Kunst - Buchhandlung Walther König

Originalität, Wiederholung, Zeit und Materialität sind zentrale Ansatzpunkte,
um das Werk der amerikanischen Konzeptkünstlerin Sherrie Levine
zu fassen. Sie stellte einen der zentralen Begriffe der Moderne, den der künstlerischen
Originalität, geradezu auf den Kopf, indem sie beispielsweise Photographien
von Walker Evans direkt aus Katalogen ablichtete und ausstellte.
Die Publikation „Pairs and Posses“ zeigt erstmals eine Werkschau skulpturaler
Paare und Dreiergruppen, die nicht nur auf unsichtbare Vorbilder verweisen,
sondern die jeweiligen Gegenstücke auch selbst präsentieren.
1454365 29,80
LIEBERMANN, MAX – Scheer, Regina. Max Liebermann erzählt aus
seinem Leben s. S. 9
LOZANO, LEE. Notebooks 1967–70.
New York 2009. 4to. 220 S. durchgehend
mit Zeichn. & handschriftl. Text,
brosch.
This publication is a compilation of Lee Lozano’s
notebooks from 1967 to 1970, and
the three included here contain her seminal
„Language Pieces“ and drawings for her
paintings, including twelve studies for her
11-panel masterpiece, „Wave Series“. Twenty
years ago, Lozano’s notebooks were photocopied
and it is that record which serves as
the basis for this book making Lozano’s
process and small graphic works, and their
context, widely available for the first time.
1447125 26,80
LUEG, KONRAD. Kapitalistischer Realismus s. S. 22
MANET, EDOUARD – Rubin, James H.
Initial M, Hand, and Eye. Paris 2010.
4to. 416 S. mit 350 meist farb., teils
ganzseit. Abb., Bibliographie, Index,
Ppbd. in Schuber.
How Edouard Manet, the urbane and diffident
son of a bourgeois family became the
father of both Realism and Impressionism
is a complex and fascinating story that has
too often been reduced to textbook clichés.
As Manet has become recognized as a
touchstone for historical change but also
for interpretations of how that change came
about, his individual story has become all
the more relevant to the study of art history. Moreover, far from being an artists
to shrink behind his work, one of Manets most characteristic practices
was to leave an indelible trace of his own personal identity within his paintings,
as illustrated throughout the volume by eminent scholar James H.
Rubin. This lavishly illustrated volume is presented in a handsome box set,
and offers a comprehensive and original angle of study on the great master.
1450817 98,–
MATISSE, HENRI – Blum, Sirley Neilsen. Rooms with a View. London
2010. 4to. 192 S. mit 129 (98 farb., teils ganzseit.) Abb., Bibliographie,
Chronologie, Index, Ppbd.
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