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36 Figure 3.13 Festival hall for the first singing society festival in Dresden, held 22-25 July 1865 Source: Dresden, Die Geschichte der Stadt, Dresdner Geschichtsverein e.V. [History of Dresden, published by Dresden Historical Society].
The “Vogelwiese“ meadow on the Johannstadt banks was regularly used as a fair- ground. Historical documents show that similar events took place on the right bank of the river. In 1865, for example, a singing society festival was held on the Elbe meadows in a hall erected especially for the occasion. Some 16,000 singers took part in the event. Following the February 1945 bombardments, large amounts of rubble were used to fill in the Johannstadt banks, including the land which was formerly the Vogelwiese. No- netheless, the landscape of the Elbe meadows has to this day retained its fundamental scenic features and continues to play an important role as a local recreational area. The scenic features of the Elbe river bend have stimulated a diverse architectural heritage in the area. In terms of size and location, the expansive river and floodplain basin is also of outstanding quality. The topography of the area is also especially favourable. 3.4 View of the Elbe river bend between Albert Bridge and Loschwitz Bridge It is apparent that during each phase of the city‘s development throughout the 19th and 20th centuries, the Elbe river bend, with its expansive meadows, provided a unique open space within the city and played a key role as a local recreational area. The area is not and never has been a landscape that was gradually “taken over“ by inhabitants for these purposes. Instead, the area was clearly cultivated and deliberately shaped over the years to provide a special scenic experience in the city centre. Some of its salient locations were even deliberately “showcased”. This is because topographical conditions make it possible for numerous visual relationships between the urban area and the Elbe Valley landscape to be appreciated. Over time, many lookout points evolved in this area, especially on the northern hillsides of the Elbe. Many of these lookout points form an integral part of the more exposed buildings. The significance of the Elbe is made apparent by the sheer quantity of river-facing terraces these buildings have. Many other lookout points were specially created as part of the planning measures for the Elbe river banks. These include the viewings mentioned above built by city building officer Wolf during the design of the “Königsufer.“ Through the curvature of the Elbe river bend, these lookout points “showcase” specific panoramas. This applies to views of the city as well as those of the Elbe Valley landscape. From the tops of certain buildings, or eleva- tions in the land, the viewer has a panoramic view of the entire landscape, which rather resembles an amphitheatre. Such lookout points include the dome of the Frauenkirche [Church of Our Lady], the top station of the suspension cable railway in Loschwitz and the Luisenhof restaurant. Opportunities for scenic views play a less significant role in the southern region of the Elbe floodplains. However, the end points of the roads leading to the banks of the Elbe 37
Page 1: Visual Impact Study (VIS) of the
Page 5 and 6: 1 Introduction 1.1 Background to th
Page 7 and 8: 1.3 Structure of the study The stud
Page 9: In the time allowed for the study (
Page 12 and 13: 12 1200 Castle on the Taschenberg 1
Page 14 and 15: 14 1694 -1733 Augustus the Strong p
Page 16 and 17: 16 Figures 2.3, 2.4 Boundaries of t
Page 18 and 19: 18 Sites are ‚works of man or the
Page 20 and 21: 20 Figure 3.1 Boundaries of the spe
Page 22 and 23: 22 1850 1910 1940 1992 Figure 3.2 M
Page 24 and 25: 24 Figure 3.3 Dresden city map, 189
Page 26 and 27: 26 Figure 3.6 Adolf Lohse, Schloß
Page 28 and 29: 28 Figure 3.8 Theodor Lehnert, Phot
Page 30 and 31: 30 Figure 3.10 Development plan, No
Page 32 and 33: 32 Figure 3.11 Theodor Friedrich, p
Page 34 and 35: 34 Figure 3.12 Plan of the Elbe riv
Page 38 and 39: 38 Figure 3.14 Visual relationships
Page 40: 40 Figure 3.16 Lookout points in th
Page 43 and 44: created lookout points must be give
Page 45 and 46: 4 Perception and depiction of the s
Page 47 and 48: in Meißen” by Eberhard Kieser an
Page 49 and 50: for the national press when making
Page 51 and 52: Robert Geissler’s lithograph, pro
Page 53 and 54: 4.3 Conclusion Evidently, artists f
Page 55 and 56: 5 The planned “Verkehrszug Waldsc
Page 57 and 58: Plan 1862 Plan 1891 Plan 1898 5.1 H
Page 59 and 60: Plan 1900 Plan 1905 Plan 1934 see f
Page 61 and 62: Plan 1967 “Between 1960 and 1970,
Page 63 and 64: crossing somewhere in the Dresden m
Page 65 and 66: nach 1945 [Road and Traffic History
Page 67 and 68: fare, in particular its gradient. (
Page 69 and 70: 5.3 Building specifications for the
Page 71 and 72: current Käthe-Kollwitz-Ufer route
Page 73 and 74: The bottom chords below the bridge
Page 75 and 76: idge pylons were enlarged by expand
Page 77 and 78: Marien Bridge The Marien Bridge des
Page 79 and 80: The Old Carola Bridge The Old Carol
Page 81 and 82: etween Übigau (Washington Strasse)
Page 83 and 84: 5.5 Conclusion When the longitudina
Page 85 and 86: 6 Analysis of field-of-view impact
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c. the 3D model of the design of th
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using GPS co-ordinates. This techni
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entire panorama. The field-of-view
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The best method of realistically si
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Source: author’s illustration/aer
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entire panorama. It can be assumed,
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South Bank 09. Dome of the Frauenki
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View Sequences 1. Sequence A Elbe v
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Details 1. Stauffenbergerallee In S
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Waldschlösschen pavilion, the Elbe
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Because of the currently complex si
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7 Conclusions/Recommendations It is
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as the effect of diffuse winter lig
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Nor may the assessors outline any a
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Text sources / Image sources Aussch
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Kultur- und Naturerbes der Welt von
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Imprint Commissioned by Dr. Roland
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