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ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS The tool can be used in two modes – Selection and Mask: • The Selection mode is used to paint over the area you wish to select. The Mask mode works by reverse painting in the areas you want to ‘mask from the selection’. • The Mask mode is particularly well suited for showing the soft or feathered edge selections made when painting with a soft-edged brush or when making detailed edits to the selection. Holding down the Alt (Windows) or Option (Mac) keys whilst dragging the brush switches the tool from adding to the selection to taking away from the area. Painting selections >> The Selection Brush tool allows the user to create selections by painting directly onto the picture surface. Selection Brush modes >> The Selection Brush can work in either selection or mask modes. Book resources at: www.adv-elements.com 107 IMAGE CHANGES – BEYOND THE BASICS
108 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS IMAGE CHANGES – BEYOND THE BASICS 6.03 Magical selections Suitable for Elements – 5.0, 4.0 | Diffi culty level – Intermediate | Resources – Web image 6.03 Related techniques – 6.01, 6.02, 6.04, 6.05 | Tools used – Selection tools | Menus used – Select Along with the Selection Brush tool the Magic Selection Brush provides Elements users with an unique approach to creating and modifying selections. As we have seen, when using the Selection Brush the user must paint over the area to be encompassed by the selection. The accuracy of this painting step determines the accuracy of the fi nal selection. For example, painting over an edge accidently will result in the creation of a selection that goes beyond this picture part. The Magic Selection Brush provides a quicker, easier and, in most cases, more accurate way to make selections by combining both the drawing and color selection approaches of the other tools we have covered. To make a selection choose the tool from the tool bar. If it is hidden from view click the small arrow at the bottom right of the Selection Brush button to reveal the tool. Now use the tool to scribble or place dots on the picture parts that you want to select. Once you fi nish drawing release the mouse button, Elements will then create a selection based on the parts you have painted. You don’t have to be too careful with your initial painting as the program registers the color, tone and texture of the picture parts and then intelligently searches for other similar pixels to include in the selection. Scribble your selections >> After using the Magic Selection Brush to draw over the picture parts to be selected, Elements automatically generates a selection of all the adjacent areas in the picture that have similar color, texture or tone. Refi ning the areas selected with Magic Selection Brush Although this new tool does a pretty good job of selecting alike areas there will always be occasions when either too much or too little of the picture has been included. Just like the other tools we have looked at, the Magic Selection Brush allows you to easily modify existing selections. To include other areas in the selection click the Indicate Foreground button in the tool’s options bar and paint or place a dot on a new picture part. This step will cause Elements to regenerate the selection to include your changes (note that after making your initial markup, the tool automatically switches to Indicate Foreground for refi ning the selection). To remove an area from the selection, click on the Indicate Background button and scribble or dot the part to eliminate. Again Elements will regenerate the selection to account for the changes. The Shift and Alt keys can be used whilst drawing to change modes on-the-fl y and add to or subtract from the selection. As Elements regenerates the selection with each change it may be more effi cient to refi ne a selection by switching to the Selection Brush and manually fi nishing a selection. Book resources at: www.adv-elements.com
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Advanced Photoshop Elements 5.0 For
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Contents Foreword vi Introduction v
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11 Producing Effective Graphics 267
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ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR
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1The Next Level Book resources at:
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Elements is central >> Photoshop El
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The Full editor contains all the fa
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sources of pictures provided and fo
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changes and use the Auto Contrast f
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Take manual control of your tones >
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2Scanner and Camera ADVANCED Book r
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Image capture - input resolution AD
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Comparing bits ADVANCED PHOTOSHOP E
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Local changes are those that are mo
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‘How do I know if my scene has ei
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In- camera sharpness adjustment >>
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Film and print scanners ADVANCED PH
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Scanning resolution > Adjusting the
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Contrast changes >> Flat pictures c
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2.17 Dust and scratches Suitable fo
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Fixing common shooting problems ADV
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Fixing common scanning problems ADV
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3Processing Raw Files ADVANCED Book
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Page 74 and 75: The Settings menu ADVANCED PHOTOSHO
Page 78 and 79: Shadows ADVANCED PHOTOSHOP ELEMENTS
Page 80 and 81: Alternative ACR button layout displ
Page 82 and 83: Step 1 >> Once you have downloaded
Page 84 and 85: Step 12 >> The sharpening control i
Page 86 and 87: 4Photo ADVANCED Book resources PHOT
Page 88 and 89: It is at this point in the process
Page 90 and 91: Changing names >> Rename a fi le by
Page 94 and 95: Another option is to view the photo
Page 96 and 97: Finding tagged photos or those cont
Page 102 and 103: 4.12 Creating Image Stacks Suitable
Page 104 and 105: 5Pathways to Editing in Elements AD
Page 106 and 107: 5.01 Auto Smart Fix Suitable for El
Page 110 and 111: Zoom, Move, Crop, Red Eye Removal,
Page 112 and 113: Manual editing ADVANCED PHOTOSHOP E
Page 114 and 115: 6Image Changes - Beyond the Basics
Page 118 and 119: Adjusting the magic >> The options
Page 120 and 121: Contract >> Reduce the size of the
Page 126 and 127: Blending modes and opacity ADVANCED
Page 130 and 131: Step 1 >> Select Image > Mode > Gra
Page 132 and 133: Step 1 >> Select the Hue/Saturation
Page 134 and 135: 6.15 The new Convert to Black and W
Page 136 and 137: Advanced dodging and burning-in ADV
Page 138 and 139: Dodging and burning-in >> Dodging a
Page 140 and 141: Step 1 >> Create a new Levels adjus
Page 142 and 143: After duplicating image and changin
Page 144 and 145: Texture burn-in >> (a) Original ima
Page 146 and 147: Step 1 >> Select the Hue/Saturation
Page 148 and 149: Split toning Split tone >> With the
Page 152 and 153: Step 1 >> Make a selection of the p
Page 154 and 155: Grayscale mask border Grayscale mas
Page 156 and 157: Adding texture Step 1 >> Zoom in so
Page 158 and 159: Step 1 >> Create a new layer above
Page 160 and 161: Step 1 >> Make sure that your pictu
Page 162 and 163: Step 1 >> Make sure that your pictu
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Step 4 >> Reduce the opacity of the
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Lith printing >> Recreating the hig
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selection still active the Hue/Satu
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Step 1 >> Open the Levels feature f
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Martin Evening of ‘Adobe Photosho
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Step 1 >> Open a black and white pi
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Step 1 >> Carefully select the main
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Darken highlights Darken mid tones
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Step 1 >> Open both images into the
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Step 7 >> Use the Clone Stamp to ev
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Step 1 >> With the image open in Ph
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Step 1 >> Open the example image. N
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Step 1 >> Start by making an oval s
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Step 1 >> To create this effect we
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8Professional retouching Book resou
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8.02 Softening freckles Suitable fo
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Spot Healing Brush In recognition o
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Healing Brush tool step-by-step: St
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8.05 Tone down skin highlights and
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9Making Better Panoramas ADVANCED B
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Starting a new panorama Editing in
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Advanced shooting techniques ADVANC
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DOF is controlled by three distinct
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9.07 Timing Suitable for Elements -
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(b) Repair - In some instances it i
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Step 1 >> Open the images with diff
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Ensuring consistency >> Using the I
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9.16 High-resolution mosaics Suitab
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Step 1 >> Select the Paper tab from
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OPTION 1: Converting Photomerge out
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10Extending Your Web Abilities ADVA
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make for a better site. Just as the
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Step 1 >> Multi-select the images t
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Step 1 >> Choose the web page color
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Step 1 >> Collect the web assets th
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11Producing Effective Graphics ADVA
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Leading Originally referring to the
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Step 1 >> To help ensure the accura
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Step 4 >> Apply a second layer styl
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Step 1 >> Open a suitable image doc
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Step 1 >> With a picture document a
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Step 13 >> Using a foreground to tr
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Step 1 >> With a soft-edged brush d
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11.14 Reducing your picture’s col
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Step 1 >> The contrast of the origi
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Step 1 >> Crop the image to a secti
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(b) Fade to white Step 1 >> To make
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12Free Form Photo Layouts ADVANCED
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Before you start - edit then layout
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Step 7 >> Extra pages and images ca
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Frame and picture combination chang
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Getting new photos to fi t >> The l
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Moving pages >> The position of pag
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Artwork and Effects > Favorites sec
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Print Preview ADVANCED PHOTOSHOP EL
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Background DIY Backgrounds in Photo
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13Photo Creations Book resources at
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13.01 Multimedia slide shows Suitab
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Step 4 >> Next save the project in
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14Finely Crafted Output Book resour
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digital printing different shades a
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Step 1 >> With your image open in E
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14.03 Multiple prints on a page Sui
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Color gamut >> The difference betwe
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Step 1 >> Windows users should sele
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sRGB versus Adobe RGB Printer ADVAN
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Step 4 >> Use the monitor’s built
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Step 1 >> Start by selecting the di
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Testing tones ADVANCED PHOTOSHOP EL
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Step 1 >> Print a full color test i
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Step 4 >> From the Print dialog cli
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Dye-based Inks - Most standard cart
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This approach works by sampling a g
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I still cringe saying it, but it is
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Appendices ADVANCED PHOTOSHOP ELEME
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The modes are grouped into several
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Minimize History states >> The Phot
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Power Retouche - Black & White Stud
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Caption Captions are another way to
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J >> JPEG A file format designed by
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Keyboard shortcuts General >> ADVAN
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Painting >> ADVANCED PHOTOSHOP ELEM
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Index ADVANCED PHOTOSHOP ELEMENTS 5
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Polaroid effect, 161 printers, 374-
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quality and compression, 258-9 Raw
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color management, 362 diffusion pri
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VCD/DVD with Menu project, 335-6, 3
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