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32 Figure 3.11 Theodor Friedrich, photo: The Saloppe waterworks, 1871- 75 Source: Villenarchitektur in Dresden [Villa architecture in Dresden], Benedikt Taschen Verlag
3.3. The topography of the Elbe meadows Like the surrounding buildings, the present-day appearance of the Elbe meadows was largely shaped during the 19th century. Until the end of the 18th century, the river remained in its original state as an untamed current. But as the importance of shipping on the Elbe drastically increased, the river underwent fundamental changes. With the advent of steamboats, the river was expanded so that it could permanently accommo- date larger vessels. In 1844, the “Additionalakte“ [additional law] was introduced as a cross-state agreement that initiated the systematic expansion of the river. At the end of the 19th century, three waterworks were constructed. The “Saloppe“ waterworks were built on the right side of the Elbe in the area around the bend in the river. Built in the 1870s in a French Renaissance style, “Saloppe“ was Dresden‘s first waterworks. In designing the building, a key factor was its ability to function as a lookout point. Despite modifications to the river basin, the size and the topographical character of the Elbe meadows have remained relatively unaffected. In keeping with tradition, the meadows remain free of buildings. Certainly one reason for this is that retention space is needed because of frequent flooding. The meadows are therefore unsuitable as building land. However, it is also clear that planners were quick to recognize the scenic value of the undeveloped meadows in the developed urban surroundings and on occasion sought to protect the area with building laws (see chapter 2). For example, on 9 November 1900, a law was passed to protect the distinctive area of the Elbe floodplain near the Waldschlösschen. This area extends up to Bautzner Strasse and together with the neighbouring development makes the overall composition of the waterside edge of “Prussian Quarter“ banks nearly symmetrical. The law stipulated that “the building ban imposed on the development of the Waldschlösschen meadow by the inheritance deed of 25 August and 21 December 1787 by virtue of sovereign sanction would apply indefinitely to the entire area”. It was uncertain whether this law alone would prevent the Waldschlösschen brewery, the owner of the land, from building on the meadowland. For this reason, the city bought up the entire meadow area by order of the city council in 1908. As a result, “the unique and marvellous city vista point and its surroundings were brought safely in the hands of the city for all time.“ (Laudel, Heidrun; Dresden, City Archives, City Council Files, W 66, Bl. 8´) However, in a departure from the city councillors’ decision of 17 September 1908, it was decided at the time the Waldschlösschen meadows were purchased that the land in question, though still to remain barred to development, may legitimately be used for particular purposes of benefit to the public. §4 of the purchase agreement includes the following: „It is placed on record here and accepted by both parties that the land purchased under this agreement is to be kept free from building development. This 33
Page 1: Visual Impact Study (VIS) of the
Page 5 and 6: 1 Introduction 1.1 Background to th
Page 7 and 8: 1.3 Structure of the study The stud
Page 9: In the time allowed for the study (
Page 12 and 13: 12 1200 Castle on the Taschenberg 1
Page 14 and 15: 14 1694 -1733 Augustus the Strong p
Page 16 and 17: 16 Figures 2.3, 2.4 Boundaries of t
Page 18 and 19: 18 Sites are ‚works of man or the
Page 20 and 21: 20 Figure 3.1 Boundaries of the spe
Page 22 and 23: 22 1850 1910 1940 1992 Figure 3.2 M
Page 24 and 25: 24 Figure 3.3 Dresden city map, 189
Page 26 and 27: 26 Figure 3.6 Adolf Lohse, Schloß
Page 28 and 29: 28 Figure 3.8 Theodor Lehnert, Phot
Page 30 and 31: 30 Figure 3.10 Development plan, No
Page 34 and 35: 34 Figure 3.12 Plan of the Elbe riv
Page 36 and 37: 36 Figure 3.13 Festival hall for th
Page 38 and 39: 38 Figure 3.14 Visual relationships
Page 40: 40 Figure 3.16 Lookout points in th
Page 43 and 44: created lookout points must be give
Page 45 and 46: 4 Perception and depiction of the s
Page 47 and 48: in Meißen” by Eberhard Kieser an
Page 49 and 50: for the national press when making
Page 51 and 52: Robert Geissler’s lithograph, pro
Page 53 and 54: 4.3 Conclusion Evidently, artists f
Page 55 and 56: 5 The planned “Verkehrszug Waldsc
Page 57 and 58: Plan 1862 Plan 1891 Plan 1898 5.1 H
Page 59 and 60: Plan 1900 Plan 1905 Plan 1934 see f
Page 61 and 62: Plan 1967 “Between 1960 and 1970,
Page 63 and 64: crossing somewhere in the Dresden m
Page 65 and 66: nach 1945 [Road and Traffic History
Page 67 and 68: fare, in particular its gradient. (
Page 69 and 70: 5.3 Building specifications for the
Page 71 and 72: current Käthe-Kollwitz-Ufer route
Page 73 and 74: The bottom chords below the bridge
Page 75 and 76: idge pylons were enlarged by expand
Page 77 and 78: Marien Bridge The Marien Bridge des
Page 79 and 80: The Old Carola Bridge The Old Carol
Page 81 and 82: etween Übigau (Washington Strasse)
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5.5 Conclusion When the longitudina
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6 Analysis of field-of-view impact
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c. the 3D model of the design of th
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using GPS co-ordinates. This techni
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entire panorama. The field-of-view
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The best method of realistically si
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Source: author’s illustration/aer
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entire panorama. It can be assumed,
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South Bank 09. Dome of the Frauenki
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View Sequences 1. Sequence A Elbe v
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Details 1. Stauffenbergerallee In S
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Waldschlösschen pavilion, the Elbe
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Because of the currently complex si
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7 Conclusions/Recommendations It is
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as the effect of diffuse winter lig
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Nor may the assessors outline any a
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Text sources / Image sources Aussch
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Kultur- und Naturerbes der Welt von
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Imprint Commissioned by Dr. Roland
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