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Dialogue Editing

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Fixing Noises 199<br />

If there’s a short electrical click in the middle of the word “peanut,” you fi x<br />

it once with the pencil and you’ve fi xed every occurrence. This is an unusual<br />

case, however. Normally, you want to protect the soundfi le from any stupidities<br />

you might cause with the pencil, so remember this rule of thumb: Before<br />

using the pencil tool, make a copy of the section you intend to repair. To make<br />

a safety copy of the region you’re about to operate on:<br />

Highlight a section of the region, a bit wider than the damaged area.<br />

Make a copy of the sound in the region. It’s not enough to copy the<br />

region itself, as this doesn’t create a new soundfi le. Instead, consolidate<br />

or bounce the selected region, creating a new soundfi le and leaving<br />

the original audio safe from the destructive pencil. (See Figure 12-4.)<br />

Zoom in very close to the click. Filling the screen with one sound<br />

cycle is a good view. Select the pencil tool and draw over the<br />

damaged area. Take care to create a curved line that mimics the<br />

trajectory of the underlying (damaged) curve, or what that curve<br />

“should have been.”<br />

Redraw the smallest possible portion of the waveform. Otherwise, you<br />

run the risk of creating a low-frequency artifact.<br />

Move the boundaries of the now fi xed consolidation until there’s no<br />

click on the edit. Fade if necessary to avoid clicks (it’s generally better<br />

to move the edit location than to fade).<br />

Figure 12-4 Top: The segment from Figure 12-3 with two clicks (labeled with<br />

markers). Bottom: The area to be repaired was consolidated (highlighted in black)<br />

to create a new, tiny soundfi le. The pencil was used to redraw the waveform.<br />

Compare the smooth curves below with the jagged originals.

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