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The basics

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218 ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS<br />

MAKING BETTER PANORAMAS<br />

When Adobe Photoshop Elements was fi rst released one of the real bonuses of the<br />

program was the inclusion of the Photomerge technology. Designed to stitch together<br />

a series of overlapping images to form a wide vista print this feature really sets hearts<br />

racing amongst those of us with a secret passion for panoramas. <strong>The</strong>re is just something about<br />

a long thin photograph that screams special to me. I have often dreamt of owning a camera<br />

capable of capturing such beauties, but alas the bank balance always seems to be missing the<br />

required amount that would be needed to make such a purchase.<br />

And to be honest, the pragmatist in me also has to admit that the comparatively few shots that<br />

I would take in this format would not warrant the expense. It was in the midst of such thoughts<br />

a couple of years ago that I was fi rst<br />

introduced to Photomerge, which has<br />

proven to be a solution to my ‘wide<br />

vista’ problems that suited both my<br />

budget and my infrequent production.<br />

Book resources at: www.adv-elements.com<br />

<strong>The</strong> feature combines several<br />

overlapping images to form a new wide<br />

angle photograph. Once in this form<br />

the panorama can be treated like any<br />

other Elements document, providing<br />

photographers with the ability to<br />

create truly stunning and interesting,<br />

wide and thin compositions.<br />

Photomerge in action >><br />

In this example two separate<br />

pictures were joined using<br />

Photomerge and the result<br />

dodged and burnt before<br />

being toned using the Hue<br />

and Saturation control.

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