08.01.2013 Views

The basics

The basics

The basics

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

SCANNER AND<br />

CAMERA TECHNIQUES<br />

32 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS<br />

Auto white balance >> <strong>The</strong> modern digital camera has a highly developed auto white balance system. It performs<br />

well under most lighting scenarios and should be your first choice when shooting under difficult conditions.<br />

Auto white balance<br />

<strong>The</strong> Auto function assesses the color of the light in the general environment and attempts<br />

to neutralize the mid tones of the image. As with most ‘auto’ camera features, this setting<br />

works well for the majority of ‘normal’ scenarios. <strong>The</strong> feature does a great job with scenes that<br />

contain a range of colors and tones, but you may strike some difficulty with subjects that are<br />

predominantly one color, or are lit from behind. Also keep in mind that some subjects, such as<br />

cream lace, are meant to have a slight color shift and the use of the Auto feature in this case<br />

would remove the subtle hue of the original.<br />

Apart from these exceptions most cameras’ Auto features produce great results that require little<br />

or no post-shooting color correction work. So it’s my suggestion that if in doubt try the Auto<br />

setting first. Check the results on the preview screen of the camera and if there is a color cast still<br />

present then move on to some more specific white balance options.<br />

Light source white balance settings<br />

<strong>The</strong> Daylight (Fine), Incandescent, Fluorescent, Cloudy and Flash (Speed light) options are<br />

designed for each of these light types. <strong>The</strong> manufacturers have examined the color from a<br />

variety of each of these sources, averaged the results and produced a white balance setting to<br />

suit. If you know the type of lighting that your subject is being lit by, then selecting a specific<br />

white balance setting is a good move.<br />

Again, for the majority of circumstances these options provide great results, but for those times<br />

when the source you are using differs from the ‘norm’, companies like Nikon have included a<br />

fine-tuning adjustment. With the light source set the command dial is turned to adjust the color<br />

settings.<br />

Book resources at: www.adv-elements.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!