21-Draw-Illustrators-Guidebook-vol-2-ebook-(2021)

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Energy, sunshine, bright, cheerful, happiness,joy, positivity, spotaneity spotaneity spotaneityFun, creativity, warmth, optimisti, optimisti, optimisti, adventurous,autumn, youthfulLove, blood, fire, strong, itense, energetic,excitement, passion, courage, attentionCompassion, love, playful, immature, admiration,sweet, sophistiated, sophistiated, sesitive, sesitive, feminie, feminie, assertivePower, wealth, ambition, noble, royalty, mystery,spirituality, imagiation, sesitivity, compassionTrust, stability, depth, sea, sky, tranquil,responsibility, honesty, loyalty, iner iner seurity seurityFreedom, self-expression, trustworthy, wisdom, joy,perspective, modern, ambition, calm, carelessGrowth, harmony, fertility, kindness, dependable,nature, freshness, balance, safety, healingComfort, honesty, natural, stability, reliability,simple, disappoitment, disappoitment, dependable, earthinessSanity, realism, sadness, depression, neutral, formal,quiet, coservative, practical, balance, timelessClassi, Classi, Classi, void, suppression, foresight, power, control,disciplie, disciplie, elegance, authority, seurity, seurity, dramaticDRAWING A FEMALE CHARACTER61
COLOR PROPERTIES (HUE, TINT,TONE, AND SHADE)WHITETINTIn painting, the word color is thegeneral term for everything we see.However, the word hue refers toa pure, unmixed pigment on thecolor wheel.GREYTONEPURECOLORSHADE is the mixture of a colorwith black, which reduces lightness.TINT is the mixture of a color withwhite, which increases lightness.BLACKSHADETONE is produced either by themixture of a color with gray, or byboth tinting and shading. The colorremains the same, only less vibrant.The values can range from verylight to very dark.SHADESTINTSCOLOR SCHEMESMONOCHROMATIC is the mostsimple scheme and is made fromusing tints, tones, and shades of asingle hue.TONESMONOCHROMATICANALOGOUSCOMPLEMENTARYSPLIT COMPLEMENTARYTRIADIC (PRIMARY)TRIADIC (SECONDARY)TETRADICSQUARE62 21DRAW
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VOLUME2
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Published in Sweden, by 21 Solution
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For beginners, students, and master
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INTRODUCTIONThank you for purchasin
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1DIGITAL DRAWINGUsing ProcreateERIK
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stored on your device, simply tap t
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PROCREATE INTERFACEActionsSelection
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To view your layers, bring up the L
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but don’t pick up your pencil for
Page 20 and 21: DIGITAL DRAWING11
Page 22 and 23: ROUGH SKETCH FIRST PASSROUGH SKETCH
Page 24 and 25: FINAL LINES AFTER ADJUSTMENTS1SILHO
Page 26 and 27: and Color Balance adjustment tools.
Page 28 and 29: ORGANIZING YOUR LAYERS12345678DIGIT
Page 30 and 31: BEFORE CLEAN UPAFTER CLEAN UPDIGITA
Page 32 and 33: After you have a good idea of where
Page 34 and 35: LESSON 7: FINISHING UPIn this lesso
Page 36 and 37: DIGITAL DRAWING STEP BY STEPDIGITAL
Page 38 and 39: BEFORE AND AFTER FINAL ADJUSTMENTSD
Page 40 and 41: 2FUNDAMENTALS OFCHARACTER DESIGNRAN
Page 42 and 43: Good character designrequires plann
Page 44 and 45: SIMPLIFICATION AND EXAGGERATIONStyl
Page 46 and 47: Every aspect of acharacter’s desi
Page 48 and 49: “The Everyman” or “Regular”
Page 50 and 51: “The Magician”Visionary, Unconv
Page 52 and 53: IT’S ALL ABOUT THE PROCESSWhen a
Page 54 and 55: Step 5: Value and shadingStep 7: Fi
Page 56 and 57: MODEL SHEETSCharacter model sheets
Page 58: LEARN MORE ONLINE: 21-DRAW.COMLearn
Page 61 and 62: DRAWING FEMALE CHARACTERSWITH MEIKE
Page 63 and 64: If I want to print my art ona large
Page 65 and 66: IMPORTING REFERENCESTo place your s
Page 67 and 68: SIMPLIFIED SKELETON TECHNIQUEI star
Page 69: CHOOSING COLOR SCHEMESCOLOR THEORY
Page 73 and 74: Tap and holdthen movearound toselec
Page 75 and 76: way I can easily adjust the color o
Page 77 and 78: layer is alpha locked and the backg
Page 79 and 80: I use the basecolor, make ita bit d
Page 81 and 82: BACKGROUNDLast but not least, we ne
Page 84 and 85: 4STYLIZED FIGUREDRAWINGRENÉ CÓRDO
Page 86 and 87: and other simple shapes to build ea
Page 88 and 89: CHARACTER DESIGNAfter practicing an
Page 90 and 91: PRO TIP:I sketch my basestructure u
Page 92 and 93: Creating perspective and volume cor
Page 94 and 95: You continue using the same process
Page 96 and 97: CHARACTER DEVELOPMENTFor this examp
Page 98 and 99: STYLIZED FIGURE DRAWING89
Page 106 and 107: CHARACTER EXERCISELet’s do an exe
Page 108: QUICK SKETCHESThe previous page has
Page 111 and 112: HOW TO BRING YOUR CHARACTERS TO LIF
Page 113 and 114: However, there is a big difference
Page 115 and 116: HOW TO DRAW EYES: STEP 2Now that yo
Page 117 and 118: EYE EXERCISES TO PRACTICEThe follow
Page 119 and 120: FACIAL EXPRESSIONSHow are you able
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EXAMPLES OF FACIAL EXPRESSIONSHere
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POSING YOUR CHARACTERSThe ability t
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DRAWING THE HUMAN BODYThere are var
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EXAMPLES OF POSINGWhat I love about
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6CHARACTER DRIVENILLUSTRATIONSKENNE
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For this piece, I play around with
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Running fromghost/monster’90sClot
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THUMBNAILS—CRAFTING YOUR STORY MO
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I also play around with tone andlig
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FINALCHOSENDIRECTIONI choose a view
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LINES OFACTIONbrandishing a hockey
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MOOD—SELLING THE IDEA THROUGHLIGH
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76804320THE BLOCK IN—STARTING THE
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CHARACTER DRIVEN ILLUSTRATIONS139
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One thing to note—it is important
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LOCALCOLORHARD LIGHTSHADOW LAYERWIN
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the environment. This process appli
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I tweak the ghost a bit so his tona
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7MASTERING LIGHTINGAND SHADINGAVELI
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tones contrasting on his face, the
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In the image at right, the mainligh
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In this film clip from Marriage Sto
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TOOLS AND TECHNIQUESMY MAIN BRUSHES
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ALPHA LOCK: Activate it by swiping
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light are clearly delineated, eveni
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In the above image, the characterwi
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This girl is like “don’t evenda
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12Gather a bunch of imagesso you ca
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4Identify the different light sourc
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CONCLUSIONI hope you’ve learned s
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KENNETH ANDERSONCHARACTER DESIGNERI
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RENÉ CÓRDOVACHARACTER DESIGNERCOM
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MEIKE SCHNEIDER3D ARTISTILLUSTRATOR
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ERIKA WISEMANDIGITAL ARTISTILLUSTRA
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