08.01.2013 Views

The basics

The basics

The basics

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS<br />

keep in mind that the settings used will vary with the style and size of your image. This part<br />

of the process is not an exact science. Play and experimentation is the name of the game. You<br />

might also want to try other options in the Artistic, Sketch or Texture selections of the Filter<br />

menu.<br />

<strong>The</strong> last step in this stage is to combine the characteristics of the two layers. This can be achieved<br />

by either changing the Blending mode of the uppermost layer or by adjusting its opacity, or both.<br />

For the example image a simple opacity change was all that was needed, but don’t be afraid to try<br />

a few different blend/opacity combinations with your own work.<br />

Apply a paper texture and color<br />

<strong>The</strong> paper color and texture is a critical part of the appeal of the transfer print. <strong>The</strong>se two<br />

characteristics extend throughout the image itself and into the area that surrounds the<br />

picture. For this to occur in a digital facsimile it is necessary to provide some space around<br />

the image using Elements’ Canvas Size feature. Unlike the Image Size command, this option<br />

allows the user to increase the size of the canvas without changing the image size (and all<br />

its associated layers). In the example the canvas width was increased by 120% and the<br />

height by 140%.<br />

To add the texture to both image and surround I flattened the two image layers and the white<br />

background into a single layer. Next, I photographed a section of watercolor paper to use as a<br />

customized texture with the Texturizer filter. You can download and use this very file from the<br />

book’s website (www.adv-elements.com). With the texture complete, I played with the overall<br />

color of the image using the Levels feature. I adjusted the blue and red channels independently<br />

and concentrated on the lighter tones of the image so that rather than the paper being stark<br />

white it took on a creamy appearance.<br />

Add the Polaroid frame<br />

<strong>The</strong> last part of the process involves combining the final image with a photograph of a Polaroid<br />

film edge. <strong>The</strong> edge picture is nothing more complex than a scanned Polaroid print with the<br />

image removed. But rather than go to the trouble of making your own, you can download the<br />

edge I used for the example directly from the website (web image 702-3). Next, open the file as a<br />

separate Photoshop Elements document. Click onto the edge layer and drag it onto your picture.<br />

<strong>The</strong> edge will automatically become a new layer on top of the existing image layer.<br />

With the edge layer selected change the layer’s mode to Multiply. Notice that the white areas of<br />

the layer are now transparent, allowing the picture beneath to show through. Finally, use the<br />

Scale command to adjust the size of the edge to fit the image. Though not an exact copy of the<br />

Polaroid transfer print, the digital version displays much of the character of the original and can<br />

be achieved for less cost and with more control.<br />

Book resources at: www.adv-elements.com<br />

161<br />

DARKROOM TECHNIQUES ON<br />

THE DESKTOP

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!