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VOL. 67, NO. 3 - AAFI-AFICS, Geneva - UNOG

VOL. 67, NO. 3 - AAFI-AFICS, Geneva - UNOG

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I invented a new system of double massage. I sat on the bed facing her feet so I could massage<br />

them. At the same time, she could massage my back. I have registered this system with WIPO to copyright<br />

it.<br />

You won’t believe this but then the bulb in the kitchen went Pop ! Jamais deux sans trois. Bulbs were<br />

packing up at the same rhythm as my backbone. We were returning to the Dark Ages. Aha, but this bulb was<br />

like the ones we had when I was young: you twisted it clockwise to get the old bulb out and anti-clockwise to<br />

get the new one in. But you had to stand on an old chair to reach it. Stand on a chair with a wonky back?<br />

kings.<br />

Until my back is back to normal, dear Editor, you must put up with squashed cabbages and deposed<br />

When sorrows come….<br />

Yours very full of sorrows,<br />

Aamir Ali<br />

BOOK REVIEW<br />

The WTO Building – Rediscovery of Hidden Treasures<br />

The WTO Building was designed by Swiss architect, Georges Epitaux, as the headquarters of the new<br />

International Labour Organisation (ILO), and was inaugurated in 1926. Based originally along the lines of a<br />

classical Florentine villa – inner courtyard, grand entrance and staircase sweeping up from the main<br />

entrance, it rapidly proved to be too small and wings were added, as well as a third floor. In 1975 the ILO<br />

moved to a new headquarters building in the Grand Saconnex, and the newly renamed Centre William<br />

Rappard became home to both the UN High Commissioner for Refugies (UNHCR) and the General<br />

Agreement on Tariffs and Trade (GATT), to be replaced in 1995 by the World Trade Organization (WTO).<br />

Inevitably these changes led to structural transformations and a number of artworks designed specifically to<br />

integrate with walls, windows and ducts, could not be moved. Different persons and tastes meant that some<br />

of these works disappeared from view, stored or covered over. Fortunately in 2007 a group of staff members<br />

and art experts was able to unveil these treasures which are now on view.<br />

The WTO has recently published a remarkable and fascinating brochure containing photographs of murals<br />

painted by Maurice Denis, Sean Keating, Gustave-Louis Jaulmes and Dean Cornwell, Jorge Colaço’s tiled<br />

panels, the Delft panel of Albert Hahn and Luc Jaggi statues, as well as the former office of the Director-<br />

General, the Library and the grounds.<br />

This publication is available from the WTO Library in English, French and Spanish, at the price of CHF 20.-<br />

Old timers among ILO former staff members will certainly wish to express their warm appreciation to all<br />

those in the WTO who have enabled this remarkable restoration, which brings again to life major symbols of<br />

the nobility of human endeavour, consecrated at the ILO immediately after the First World War, in the form<br />

of paintings, statues and other artworks to the glorification of labour. It also pays tribute to all those who,<br />

since the creation of the ILO, have strived within these walls to pursue their ideals for social justice. What is<br />

now missing in the William Rappard Center is that fragrance of wax-polished flooring that once embalmed<br />

the corridors with the irresistible atmosphere of a Tyrolean inn. But that, old timers among ILO former staff<br />

members will have stored in their memories.<br />

An Old Timer<br />

54

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