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24 Figure 3.3 Dresden city map, 1898 Source: State Capital of Dresden Figure 3.4 Gustav Täubert, Das Linkesche Bad in Dresden Source: Carl Maria von Weber und Dresden, Fotografische Erkundungen von Hans Strehlow (photographic research by Hans Strehlow), Verlag der Kunst Dresden Figure 3.5 Gustav Täubert, Das Waldschlösschen Source: Dresden und seine Umgebung um die Mitte des 19. Jahrhunderts [Dresden and its environs during the mid-19th century], Leipzig 1989
Various other places of interest were developed along Bautzner Strasse. Emerging east of Neustadt as early as 1817 was the “Theater am Linkeschen Bad“ used for opera and theatre performances and situated right behind the “Drachenschänke“ restaurant of today. From its terrace the building has a clear view of the river. In 1837, the Waldschlösschen Brewery was built farther up Bautzner Strasse, near the present-day Waldschlösschen Strasse. The name “Waldschlösschen“ [Little Forest Castle] goes back to a country house of Count Marcolini built in 1790 on Radeberger Strasse. The Waldschlösschen Brewery became a favourite excursion destination. A steamboat wharf reachable via a promenade (presently the Oberkiesweg) allows direct access from the river. The terrace of the Waldschlösschen Brewery offers an outstanding panorama extending from the Elbe frontage of the old town (Frauenkirche) to the Loschwitz Elbe slopes. This panorama is mainly possible because the Elbe meadows in this area are undeveloped and extend as far as Bautzner Strasse. The Elbe banks and Fetscher Strasse on the opposite side, together with the adjacent buildings, present a characteristic, nearly symmetrical overall composition of the waterside edge of the “Prussian Quarter”, whereby this part of the city is interlocked in a special way with the topography of the Elbe Valley. The Loschwitz Elbe hillside: Elbe castles and villa communities (core zone of the UNESCO World Heritage Site) The Elbe castles adjacent to the eastern edge of the “Prussian Quarter“ were built about the middle of the 19th century. Schloss Albrechtsberg and the somewhat smaller Villa Stockhausen, which were built during 1850-1854 in the Berlin late classical style modelled on the villas of the Roman Renaissance, are grouped in a British-style park. The archetype of the Renaissance villas, also inspired by Semper‘s Villa Rosa, again shows up clearly in the design of Schloss Albrechtsberg. Extending from this structure to the Elbe is a beautiful terrace with fountains, pools and outside stairways. Villa Stockhausen also has a beautiful terrace which does not, however, extend down to the river. Instead, there is a terraced vineyard with retaining walls reached from the house via an outside stairway. Schloss Eckberg, erected from 1859 to 1861, stands in sharp contrast to the other two Elbe castles. The castle‘s architecture with its irregular outline and elevation is highly romanticized, which is shown by its use of British Tudor Gothic and French Late Gothic forms. It nevertheless has something in common with the other two castles in that it also has a large terrace overlooking the Elbe Valley. 25
Page 1: Visual Impact Study (VIS) of the
Page 5 and 6: 1 Introduction 1.1 Background to th
Page 7 and 8: 1.3 Structure of the study The stud
Page 9: In the time allowed for the study (
Page 12 and 13: 12 1200 Castle on the Taschenberg 1
Page 14 and 15: 14 1694 -1733 Augustus the Strong p
Page 16 and 17: 16 Figures 2.3, 2.4 Boundaries of t
Page 18 and 19: 18 Sites are ‚works of man or the
Page 20 and 21: 20 Figure 3.1 Boundaries of the spe
Page 22 and 23: 22 1850 1910 1940 1992 Figure 3.2 M
Page 26 and 27: 26 Figure 3.6 Adolf Lohse, Schloß
Page 28 and 29: 28 Figure 3.8 Theodor Lehnert, Phot
Page 30 and 31: 30 Figure 3.10 Development plan, No
Page 32 and 33: 32 Figure 3.11 Theodor Friedrich, p
Page 34 and 35: 34 Figure 3.12 Plan of the Elbe riv
Page 36 and 37: 36 Figure 3.13 Festival hall for th
Page 38 and 39: 38 Figure 3.14 Visual relationships
Page 40: 40 Figure 3.16 Lookout points in th
Page 43 and 44: created lookout points must be give
Page 45 and 46: 4 Perception and depiction of the s
Page 47 and 48: in Meißen” by Eberhard Kieser an
Page 49 and 50: for the national press when making
Page 51 and 52: Robert Geissler’s lithograph, pro
Page 53 and 54: 4.3 Conclusion Evidently, artists f
Page 55 and 56: 5 The planned “Verkehrszug Waldsc
Page 57 and 58: Plan 1862 Plan 1891 Plan 1898 5.1 H
Page 59 and 60: Plan 1900 Plan 1905 Plan 1934 see f
Page 61 and 62: Plan 1967 “Between 1960 and 1970,
Page 63 and 64: crossing somewhere in the Dresden m
Page 65 and 66: nach 1945 [Road and Traffic History
Page 67 and 68: fare, in particular its gradient. (
Page 69 and 70: 5.3 Building specifications for the
Page 71 and 72: current Käthe-Kollwitz-Ufer route
Page 73 and 74: The bottom chords below the bridge
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idge pylons were enlarged by expand
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Marien Bridge The Marien Bridge des
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The Old Carola Bridge The Old Carol
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etween Übigau (Washington Strasse)
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5.5 Conclusion When the longitudina
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6 Analysis of field-of-view impact
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c. the 3D model of the design of th
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using GPS co-ordinates. This techni
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entire panorama. The field-of-view
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The best method of realistically si
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Source: author’s illustration/aer
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entire panorama. It can be assumed,
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South Bank 09. Dome of the Frauenki
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View Sequences 1. Sequence A Elbe v
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Details 1. Stauffenbergerallee In S
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Waldschlösschen pavilion, the Elbe
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Because of the currently complex si
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7 Conclusions/Recommendations It is
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as the effect of diffuse winter lig
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Nor may the assessors outline any a
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Text sources / Image sources Aussch
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Kultur- und Naturerbes der Welt von
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Imprint Commissioned by Dr. Roland
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