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3Processing Raw Files ADVANCED Book resources PHOTOSHOP at: www.adv-elements.com ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS 55 PROCESSING Raw FILES
56 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS PROCESSING Raw FILES Raw is the new buzz word in photographic circles the world over. Professionals and serious amateurs alike are switching their cameras from the standard JPEG and TIFF capture options to the Raw format. This is despite the fact that doing so will mean that they add an another processing step to their digital photography workfl ow. It seems that the extra level of control possible when processing your own Raw fi les (rather than letting the camera do the work) is worth the effort. So how do Photoshop Elements users become part of the Raw Revolution? Well this chapter will outline both the workfl ow and conversion techniques that you can employ to make Raw capture and processing a regular part of your photographic routine. The Photoshop Elements approach to Raw processing As we saw in Chapter 2 Raw fi les contain both the image and metadata along with the actual picture information in a format which cannot be directly opened into Photoshop Elements. Instead the Raw photo is opened fi rst into a conversion utility where global image characteristics such as white balance, brightness, contrast, saturation, noise reduction and sharpness are adjusted before the converted fi le is opened into the Full Edit workspace. Alternatively the converted fi le can be saved as an Adobe Digital Negative or DNG fi le. Once the converted fi le is opened in the Elements Editor workspace it is no longer a Raw fi le and can be edited and enhanced just like an other photo. This approach to Raw processing is often called Convert then Edit as the original Raw fi le must be converted before any pixel-based or local editing can take place. In contrast other Raw processing solutions such as Adobe LightRoom provide a full Raw workfl ow which includes editing functions and output to print and web without ever converting the Raw fi le. Capture Convert Book resources at: www.adv-elements.com Manage /Edit Output /Share Raw fi le Converted fi le (PSD, TIFF) Adobe Camera Raw Raw Processing >> The Convert then Edit approach is the most popular workfl ow currently used by Raw shooting photographers. The Raw fi le is downloaded from the camera and the fi rst task in the process is to convert the fi le to a type that is more readily supported by photo editing programs such as TIFF or PSD.
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Advanced Photoshop Elements 5.0 For
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Contents Foreword vi Introduction v
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11 Producing Effective Graphics 267
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ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR
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1The Next Level Book resources at:
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Elements is central >> Photoshop El
Page 14 and 15: The Full editor contains all the fa
Page 16 and 17: sources of pictures provided and fo
Page 18 and 19: changes and use the Auto Contrast f
Page 20 and 21: Take manual control of your tones >
Page 22 and 23: 2Scanner and Camera ADVANCED Book r
Page 24 and 25: Image capture - input resolution AD
Page 26 and 27: ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR
Page 28 and 29: Comparing bits ADVANCED PHOTOSHOP E
Page 30 and 31: Local changes are those that are mo
Page 36 and 37: ‘How do I know if my scene has ei
Page 38 and 39: In- camera sharpness adjustment >>
Page 50 and 51: Film and print scanners ADVANCED PH
Page 52 and 53: Scanning resolution > Adjusting the
Page 54 and 55: Contrast changes >> Flat pictures c
Page 56 and 57: 2.17 Dust and scratches Suitable fo
Page 60 and 61: Fixing common shooting problems ADV
Page 62 and 63: Fixing common scanning problems ADV
Page 66 and 67: 3.01 Enabling your Raw camera Suita
Page 74 and 75: The Settings menu ADVANCED PHOTOSHO
Page 78 and 79: Shadows ADVANCED PHOTOSHOP ELEMENTS
Page 80 and 81: Alternative ACR button layout displ
Page 82 and 83: Step 1 >> Once you have downloaded
Page 84 and 85: Step 12 >> The sharpening control i
Page 86 and 87: 4Photo ADVANCED Book resources PHOT
Page 88 and 89: It is at this point in the process
Page 90 and 91: Changing names >> Rename a fi le by
Page 94 and 95: Another option is to view the photo
Page 96 and 97: Finding tagged photos or those cont
Page 102 and 103: 4.12 Creating Image Stacks Suitable
Page 104 and 105: 5Pathways to Editing in Elements AD
Page 106 and 107: 5.01 Auto Smart Fix Suitable for El
Page 110 and 111: Zoom, Move, Crop, Red Eye Removal,
Page 112 and 113: Manual editing ADVANCED PHOTOSHOP E
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6Image Changes - Beyond the Basics
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Adjusting the magic >> The options
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Contract >> Reduce the size of the
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Blending modes and opacity ADVANCED
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Step 1 >> Select Image > Mode > Gra
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Step 1 >> Select the Hue/Saturation
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6.15 The new Convert to Black and W
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Advanced dodging and burning-in ADV
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Dodging and burning-in >> Dodging a
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Step 1 >> Create a new Levels adjus
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After duplicating image and changin
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Texture burn-in >> (a) Original ima
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Step 1 >> Select the Hue/Saturation
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Split toning Split tone >> With the
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Step 1 >> Make a selection of the p
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Grayscale mask border Grayscale mas
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Adding texture Step 1 >> Zoom in so
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Step 1 >> Create a new layer above
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Step 1 >> Make sure that your pictu
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Step 1 >> Make sure that your pictu
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7Darkroom ADVANCED Book resources P
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Step 4 >> Reduce the opacity of the
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Lith printing >> Recreating the hig
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selection still active the Hue/Satu
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Step 1 >> Open the Levels feature f
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Martin Evening of ‘Adobe Photosho
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Step 1 >> Open a black and white pi
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Step 1 >> Carefully select the main
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Darken highlights Darken mid tones
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Step 1 >> Open both images into the
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Step 7 >> Use the Clone Stamp to ev
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Step 1 >> With the image open in Ph
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Step 1 >> Open the example image. N
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Step 1 >> Start by making an oval s
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Step 1 >> To create this effect we
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8Professional retouching Book resou
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8.02 Softening freckles Suitable fo
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Spot Healing Brush In recognition o
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Healing Brush tool step-by-step: St
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8.05 Tone down skin highlights and
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9Making Better Panoramas ADVANCED B
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Starting a new panorama Editing in
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Advanced shooting techniques ADVANC
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DOF is controlled by three distinct
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9.07 Timing Suitable for Elements -
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(b) Repair - In some instances it i
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Step 1 >> Open the images with diff
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Ensuring consistency >> Using the I
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9.16 High-resolution mosaics Suitab
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Step 1 >> Select the Paper tab from
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OPTION 1: Converting Photomerge out
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10Extending Your Web Abilities ADVA
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make for a better site. Just as the
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Step 1 >> Multi-select the images t
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Step 1 >> Choose the web page color
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Step 1 >> Collect the web assets th
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11Producing Effective Graphics ADVA
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Leading Originally referring to the
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Step 1 >> To help ensure the accura
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Step 4 >> Apply a second layer styl
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Step 1 >> Open a suitable image doc
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Step 1 >> With a picture document a
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Step 13 >> Using a foreground to tr
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Step 1 >> With a soft-edged brush d
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11.14 Reducing your picture’s col
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Step 1 >> The contrast of the origi
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Step 1 >> Crop the image to a secti
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(b) Fade to white Step 1 >> To make
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12Free Form Photo Layouts ADVANCED
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Before you start - edit then layout
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Step 7 >> Extra pages and images ca
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Frame and picture combination chang
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Getting new photos to fi t >> The l
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Moving pages >> The position of pag
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Artwork and Effects > Favorites sec
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Print Preview ADVANCED PHOTOSHOP EL
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Background DIY Backgrounds in Photo
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13Photo Creations Book resources at
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13.01 Multimedia slide shows Suitab
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Step 4 >> Next save the project in
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14Finely Crafted Output Book resour
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digital printing different shades a
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Step 1 >> With your image open in E
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14.03 Multiple prints on a page Sui
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Color gamut >> The difference betwe
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Step 1 >> Windows users should sele
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sRGB versus Adobe RGB Printer ADVAN
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Step 4 >> Use the monitor’s built
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Step 1 >> Start by selecting the di
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Testing tones ADVANCED PHOTOSHOP EL
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Step 1 >> Print a full color test i
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Step 4 >> From the Print dialog cli
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Dye-based Inks - Most standard cart
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This approach works by sampling a g
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I still cringe saying it, but it is
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Appendices ADVANCED PHOTOSHOP ELEME
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The modes are grouped into several
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Minimize History states >> The Phot
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Power Retouche - Black & White Stud
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Caption Captions are another way to
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J >> JPEG A file format designed by
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Keyboard shortcuts General >> ADVAN
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Painting >> ADVANCED PHOTOSHOP ELEM
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Index ADVANCED PHOTOSHOP ELEMENTS 5
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Polaroid effect, 161 printers, 374-
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quality and compression, 258-9 Raw
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color management, 362 diffusion pri
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VCD/DVD with Menu project, 335-6, 3
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