08.01.2013 Views

The basics

The basics

The basics

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

158 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS<br />

DARKROOM TECHNIQUES ON<br />

THE DESKTOP<br />

Book resources at: www.adv-elements.com<br />

Polaroid transfer effect >> <strong>The</strong> digital version<br />

of this traditional printing technique makes use<br />

of the two separate fi lters to construct the<br />

mottled image and the texturizer to create the<br />

paper effect before surrounding the whole<br />

picture with a frame scanned from a real<br />

Polaroid photograph.<br />

7.02 Instant fi lm transfer effect<br />

Suitable for Elements – 5.0, 4.0, 3.0, 2.0, 1.0 | Diffi culty level – Advanced | Resources – Web images 702-1, 702-2,<br />

702-3, Menus used – Filter, Layer, Enhance, Image<br />

Most readers will probably be familiar with Polaroid instant picture products – you push the<br />

button and the print is ejected and develops right before your eyes. For many years professional<br />

image-makers have been using the unique features of this technology to create wonderfully<br />

textured images. <strong>The</strong> process involved substituting watercolor paper for the printing surface<br />

supplied by Polaroid. As a result the image is transferred onto the roughly surfaced paper and<br />

takes on a distinctly different look and feel to a standard Polaroid print.<br />

Much acclaimed for its artistic appeal, the technique was not always predictable and, much to<br />

the frustration of photographers, it was often diffi cult to repeat the success of previous results.<br />

<strong>The</strong>re were three main problems – dark areas of an image often didn’t transfer to the new<br />

surface, colors and image detail would bleed unpredictably, and it was diffi cult to control how<br />

dark or light the fi nal print would be. I know these problems intimately as it once took me 16<br />

sheets of expensive instant fi lm to produce a couple of acceptable prints.<br />

A digital solution<br />

This success ratio is not one that my budget or my temperament can afford. So I started to<br />

play with a digital version of the popular technique. I wanted to fi nd a process that was more

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!