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Yoga s

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126 YOGA SŪTRAS<br />

Commentary:<br />

For liberation, a yogin will have to reach a stage where he can side-step all the<br />

merits and demerits which are due to him from providence but which he may<br />

side-step. Both happiness and distress which are coming on the basis of<br />

cultural activities from the past are to be avoided at all costs. However a yogin<br />

has to advance sufficiently before he can side-step these. It requires insight as<br />

to the psychological receptacles which are submissive towards the<br />

manifestation of the merits and demerits. A yogin has to close off the opening<br />

to such receptacles by practicing kriyā yoga.<br />

Verse 17<br />

Ôò&†Zyyae> s<br />

draṣṭṛdṛśyayoḥ saṁyogo heyahetuḥ<br />

draṣṭṛ – the observer; dṛśyayoḥ – of what is perceived; saṁyogo – the<br />

indiscriminate association; heya – that which is to be avoided; hetuḥ – the<br />

cause.<br />

The cause which is to be avoided<br />

is the indiscriminate association of the observer<br />

and what is perceived.<br />

Commentary:<br />

When we identify wholly and solely with what we perceive, we loose objectivity<br />

and become attached, rather than detached. This causes a misplaced identity<br />

with things which are not in our interest and which make us lose objectivity.<br />

Then we experience an impulsive interaction between the new impressions<br />

received through the senses and the old impressions stored in the memory<br />

(karmāśayaḥ). The analytical part of the buddhi organ then hashes over the<br />

matter and comes to a conclusion which is shown to us internally in the mind<br />

through the magical imagery of the imagination orb. Thus we again come<br />

under the spell of the function of that psychic organ.<br />

If a yogi reaches a stage of control, whereby he stops the impulsive sensual<br />

intakes or puts a damper on them as soon as they enter the psyche, he realizes<br />

himself as being the perceiver or observer. Then he sees the operations of the<br />

senses and the machinations of his memory as being counterproductive. These<br />

interact to produce new images which he usually identifies with, to his<br />

detriment.<br />

In higher yoga, one is trained in how to distinguish the various parts of the<br />

buddhi organ subtle mechanism and the citta mento-emotional energy<br />

gyrations. Then one puts an end to the impressions and their varied<br />

motivations which destroys one’s ability to see beyond the material world.

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