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10Extending Your Web Abilities ADVANCED Book resources PHOTOSHOP at: www.adv-elements.com ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS EXTENDING YOUR WEB ABILITIES 249
250 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS EXTENDING YOUR WEB ABILITIES I’m old enough to still remember the ubiquitous ‘black’ folio case. In fact I think my chiropractor remembers it as well; I have been a regular client ever since. It wasn’t just the weight of 30–40 matted prints that made the task diffi cult; it was the unwieldy size of the case that made touting the folder from offi ce to offi ce a daunting task. I’m happy to say that there is a new set of imagemakers (professionals and amateurs alike) who have no knowledge of my folio-carrying woes. The notion of the folio still exists and remains the stable marketing device of most creative professions, but the black case may be gone forever. In its place is a cyberspace folio, accessible any time, and place, for potential clients or admirers, armed with nothing but a common web browser. Open 24/7 The web is a ‘godsend’ for photographers who are eager to display their pictures. An on-line gallery space which contains biographical and résumé details, as well as a folio full of examples of past work, is like having a personal promotions manager on hand 24 hours a day, 7 days a week. Never before has it been possible to share your photographs with such ease or obtain this much exposure of your talent and abilities for such little cost. Gone are the days where you have to send your precious images to far fl ung parts of the country in order to share that precious moment of little Johnnie’s fi rst step. A few simple clicks from anywhere in the world and Johnnie’s agility and prowess can be admired by all. Photo site styles Photo sites come in all shapes and sizes and no matter whether you are part of a multinational imaging company or a weekend shooter who wants a few images on a page, a little design thought early on will Book resources at: www.adv-elements.com Photo website styles The style of the site you make will depend on the nature of your work and the content that you wish to share with the world. Thumbnail and gallery >> Prolifi c image-makers who want to keep an archive of their work on-line will need to use a design that allows many images to be previewed before selecting a single picture to look at in higher resolution. Usually referred to as a ‘thumbnail and gallery’ design, this is by far the most popular form of photo website on the net today. Used by photographers, galleries and stock agencies, this design is a great way to provide quick access to a lot of pictures. Because of the size of the thumbnails they download quickly and placing a single image on individual gallery pages also speeds up their display time. The format has proved so popular that packages like Photoshop Elements include automated wizards for creating these type of photo sites. On-line résumé >> Professional image-makers saw the potential of the web as a marketing tool very early in the life of the net. They frequently use it to hold CV or résumé information including lists of past and present clients, contact details and, of course, a few of their images. In fact, most shooters who make a living from their pictures probably have a site that is a combination of the thumbnail/gallery type introduced above and the on-line résumé we see here. This type of web presence is now a necessity rather than a nicety for most photographic businesses. Slide show >> In an interesting variation of the thumbnail/ gallery folio site, some image-makers have dragged the automated slide show presentation idea of old squarely into the 21st century. Using interactive technologies like the Adobe Flash format and the new animated web templates in Elements, these photographers have created online slide shows that display a changing sequence of their best images. All on one page >> The simplest approach to making your own website is to combine your images and text on the one page. Doing so means that there is no need to worry about making and linking extra pages. This approach is handy for those who want to give their audience a taste of their work and then provide contact details for further information, or for the photographer who wants to establish a web presence quickly, before fi nally linking the thumbnails to a range of gallery pages.
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Advanced Photoshop Elements 5.0 For
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Contents Foreword vi Introduction v
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11 Producing Effective Graphics 267
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ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR
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1The Next Level Book resources at:
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Elements is central >> Photoshop El
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The Full editor contains all the fa
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sources of pictures provided and fo
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changes and use the Auto Contrast f
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Take manual control of your tones >
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2Scanner and Camera ADVANCED Book r
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Image capture - input resolution AD
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Comparing bits ADVANCED PHOTOSHOP E
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Local changes are those that are mo
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‘How do I know if my scene has ei
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In- camera sharpness adjustment >>
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Film and print scanners ADVANCED PH
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Scanning resolution > Adjusting the
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Contrast changes >> Flat pictures c
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2.17 Dust and scratches Suitable fo
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Fixing common shooting problems ADV
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Fixing common scanning problems ADV
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3Processing Raw Files ADVANCED Book
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3.01 Enabling your Raw camera Suita
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The Settings menu ADVANCED PHOTOSHO
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Shadows ADVANCED PHOTOSHOP ELEMENTS
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Alternative ACR button layout displ
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Step 1 >> Once you have downloaded
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Step 12 >> The sharpening control i
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4Photo ADVANCED Book resources PHOT
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It is at this point in the process
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Changing names >> Rename a fi le by
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Another option is to view the photo
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Finding tagged photos or those cont
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4.12 Creating Image Stacks Suitable
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5Pathways to Editing in Elements AD
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5.01 Auto Smart Fix Suitable for El
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Zoom, Move, Crop, Red Eye Removal,
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Manual editing ADVANCED PHOTOSHOP E
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6Image Changes - Beyond the Basics
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Adjusting the magic >> The options
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Contract >> Reduce the size of the
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Blending modes and opacity ADVANCED
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Step 1 >> Select Image > Mode > Gra
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Step 1 >> Select the Hue/Saturation
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6.15 The new Convert to Black and W
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Advanced dodging and burning-in ADV
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Dodging and burning-in >> Dodging a
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Step 1 >> Create a new Levels adjus
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After duplicating image and changin
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Texture burn-in >> (a) Original ima
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Step 1 >> Select the Hue/Saturation
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Split toning Split tone >> With the
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Step 1 >> Make a selection of the p
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Grayscale mask border Grayscale mas
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Adding texture Step 1 >> Zoom in so
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Step 1 >> Create a new layer above
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Step 1 >> Make sure that your pictu
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Step 1 >> Make sure that your pictu
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7Darkroom ADVANCED Book resources P
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Step 4 >> Reduce the opacity of the
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Lith printing >> Recreating the hig
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selection still active the Hue/Satu
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Step 1 >> Open the Levels feature f
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Martin Evening of ‘Adobe Photosho
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Step 1 >> Open a black and white pi
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Step 1 >> Carefully select the main
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Darken highlights Darken mid tones
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Step 1 >> Open both images into the
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Step 7 >> Use the Clone Stamp to ev
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Step 1 >> With the image open in Ph
Page 208 and 209: Step 1 >> Open the example image. N
Page 210 and 211: Step 1 >> Start by making an oval s
Page 212 and 213: Step 1 >> To create this effect we
Page 214 and 215: 8Professional retouching Book resou
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Page 218 and 219: 8.02 Softening freckles Suitable fo
Page 220 and 221: Spot Healing Brush In recognition o
Page 222 and 223: Healing Brush tool step-by-step: St
Page 224 and 225: 8.05 Tone down skin highlights and
Page 226 and 227: 9Making Better Panoramas ADVANCED B
Page 228 and 229: Starting a new panorama Editing in
Page 230 and 231: Advanced shooting techniques ADVANC
Page 236 and 237: DOF is controlled by three distinct
Page 238 and 239: 9.07 Timing Suitable for Elements -
Page 240 and 241: (b) Repair - In some instances it i
Page 244 and 245: Step 1 >> Open the images with diff
Page 248 and 249: Ensuring consistency >> Using the I
Page 250 and 251: 9.16 High-resolution mosaics Suitab
Page 252 and 253: Step 1 >> Select the Paper tab from
Page 254 and 255: OPTION 1: Converting Photomerge out
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Page 264 and 265: Step 1 >> Multi-select the images t
Page 272 and 273: Step 1 >> Choose the web page color
Page 274 and 275: Step 1 >> Collect the web assets th
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Page 286 and 287: Leading Originally referring to the
Page 290 and 291: Step 1 >> To help ensure the accura
Page 292 and 293: Step 4 >> Apply a second layer styl
Page 296 and 297: Step 1 >> Open a suitable image doc
Page 298 and 299: Step 1 >> With a picture document a
Page 302 and 303: Step 13 >> Using a foreground to tr
Page 304 and 305: Step 1 >> With a soft-edged brush d
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Step 1 >> The contrast of the origi
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Step 1 >> Crop the image to a secti
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(b) Fade to white Step 1 >> To make
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12Free Form Photo Layouts ADVANCED
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Before you start - edit then layout
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Step 7 >> Extra pages and images ca
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Frame and picture combination chang
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Getting new photos to fi t >> The l
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Moving pages >> The position of pag
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Artwork and Effects > Favorites sec
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Print Preview ADVANCED PHOTOSHOP EL
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Background DIY Backgrounds in Photo
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13Photo Creations Book resources at
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13.01 Multimedia slide shows Suitab
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Step 4 >> Next save the project in
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14Finely Crafted Output Book resour
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digital printing different shades a
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Step 1 >> With your image open in E
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14.03 Multiple prints on a page Sui
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Color gamut >> The difference betwe
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Step 1 >> Windows users should sele
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sRGB versus Adobe RGB Printer ADVAN
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Step 4 >> Use the monitor’s built
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Step 1 >> Start by selecting the di
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Testing tones ADVANCED PHOTOSHOP EL
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Step 1 >> Print a full color test i
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Step 4 >> From the Print dialog cli
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Dye-based Inks - Most standard cart
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This approach works by sampling a g
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I still cringe saying it, but it is
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Appendices ADVANCED PHOTOSHOP ELEME
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The modes are grouped into several
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Minimize History states >> The Phot
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Power Retouche - Black & White Stud
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Caption Captions are another way to
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J >> JPEG A file format designed by
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Keyboard shortcuts General >> ADVAN
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Painting >> ADVANCED PHOTOSHOP ELEM
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Index ADVANCED PHOTOSHOP ELEMENTS 5
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Polaroid effect, 161 printers, 374-
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quality and compression, 258-9 Raw
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color management, 362 diffusion pri
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VCD/DVD with Menu project, 335-6, 3
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