The basics

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Step 1 >> With the image open in Photoshop Elements, the fi rst task is to create a Gradient Map adjustment layer. Do this by selecting the option from the Adjustment Layer button at the top of the Layer’s palette. Step 4 >> Select the adjustment layer and change the blending mode to Hard Light. This will produce a much lighter color image but still hold most of your highlight details. ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS With digital now dominant, what new spin can this technology offer to this old technique? Well I’m glad you asked. This technique takes a standard portrait and with a few basic changes in Photoshop Elements creates a new high-key version. Just like the original technique the digital approach concentrates on lightening the subject’s skin tones whilst still retaining depth in the shadows. Gradient map? This feature switches the colours in your picture with tones from a gradient. This option is often used Step 2 >> Double-click in the gradient area in the dialog to display the Gradient editor. Now to change the tones that make up the start and end points of the gradient. Start with the left end of the gradient – double-click on the Color Stop box. Step 5 >> Now add a Levels adjustment layer so that it sits at the top of the Layer Stack. Adjust the Mid tone slider to control the brightness of the subject’s skin tones. to convert colour images to black and white by using a black-to-white gradient map. The colours in your picture are mapped to the grays in Step 3 >> The Color Picker dialog will open. Select a light gray and click OK. This sets this color as the left end of the gradient. Now double-click the color stop on the right end and select white as the gradient end point. Step 6 >> Now to restore the shadow detail. Select the image layer at the bottom of the stack and with the Burn-in tool set to shadow and an exposure of 10% enhance the shadow areas using light overlapping strokes. Book resources at: www.adv-elements.com 197 DARKROOM TECHNIQUES ON THE DESKTOP the gradient. The feature works just as easily with colours and complex rainbow gradients as well. Try it yourself.
198 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS DARKROOM TECHNIQUES ON THE DESKTOP 7.18 Correcting lens problems Suitable for Elements – 5.0, 4.0, 3.0, 2.0, 1.0 | Diffi culty level – Intermediate | Resources – Web images 718-1, 718-2 | Menus used – Filter, Image The following techniques are designed to correct two of the most common lens problems: • Barrel distortion and • Pincushion distortion. As we have already seen in technique 7.05 the new Correct Camera Distortion fi lter that ships with Photoshop Elements 5.0 can quickly and easily correct perspective problems in your photos, but this isn’t the end of the feature’s abilities. The Remove Distortion slider is designed specifi cally for removing the barrel distortion or pincushioning effects common with some lenses. For best results this slider can be used in conjunction with the Rotate, Perspective and Vignetting controls to fi ne-tune the look of your photo. This feature can also be used to intentionally add the effects of each of these lens problems in order to produced bloated or pinched photos. Book resources at: www.adv-elements.com The Remove Distrortion control >> Moving the slider to the right removes the effect of pincushioning by causing the picture to bulge. Sliding the control to the right pinches the picture inwards correcting barrel distortion.
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Advanced Photoshop Elements 5.0 For
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Contents Foreword vi Introduction v
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11 Producing Effective Graphics 267
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ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR
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1The Next Level Book resources at:
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Elements is central >> Photoshop El
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The Full editor contains all the fa
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sources of pictures provided and fo
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changes and use the Auto Contrast f
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Take manual control of your tones >
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2Scanner and Camera ADVANCED Book r
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Image capture - input resolution AD
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Comparing bits ADVANCED PHOTOSHOP E
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Local changes are those that are mo
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‘How do I know if my scene has ei
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In- camera sharpness adjustment >>
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Film and print scanners ADVANCED PH
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Scanning resolution > Adjusting the
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Contrast changes >> Flat pictures c
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2.17 Dust and scratches Suitable fo
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Fixing common shooting problems ADV
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Fixing common scanning problems ADV
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3Processing Raw Files ADVANCED Book
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3.01 Enabling your Raw camera Suita
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The Settings menu ADVANCED PHOTOSHO
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Shadows ADVANCED PHOTOSHOP ELEMENTS
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Alternative ACR button layout displ
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Step 1 >> Once you have downloaded
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Step 12 >> The sharpening control i
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4Photo ADVANCED Book resources PHOT
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It is at this point in the process
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Changing names >> Rename a fi le by
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Another option is to view the photo
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Finding tagged photos or those cont
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4.12 Creating Image Stacks Suitable
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5Pathways to Editing in Elements AD
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5.01 Auto Smart Fix Suitable for El
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Zoom, Move, Crop, Red Eye Removal,
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Manual editing ADVANCED PHOTOSHOP E
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6Image Changes - Beyond the Basics
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Adjusting the magic >> The options
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Contract >> Reduce the size of the
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Blending modes and opacity ADVANCED
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Step 1 >> Select Image > Mode > Gra
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Step 1 >> Select the Hue/Saturation
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6.15 The new Convert to Black and W
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Advanced dodging and burning-in ADV
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Dodging and burning-in >> Dodging a
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Step 1 >> Create a new Levels adjus
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After duplicating image and changin
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Texture burn-in >> (a) Original ima
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Step 1 >> Select the Hue/Saturation
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Split toning Split tone >> With the
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Step 1 >> Make a selection of the p
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Grayscale mask border Grayscale mas
Page 156 and 157: Adding texture Step 1 >> Zoom in so
Page 158 and 159: Step 1 >> Create a new layer above
Page 160 and 161: Step 1 >> Make sure that your pictu
Page 162 and 163: Step 1 >> Make sure that your pictu
Page 164 and 165: 7Darkroom ADVANCED Book resources P
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Page 168 and 169: Step 4 >> Reduce the opacity of the
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Page 180 and 181: Step 1 >> Open the Levels feature f
Page 182 and 183: Martin Evening of ‘Adobe Photosho
Page 184 and 185: Step 1 >> Open a black and white pi
Page 192 and 193: Step 1 >> Carefully select the main
Page 196 and 197: Darken highlights Darken mid tones
Page 202 and 203: Step 1 >> Open both images into the
Page 204 and 205: Step 7 >> Use the Clone Stamp to ev
Page 208 and 209: Step 1 >> Open the example image. N
Page 210 and 211: Step 1 >> Start by making an oval s
Page 212 and 213: Step 1 >> To create this effect we
Page 214 and 215: 8Professional retouching Book resou
Page 218 and 219: 8.02 Softening freckles Suitable fo
Page 220 and 221: Spot Healing Brush In recognition o
Page 222 and 223: Healing Brush tool step-by-step: St
Page 224 and 225: 8.05 Tone down skin highlights and
Page 226 and 227: 9Making Better Panoramas ADVANCED B
Page 228 and 229: Starting a new panorama Editing in
Page 230 and 231: Advanced shooting techniques ADVANC
Page 236 and 237: DOF is controlled by three distinct
Page 238 and 239: 9.07 Timing Suitable for Elements -
Page 240 and 241: (b) Repair - In some instances it i
Page 244 and 245: Step 1 >> Open the images with diff
Page 248 and 249: Ensuring consistency >> Using the I
Page 250 and 251: 9.16 High-resolution mosaics Suitab
Page 252 and 253: Step 1 >> Select the Paper tab from
Page 254 and 255: OPTION 1: Converting Photomerge out
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10Extending Your Web Abilities ADVA
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make for a better site. Just as the
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Step 1 >> Multi-select the images t
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Step 1 >> Choose the web page color
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Step 1 >> Collect the web assets th
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11Producing Effective Graphics ADVA
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Leading Originally referring to the
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Step 1 >> To help ensure the accura
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Step 4 >> Apply a second layer styl
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Step 1 >> Open a suitable image doc
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Step 1 >> With a picture document a
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Step 13 >> Using a foreground to tr
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Step 1 >> With a soft-edged brush d
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11.14 Reducing your picture’s col
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Step 1 >> The contrast of the origi
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Step 1 >> Crop the image to a secti
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(b) Fade to white Step 1 >> To make
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12Free Form Photo Layouts ADVANCED
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Before you start - edit then layout
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Step 7 >> Extra pages and images ca
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Frame and picture combination chang
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Getting new photos to fi t >> The l
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Moving pages >> The position of pag
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Artwork and Effects > Favorites sec
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Print Preview ADVANCED PHOTOSHOP EL
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Background DIY Backgrounds in Photo
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13Photo Creations Book resources at
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13.01 Multimedia slide shows Suitab
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Step 4 >> Next save the project in
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14Finely Crafted Output Book resour
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digital printing different shades a
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Step 1 >> With your image open in E
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14.03 Multiple prints on a page Sui
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Color gamut >> The difference betwe
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Step 1 >> Windows users should sele
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sRGB versus Adobe RGB Printer ADVAN
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Step 4 >> Use the monitor’s built
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Step 1 >> Start by selecting the di
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Testing tones ADVANCED PHOTOSHOP EL
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Step 1 >> Print a full color test i
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Step 4 >> From the Print dialog cli
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Dye-based Inks - Most standard cart
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This approach works by sampling a g
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I still cringe saying it, but it is
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Appendices ADVANCED PHOTOSHOP ELEME
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The modes are grouped into several
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Minimize History states >> The Phot
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Power Retouche - Black & White Stud
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Caption Captions are another way to
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J >> JPEG A file format designed by
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Keyboard shortcuts General >> ADVAN
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Painting >> ADVANCED PHOTOSHOP ELEM
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Index ADVANCED PHOTOSHOP ELEMENTS 5
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Polaroid effect, 161 printers, 374-
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quality and compression, 258-9 Raw
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color management, 362 diffusion pri
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VCD/DVD with Menu project, 335-6, 3
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The basics

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