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SIMPLIFIED SKELETON TECHNIQUEI star
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CHOOSING COLOR SCHEMESCOLOR THEORY
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COLOR PROPERTIES (HUE, TINT,TONE, A
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Tap and holdthen movearound toselec
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way I can easily adjust the color o
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layer is alpha locked and the backg
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I use the basecolor, make ita bit d
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BACKGROUNDLast but not least, we ne
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4STYLIZED FIGUREDRAWINGRENÉ CÓRDO
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and other simple shapes to build ea
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CHARACTER DESIGNAfter practicing an
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PRO TIP:I sketch my basestructure u
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Creating perspective and volume cor
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You continue using the same process
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CHARACTER DEVELOPMENTFor this examp
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STYLIZED FIGURE DRAWING89
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CHARACTER EXERCISELet’s do an exe
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QUICK SKETCHESThe previous page has
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HOW TO BRING YOUR CHARACTERS TO LIF
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However, there is a big difference
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HOW TO DRAW EYES: STEP 2Now that yo
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EYE EXERCISES TO PRACTICEThe follow
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FACIAL EXPRESSIONSHow are you able
Page 121 and 122: EXAMPLES OF FACIAL EXPRESSIONSHere
Page 123 and 124: POSING YOUR CHARACTERSThe ability t
Page 125 and 126: DRAWING THE HUMAN BODYThere are var
Page 127 and 128: EXAMPLES OF POSINGWhat I love about
Page 130 and 131: 6CHARACTER DRIVENILLUSTRATIONSKENNE
Page 132 and 133: For this piece, I play around with
Page 134 and 135: Running fromghost/monster’90sClot
Page 136 and 137: THUMBNAILS—CRAFTING YOUR STORY MO
Page 138 and 139: I also play around with tone andlig
Page 140 and 141: FINALCHOSENDIRECTIONI choose a view
Page 142 and 143: LINES OFACTIONbrandishing a hockey
Page 144 and 145: MOOD—SELLING THE IDEA THROUGHLIGH
Page 146 and 147: 76804320THE BLOCK IN—STARTING THE
Page 148 and 149: CHARACTER DRIVEN ILLUSTRATIONS139
Page 150 and 151: One thing to note—it is important
Page 152 and 153: LOCALCOLORHARD LIGHTSHADOW LAYERWIN
Page 154 and 155: the environment. This process appli
Page 156 and 157: I tweak the ghost a bit so his tona
Page 158 and 159: 7MASTERING LIGHTINGAND SHADINGAVELI
Page 160 and 161: tones contrasting on his face, the
Page 162 and 163: In the image at right, the mainligh
Page 164 and 165: In this film clip from Marriage Sto
Page 166 and 167: TOOLS AND TECHNIQUESMY MAIN BRUSHES
Page 168 and 169: ALPHA LOCK: Activate it by swiping
Page 170 and 171: light are clearly delineated, eveni
Page 174 and 175: This girl is like “don’t evenda
Page 176 and 177: 12Gather a bunch of imagesso you ca
Page 178 and 179: 4Identify the different light sourc
Page 180: CONCLUSIONI hope you’ve learned s
Page 183 and 184: KENNETH ANDERSONCHARACTER DESIGNERI
Page 185 and 186: RENÉ CÓRDOVACHARACTER DESIGNERCOM
Page 187 and 188: MEIKE SCHNEIDER3D ARTISTILLUSTRATOR
Page 189 and 190: ERIKA WISEMANDIGITAL ARTISTILLUSTRA
Page 191 and 192: MORE GREAT BOOKS!ORDER TODAY AT WWW
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