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The basics

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160 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS<br />

DARKROOM TECHNIQUES ON<br />

THE DESKTOP<br />

Desaturate the image tones<br />

<strong>The</strong> Polaroid technique requires the watercolor paper to be slightly wet at the time of transfer.<br />

<strong>The</strong> moisture, whilst helping the image movement from paper to paper, tends to desaturate<br />

the colors and cause fi ne detail to be lost. <strong>The</strong>se characteristics are also the result of the coarse<br />

surface of the donor paper. So the fi rst step of the digital version of the process is to desaturate<br />

the color of our example image. In Elements this can be achieved by using the Hue/Saturation<br />

control from the Adjust Color section of the Enhance menu. With the dialog open carefully<br />

move the Saturation slider to the left. This action will decrease the intensity of the colors in your<br />

image.<br />

Mottle the ink<br />

<strong>The</strong> distinct surface and image qualities of Polaroid transfer prints combine both sharpness and<br />

image break-up in the one picture. To reproduce this effect digitally, I copied the original image<br />

onto a second layer. My idea was to manipulate one version so that it displayed the mottled effect<br />

of the transfer print whilst leaving the second version untouched. <strong>The</strong>n, using the blending<br />

modes or opacity features of Elements’ layers I could adjust how much sharpness or mottle was<br />

contained in the fi nal result.<br />

In practice, I started by duplicating the image layer. This can be achieved by selecting the layer<br />

to be copied and then using the Duplicate Layer command located under the Layer menu.<br />

Alternatively you drag the layer to the Create New Layer button at the top of the Layers palette.<br />

With the upper layer selected, I then needed to fi nd a method to simulate the mottle of the<br />

transfer print. Though not exactly right, I found that by combining the effects of the Paint Daubs<br />

and Palette Knife fi lters I could produce reasonable results. When using these fi lters yourself<br />

Step 7 >> In the Levels feature select<br />

the blue and red channels separately,<br />

dragging in the white Output slider<br />

towards the center.<br />

Book resources at: www.adv-elements.com<br />

Step 8 >> Open the edge fi le as a<br />

separate document and drag it onto<br />

the original picture.<br />

Step 9 >> Switch the mode of the<br />

edge layer to Multiply and use the<br />

Scale command to adjust its size to fi t<br />

the picture below.

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