21-Draw-Illustrators-Guidebook-vol-2-ebook-(2021)

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“The Everyman” or “Regular” Guy/Gal:Down-to-earth, Underdog“The Child” or “Innocent”Young at heart, Naive“The Hero” or “Warrior”Courageous, Bold, Talented“The Rebel” or “Outlaw”Questions authority, SelfishFUNDAMENTALS OF CHARACTER DESIGN39
“The Explorer”Adventurous“The Creator”Inventive, Creative“The Ruler”Controlling, Stern40 21DRAW
Page 1 and 2: VOLUME2
Page 3 and 4: Published in Sweden, by 21 Solution
Page 5 and 6: For beginners, students, and master
Page 7 and 8: INTRODUCTIONThank you for purchasin
Page 10 and 11: 1DIGITAL DRAWINGUsing ProcreateERIK
Page 12 and 13: stored on your device, simply tap t
Page 14 and 15: PROCREATE INTERFACEActionsSelection
Page 16 and 17: To view your layers, bring up the L
Page 18 and 19: but don’t pick up your pencil for
Page 20 and 21: DIGITAL DRAWING11
Page 22 and 23: ROUGH SKETCH FIRST PASSROUGH SKETCH
Page 24 and 25: FINAL LINES AFTER ADJUSTMENTS1SILHO
Page 26 and 27: and Color Balance adjustment tools.
Page 28 and 29: ORGANIZING YOUR LAYERS12345678DIGIT
Page 30 and 31: BEFORE CLEAN UPAFTER CLEAN UPDIGITA
Page 32 and 33: After you have a good idea of where
Page 34 and 35: LESSON 7: FINISHING UPIn this lesso
Page 36 and 37: DIGITAL DRAWING STEP BY STEPDIGITAL
Page 38 and 39: BEFORE AND AFTER FINAL ADJUSTMENTSD
Page 40 and 41: 2FUNDAMENTALS OFCHARACTER DESIGNRAN
Page 42 and 43: Good character designrequires plann
Page 44 and 45: SIMPLIFICATION AND EXAGGERATIONStyl
Page 46 and 47: Every aspect of acharacter’s desi
Page 50 and 51: “The Magician”Visionary, Unconv
Page 52 and 53: IT’S ALL ABOUT THE PROCESSWhen a
Page 54 and 55: Step 5: Value and shadingStep 7: Fi
Page 56 and 57: MODEL SHEETSCharacter model sheets
Page 58: LEARN MORE ONLINE: 21-DRAW.COMLearn
Page 61 and 62: DRAWING FEMALE CHARACTERSWITH MEIKE
Page 63 and 64: If I want to print my art ona large
Page 65 and 66: IMPORTING REFERENCESTo place your s
Page 67 and 68: SIMPLIFIED SKELETON TECHNIQUEI star
Page 69 and 70: CHOOSING COLOR SCHEMESCOLOR THEORY
Page 71 and 72: COLOR PROPERTIES (HUE, TINT,TONE, A
Page 73 and 74: Tap and holdthen movearound toselec
Page 75 and 76: way I can easily adjust the color o
Page 77 and 78: layer is alpha locked and the backg
Page 79 and 80: I use the basecolor, make ita bit d
Page 81 and 82: BACKGROUNDLast but not least, we ne
Page 84 and 85: 4STYLIZED FIGUREDRAWINGRENÉ CÓRDO
Page 86 and 87: and other simple shapes to build ea
Page 88 and 89: CHARACTER DESIGNAfter practicing an
Page 90 and 91: PRO TIP:I sketch my basestructure u
Page 92 and 93: Creating perspective and volume cor
Page 94 and 95: You continue using the same process
Page 96 and 97: CHARACTER DEVELOPMENTFor this examp
Page 98 and 99:
STYLIZED FIGURE DRAWING89
Page 100 and 101:
Page 102 and 103:
Page 104 and 105:
Page 106 and 107:
CHARACTER EXERCISELet’s do an exe
Page 108:
QUICK SKETCHESThe previous page has
Page 111 and 112:
HOW TO BRING YOUR CHARACTERS TO LIF
Page 113 and 114:
However, there is a big difference
Page 115 and 116:
HOW TO DRAW EYES: STEP 2Now that yo
Page 117 and 118:
EYE EXERCISES TO PRACTICEThe follow
Page 119 and 120:
FACIAL EXPRESSIONSHow are you able
Page 121 and 122:
EXAMPLES OF FACIAL EXPRESSIONSHere
Page 123 and 124:
POSING YOUR CHARACTERSThe ability t
Page 125 and 126:
DRAWING THE HUMAN BODYThere are var
Page 127 and 128:
EXAMPLES OF POSINGWhat I love about
Page 130 and 131:
6CHARACTER DRIVENILLUSTRATIONSKENNE
Page 132 and 133:
For this piece, I play around with
Page 134 and 135:
Running fromghost/monster’90sClot
Page 136 and 137:
THUMBNAILS—CRAFTING YOUR STORY MO
Page 138 and 139:
I also play around with tone andlig
Page 140 and 141:
FINALCHOSENDIRECTIONI choose a view
Page 142 and 143:
LINES OFACTIONbrandishing a hockey
Page 144 and 145:
MOOD—SELLING THE IDEA THROUGHLIGH
Page 146 and 147:
76804320THE BLOCK IN—STARTING THE
Page 148 and 149:
CHARACTER DRIVEN ILLUSTRATIONS139
Page 150 and 151:
One thing to note—it is important
Page 152 and 153:
LOCALCOLORHARD LIGHTSHADOW LAYERWIN
Page 154 and 155:
the environment. This process appli
Page 156 and 157:
I tweak the ghost a bit so his tona
Page 158 and 159:
7MASTERING LIGHTINGAND SHADINGAVELI
Page 160 and 161:
tones contrasting on his face, the
Page 162 and 163:
In the image at right, the mainligh
Page 164 and 165:
In this film clip from Marriage Sto
Page 166 and 167:
TOOLS AND TECHNIQUESMY MAIN BRUSHES
Page 168 and 169:
ALPHA LOCK: Activate it by swiping
Page 170 and 171:
light are clearly delineated, eveni
Page 172 and 173:
In the above image, the characterwi
Page 174 and 175:
This girl is like “don’t evenda
Page 176 and 177:
12Gather a bunch of imagesso you ca
Page 178 and 179:
4Identify the different light sourc
Page 180:
CONCLUSIONI hope you’ve learned s
Page 183 and 184:
KENNETH ANDERSONCHARACTER DESIGNERI
Page 185 and 186:
RENÉ CÓRDOVACHARACTER DESIGNERCOM
Page 187 and 188:
MEIKE SCHNEIDER3D ARTISTILLUSTRATOR
Page 189 and 190:
ERIKA WISEMANDIGITAL ARTISTILLUSTRA
Page 191 and 192:
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