Untitled - Centro de Artes Universidade Federal de Pelotas

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Dramaturgia de Série de Animação GLEBAS, Francis. Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation. Burlington: Focal Press, 2008. GOLDBERG, Eric. Character Animation Crash Course! Los Angeles: Silman-James Press, 2008. GRISANTI, Jennifer. Story line: Finding Gold in Your Life Story. Los Angeles: Michael Wiese Productions, 2011. HART, John. Art of the Storyboard - Storyboarding For Film, Tv, And Animation. Burlington: Focal Press, 2007. _________. How to Draw Animation - Learn the Art of Animation from Character Design to Storyboards and Layouts. New York: Watson-Guptill, 1999. HEDGPETH, Kevin. Exploring Character Design. New York: Delmar Cengage Learning, 2005. HIGGINS, Tory Edward. KRUGLANSKI, Arie. Social Psychology: Handbook of Basics Principles. New York: The Guilford Press, 2007. __________________________________. Social Psychology: A General Reader. New York: Psychology Press, 2003. HOOKS, Ed. Acting for Animators, Revised Edition: A Complete Guide to Performance Animation. Portsmouth: Heinemann Drama, 2003. JACKSON, H.J. (editor). Samuel Taylor Coleridge – The Major Works. Oxford: Oxford University Press, 2009. JUNG, Carl Gustav. Tipos Psicológicos. Obras Completas de Carl Gustav Jung VI. Petrópolis: Vozes, 2008. _______________. O homem e Seus Símbolos. Rio de Janeiro: Nova Fronteira, 2008. _______________. Os Arquetipos e o Inconsciente Coletivo. Obras Completas de Carl Gustav Jung IX. Petrópolis: Vozes, 2002. _______________. O Desenvolvimento da Personalidade. Obras Completas de Carl Gustav Jung XVII. Petrópolis: Vozes, 1998. KATZ, Steven D. Film Directing Shot by Shot: Visualizing from Concept to Screen. Los Angeles: Michael Wiese Productions, 1991. KING, D. WERTHEIMER, Michael. Max Wertheimer and Gestalt Theory. Piscataway: Transaction Publishers, 2007. LALLO, M.J. WRIGHT, Jean Ann. Voice-Over for Animation. Burlington: Focal Press, 2009. LEWIS, Pamela. Talking funny for money: an introduction to the cartoon/ character/ looping área of voice-overs. New York: Applause Books, 2003. 288
Dramaturgia de Série de Animação MUIR, Shannon. Gardner’s Guide to Writing and Producing Animation. Chicago: Garth Gardner Company, 2007. MULLIN, Molly Ann (et al). Word of mouth: a guide to comercial and animation voice-over animation. Los Angeles: Silman-James Press, 2006. PIERRE, WEIL. TOMPAKOW, Roland. O Corpo Fala – A Linguagem Silenciosa da Comunicação Não- Verbal. Petrópolis: Vozes, 1986. PILLING, Jayne. A Reader in Animation Studies. Blomington: Indiana University Press, 1999. PROPP, Vladimir. Morphology of the Folktale. University of Texas Press, 2009. PURCELL, John. Dialogue Editing for Motion Pictures: a Guide to the Invisible Art. Burlington: Focal Press, 2007. SCOTT, Jeffrey. How to Write for Animation. New York: Overlook Press, 2003. SIMON, Mark. Storyboards: Motion in Art. Burlington: Focal Press, 2006. SONNENSCHEIN, David. Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Los Angeles: Michael Wiese Productions, 2002. STEINBERG, Laurence. Adolescence. New York: McGraw-Hill, 2010. TODOROV, Tzvetan (et al.) Análise Estrutural da Narrativa. Petrópolis: Vozes, 2008. TUMMINELLO, Wendy. Exploring Storyboarding. New York: Thomson Delmar Learning, 2004. VOGLER, Christopher. A Jornada do Escritor. Rio de Janeiro: Nova Fronteira: 2006. WEBBER, Mrilyn. Gardner’s Guide to Feature Animation Writing: The Writer’s Road Map. Chicago: Garth Gardner Company, 2002. WELLINS, Mike. Storytelling through Animation. New York: Charles River Media, 2005. WELLS, Paul. Re-Imagining Animation: Contemporary Moving Image Cultures. Laussane: AVA Publishing, 2008. _________. Basics Animation: Scriptwriting. Laussane: AVA Publishing, 2007. _________. Fundamentals of Animation. Laussane: AVA Publishing, 2006 _________. Animation – Genre and Authorship. Brighton: Wallflower Press, 2002. _________. Understanding Animation. New York: Routledge, 1998. WRIGHT, Jean Ann. Animation Writing and Development: From Script Development to Pitch. Burlington: Focal Press, 2005. 289
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Sérgio Nesteriuk 1ª edição Uma
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Agradeço: Rune Tavares, idealizado
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Dramaturgia de Série de Animação
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Dedico este livro a Andrea, Natasha
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