Dialogue Editing

356 INDEX
Foley editors, 46
Foley effects, 339
Foley notes for noisy PFX, 236
Foley supervisors, 45–46
Foley walkers and engineers, 46
Footsteps, as noise, 190–191
Foreground from background mixing, 316
Formants, 280
Frame lines, 82
Frequency response, 9
Fullcoat, 10, 339
Fundamental frequency, 340
of noise, 223–224
Gain AudioSuite processor, 201
Genlock, 340
Global replacements in EDLs, 69
Goals
premix, 311–312
schedules, 95–96
setting, 92–96
Group loop, 174, 288
adding lines for, 249
defi ned, 340
editing, 290
guide tracks for, 237
ordering, 290–291
in replacement lines, 248
specifi c, 289
track layout for, 291
walla, 288–289
Groups, mix, 314–315, 319
Guide tracks (GTs), 123, 236
in ADR, 269
defi ned, 340
importance of, 237
making, 237–238
Haas effect, 105
Hallelujah, 9
Handles, 340
in auto-assembly, 72
in shot balancing, 145–146
Hard-disk recorders
alternate takes with, 208–210
autoconforming fi les from, 74–75
metadata from, 77–80
in NTSC workfl ows, 22–24
Harmonic noise, 222, 224
Harmonics, 340
HD. See High defi nition
Head plops. See also Sync pops
for 25 fps projects, 120
for guide tracks, 237
Headers on EDL pages, 64
Headroom, 340
in multitrack editing, 159
Hearing memory, 143
High defi nition (HD), 31–32
High-pass fi lters, 218
History, 5–7
early sound, 7–8
formats and processes, 10–15
modern era, 9–10
nonlinear editing, 53–56
talkies, 8–9
Hum removal, 223–224
Human noises, 193–195
Importing, 327
EDLs, 72
Infl ections, dividing text at, 259
Initial spotting, for ADR, 253–254
Inserts, unnecessary, 134
International mix (M&E), 320
defi ned, 342
PFX for, 233–234
Interpolation processes
for ambient noise removal, 222
for click and crackle reduction,
224–227
for noise repair, 200
Intonation, in ADR editing, 280–281
Jazz Singer, 8
Junk tracks, 107–109
Key numbers, in negative cutting, 14
KeyKode, 340
in Code Book, 13
in picture editing, 34–35
Kinetoscope, 6
Kudelski, Stefan, 9
La sortie des ouvriers de l’usine Lumière
à Lyon, 6