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8.Appendices ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○IndexAACCENT ------------------- 10, 40Adresse -------------------------- 28All Load -------------------------- 55AUDIO IN ------------ 10, 12, 22AUDIO IN MODE -------------- 54AUDIO IN THRU ---------------- 8Avance rapide ------------------ 48BBEAT -------------------- 8, 38, 39BPM SYNCDEPTH ------------------- 9, 38TIME ---------------------- 9, 38CCasque d’écoute --------------- 12Chorus --------------------------- 36CLEARMOTION --------------------- 44PART ------------------------- 43SONG ------------------------ 49CLOCK --------------------------- 53COMPRESSER ---------------- 37COPY PART -------------------- 43CréationMorceau --------------------- 49Motif -------------------------- 35DData Dump ---------------------- 58DECIMATOR -------------------- 37DELAYBPM SYNC ------------- 9, 38MOTION SEQ ---------- 9, 38Delay avec modulation ------- 37DELAY MOTION SEQ --------- 9DELETEPATTERN -------------------- 50SAMPLE --------------------- 32Départ ---------------------------- 28DEPTH ---------------------------- 9Diagramme ---------------------- 13DISTORTION ------------------- 37EEchantillon (Sample)Ecoute ------------------------ 14Edition ------------------------ 27Effacement ------------------ 32Effacement d’un ----------- 32Enregistrement ------- 23, 27Jeu ---------------------------- 27Qu’est-ce -------------------- 14Sélection --------------------- 27Echelle --------------------- 38, 39EcouteMorceau (Song) ----------- 13Motif (Pattern) -------------- 14Sample ----------------------- 14EDIT 1 ----------------------------- 9EDIT 2 ----------------------------- 9EditionDelay ------------------- 16, 36Effect ------------------- 16, 36Morceau --------------------- 50Motif rythmique ------------ 18Séquence de mouvement 45Son ---------------------------- 16Son d’une partie ----- 17, 35Effacement ---------------------- 19EFFECT---------------------- 9, 35EFFECT MOTION SEQ ------- 9Effet ------------------------------- 36END ------------------------------- 28EnregistrementEchantillon ------------------ 27En temps réel -------------- 19Pas à pas -------------------- 18Séquence de mouvementsde retard --------------------- 42Séquence de mouvementsd’effet ------------------------- 41Temps réel ------------------ 19Entrées audio ------------------- 22ERASE --------------------- 19, 43Event Recording --------------- 51FFADEOUT ----------------------- 28FILTER --------------------- 10, 36Filtre avec résonance --------- 37Fin --------------------------------- 28Flanger --------------------------- 36FLG.CHO. ----------------------- 36Fonction Time Slice ----- 24, 30Fondu ----------------------------- 28Formatage ----------------------- 55GGLOBAL -------------------------- 8IINSERT PATTERN ------------ 50ISOlATOR ----------------------- 37JJeuEchantillon (Sample) ----- 27Morceau (Song) ----------- 48Motif (Pattern) -------------- 33Pattern Set ------------------ 25LLED de mesure ----------------- 8LED de pointe ------------------- 8LED ORIGNAL VALUE -------- 9LED Select ---------------------- 11LENGTH ------------------- 38, 39Length ---------------------------- 18LEVEL ---------------------- 10, 36Liste des noms de morceaux 62Liste des noms de motifs ---- 62Liste des noms d’échantillons -62Logement SmartMedia ------- 12longueur-------------------- 38, 39MMASTER VOLUME ------------ 8Matrice ---------------------------- 8MémorisationGlobal ------------------------ 56Morceau (Song) ----------- 52Motif (Pattern) -------- 20, 47MEMORY ------------------------ 32Memory Protect ---------------- 56Mesure --------------------- 38, 39METRONOME ----------------- 53MIDICanaux ----------------------- 57Ch ----------------------------- 54Clock-------------------------- 53Connecteurs ---------------- 12NOTE NO. ------------------- 54MIDI CH -------------------------- 54MOD. DELAY ------------------- 37ModeGlobal ------------------------ 53Pattern ----------------------- 33Sample ----------------------- 27Song -------------------------- 4860
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○8.AppendicesModulateur en anneau ------- 37Module générateur ------------ 25Morceau (Song)Ecoute ------------------------ 13Jeu ---------------------------- 48Tap Tempo ------------ 15, 48Tempo ------------------ 15, 48Motif (Pattern)Ecoute ------------------------ 14Jeu ---------------------------- 33Mémorisation --------------- 20Qu’est-ce -------------------- 14Tap Tempo ------------ 15, 33Tempo ------------------ 15, 33Motif rythmique ----------------- 18MOTION DEST. ---------------- 45MOTION SEQ ------------------- 9Motion Sequence -------------- 21MOTION VALUE --------------- 45NNiveau d’entrée ---------------- 12NORMALIZE -------------------- 31NOTE NO. ----------------------- 54Note-on/off ---------------------- 57NRPN ----------------------------- 57OORIGNAL VALUE -------------- 9PPAN ------------------------- 10, 36Panoramique ------------------- 10PART MUTE -------------------- 34PART SOLO -------------------- 34PartieAccent ------------------------ 10Assourdissement ---------- 10Audio In ---------------------- 10PART MUTE ---------------- 10Qu’est-ce -------------------- 15Slice Sample --------------- 10Partie Audio In ------------ 10, 22PATTERN -------------- 8, 33, 49Pattern Play --------------------- 33Pattern Set Play ---------------- 25PATTERN SET Touche ------- 11PEAK ------------------------------ 8PHASER ------------------------- 36PITCH ---------------------------- 36PITCH SHIFTER--------------- 37PITCH/SPEED ----------------- 10POSITION ----------------------- 49RResample ------------------------ 24Resampling --------------------- 28Reset & Play -------------- 33, 48RESO. FILT. --------------------- 37Retour en arrière -------------- 48REVERB ------------------------- 36REVERSE ------------------- 9, 35Rhythm Pattern ---------------- 18RING MOD. --------------------- 37ROLL ------------------------- 9, 35ROLL TYPE --------------------- 40SSAMPLE -------------------------- 8SampleAssignation ----------------- 35Ecoute------------------------ 14Enregistrement ------------- 23Qu’est-ce -------------------- 14Sélection --------------------- 27Sample Load ------------------- 56Sauvegarde --------------------- 55Section édition du son -------- 16SELECT-------------------------- 11SélectionMorceau --------------------- 48Motif -------------------------- 33Sélection des partie ----------- 34Séquence de mouvementsd’effet ----------------------------- 41SHIFT----------------------------- 11SmartMediaAll Load ---------------------- 55Format ----------------------- 55Sample Load --------------- 56Save -------------------------- 55SOLO ----------------------- 10, 34SONG ------------------------ 8, 48Song (Morceau)Ecoute------------------------ 13Tap Tempo ------------ 15, 48Tempo ------------------------ 15Song Play------------------------ 48Spécifications ------------------- 59SPEED --------------------------- 36START ---------------------------- 28Swing ----------------------------- 39Synchronisation ---- 26, 53, 57TTAP -------------------------------- 10Tap Tempo ----------- 15, 33, 48TEMPO--------------------------- 48TempoMorceau (Song) ----- 15, 48Motif (Pattern) -------- 15, 33TIME ------------------------------- 9TIME SLICE--------------- 10, 30Touches de modes ------------- 8TRUNCATE --------------------- 31TYPE ------------------------------ 9VVOLUME PRINCIPAL --------- 8WWRITE------- 8, 32, 47, 52, 568.Appendices61
Page 1 and 2:
Merci d’avoir fait l’acquisitio
Page 3 and 4:
Table des matières1. Introduction
Page 5 and 6:
Ensemble de motifs définis (PATTER
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Page 9 and 10: ○ ○ ○ ○ ○ ○ ○ ○ ○
Page 11 and 12: ○ ○ ○ ○ ○ ○ ○ ○ ○
Page 14 and 15: 3.Fonctionnement de base (pour dém
Page 26: 3.Fonctionnement de base (pour dém
Page 29 and 30: ○ ○ ○ ○ ○ ○ ○ ○ ○
Page 34 and 35: 5.Mode Pattern (motifs)○ ○ ○
Page 48 and 49: 6.Mode Song6. Mode SongUn “song
Page 50 and 51: 6.Mode Song○ ○ ○ ○ ○ ○
Page 52 and 53: 6.Mode Song○ ○ ○ ○ ○ ○
Page 54 and 55: 7.Mode Global○ ○ ○ ○ ○
Page 56 and 57: 7.Mode Global○ ○ ○ ○ ○
Page 58 and 59: 8.Appendices ○ ○ ○ ○ ○
Page 62 and 63: 8.Appendices ○ ○ ○ ○ ○
Page 64: F 1REMARQUE IMPORTANTE POUR LES CLI
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